African-American Oscar History Pt. 2

Posted by donnamarie on February 21, 2015

Last year’s 86th Academy Awards marked a historic night for black filmmakers at the Oscars. It’s the first time a black film – 12 Years a Slave — won best picture; the Academy’s most prestigious award. John Ridley won for Best Adapted Screenplay and Steve McQueen won as Producer.

Steve McQueen-Director/Producer

John Ridley – Screenwriter

Book

But, as the 1959 Grammy Award winning vocalist Dinah Washington sang: “What a Difference a Day Makes.”

I’m recognizing and celebrating the accomplishments of Black Artists in Hollywood; especially considering the lack of African-American nominations for this year’s 87th Academy Awards.

Oscars 2015: No black actors or female screenwriters, directors or cinematographers were nominated.

History

The 12th Academy Awards is historic for being the 1st Oscar nomination for an African-American and 1st Oscar win. Hattie McDaniel accepted her award in 1940 as Best Actress in a Supporting Role for “Gone With the Wind” as the character – Mammy.

Hattie McDaniel

However, if David O. Selznick (Producer, film studio executive) hadn’t pulled a favor, she might not have been able to deliver her acceptance speech at all. At the time, the Cocoanut Grove nightclub (located in the Ambassador Hotel) was segregated so Ms. McDaniel wasn’t even allowed entrance. Selznick pulled another favor so she could be seated at a table at the very back of the room with her agent. To add insult to injury, Hattie McDaniel wasn’t allowed to speak her own words, the acceptance speech was written by the studio.

Despite all the prejudice, Hattie McDaniel – who at the time was one of the biggest African-American actors in the world -promoted herself for the nomination. After the release of the movie, she placed a stack of outstanding film reviews on O. Selznick’s desk and the rest is history.

First Best Actress Oscar

In 2002, Halle Berry became the 1st (and to date) only African-American to win the Academy Award for Best Actress. The Oscar was for the film “Monsters Ball”.

Halle Berry 2002 Best Actress

Dorothy Dandridge – (November 9, 1922 – September 8, 1965) is the 1st African-American actress to be nominated for a Best Actress Oscar in 1954 for her performance in “Carmen Jones.” She has been recognized with a star on the Hollywood Walk of Fame and was married to dancer Harold Nicholas. Check out my previous post on the Nicholas Brothers here.

Dorothy Dandridge

Halle Berry portrayed her life in the HBO biographical film “Introducing Dorothy Dandridge” in 1999.

Watching Halle’s acceptance speech again while researching this post, I burst into tears reliving her emotion as she tries to process the win and the historical significance of this moment. Looking forward to the acceptance speech of our second Best Actress Oscar Winner.

Halle and Denzel Oscars

This win also marked the 1st time two African-American performers won in leading role Oscars in the same year (Denzel Washington, Training Day).

Best Supporting Actress

1st to Win: Hattie McDaniel “Gone With the Wind” 1940

Hattie McDaniel 1940 Oscars

Although known as an actress she was a professional singer-songwriter, comedian, stage actress, radio performer, and television star; she was the first black woman to sing on the radio in the U.S. and has two stars on the Hollywood Walk of Fame. In 1975, she was inducted into the Black Filmmakers Hall of Fame and in 2006 became the first black Oscar winner honored with a US postage stamp.

Hattie McDaniel was also the oldest African-American actress to win an Academy Award (age 44).

Finally – 50 Years later the 2nd Winner!

Winner: Supporting Actress – Whoopi Goldberg “Ghost” 1990

First African-American actress to receive two acting nominations overall.
Second African-American actress to win Best Supporting Actress.

Whoopi Goldberg 1990 Best Supporting Actress

Winner: Supporting Actress – Jennifer Hudson “Dreamgirls” 2006

Jennifer Hudson 2006 Oscar

First African-American actor (male or female) to win an Academy Award for a debut film performance.
Youngest African-American actress to win or be nominated for Best Supporting Actress.
Youngest African-American actor (male or female) to win an Academy Award (age 25).
First African-American actress to win an Academy Award for a musical film.

Oldest African-American actress to be nominated for an Academy Award (age 83) – Ruby Dee “American Gangster” 2007.

Ruby Dee

For her life and career see my previous post here: Ruby Dee

Winner: Supporting Actress – Mo’Nique “Precious” 2009

Mo’Nique

Second film to feature African-American nominees for both Best Actress and Best Supporting Actress.

Octavia Spencer

Winner: Supporting Actress – Octavia Spencer “The Help” 2011

Third film to feature African-American nominees for both Best Actress and Supporting Actress.

Winner: Supporting Actress – Lupita Nyong’o “12 Years a Slave” 2013

First black African (Kenyan) actress to be nominated.
First black African to win in any category.
Second black actor to win for a debut performance.

Denzel Washington, Louis Gossett, Jr, Sidney Poiter, Halle Berry

Oscar Winners

Hattie McDaniel

John Ridley – Screenwriter

Steve McQueen-Director/Producer

The Oscars

Rupert Crosse-Best Supporting Actor

12 Years a Slave

Congratulations and Cheers to these exceptional artists!

We’ve come a long way, but we’ve still got a long way to go.

African-American Oscar History Pt. 1

Posted by donnamarie on February 18, 2015

In honor of Black History Month

Celebrating the accomplishments of Black Artists in Hollywood; especially in light of the lack of African-American nominations for this year’s 87th Academy Awards.

Oscars 2015: No black actors or female screenwriters, directors or cinematographers were nominated.

Our First Best Actor

In 1958, Sidney Poiter became the first black actor to be nominated for an Academy Award in the Best Actor category for “The Defiant Ones.” In 1963, he went on to make history and become the first to win the Oscar for Best Actor in “Lillies of the Field.” I saw the film as a kid and although it was quite popular never expected him to take home the statue.

However, Hollywood did love him. I believe they saw him as non-threatening due to his mild-mannered characterizations. He was quoted as saying he had concerns that he would be seen as a token and never given any substantial roles. Well, his Detective Virgil Tibbs in the film “In the Heat of the Night” sure put that fear to bed. Slapping a white man in racist Mississippi in 1967 was a bold and hand clapping moment in the theater. Poitier was nominated for a Golden Globe for Best Actor and the film won five Academy Awards, including the 1967 award for Best Picture.

Sidney Poiter 1963 Oscar for Best Actor

Oscar Accomplishments:

First African-American nominated for Best Actor award
First black male to win an Oscar
First black actor to win Best Actor
First to receive two acting nominations (Best Actor)
Youngest black actor to win Best Actor (37)

It took 36 years for another win in the Best Actor category, but finally Denzel Washington was recognized by the Academy for his portrayal of Alonso Harris in “Training Day” making him the second black actor to win the Oscar.

1999 also marked the first time two African-American performers won leading role Oscars in the same year. (Halle Berry, “Monster’s Ball“)

Denzel Washington and Halle Berry “Best Actors.”

Denzel Washington has the most nominations for an African-American Actor: Best Actor (4 nominations) and Best Supporting Actor (2 nominations).

Jamie Foxx 2004 Oscar Best Actor

Jamie Foxx was awarded the 2004 Oscar for Best Actor as Ray Charles in the biopic “Ray”. That same year, he was nominated for the Academy Award for Best Supporting Actor for his role in the action film Collateral making him the first African-American actor to receive two acting nominations in the same year.

Forest Whitaker Best Actor 2006

Forest Whitaker is the fourth and most recent African-American male to win the Academy Award for Best Actor for his performance as the Ugandan dictator Idi Amin in the 2006 film “The Last King of Scotland.”

Best Supporting Actor

First Nominated: Rupert Crosse – “The Reivers” 1969

First to Win: Louis Gossett, Jr – “An Officer and a Gentleman” 1982

Winner: Supporting Actor – Denzel Washington “Glory” 1989

Youngest African-American male actor to win an Academy Award (age 29) – Cuba Gooding, Jr. “Jerry Maguire” 1996

Oldest African-American actor to win an Academy Award (age 67) – Morgan Freeman “Million Dollar Baby” 2004

Rupert Crosse-Best Supporting Actor

Louis Gossett, Jr.

Denzel Washington

Cuba Gooding, Jr.

Morgan Freeman

Congratulations and Cheers to these exceptional artists!

Part two in this series will focus on the achievements of African-American Women in film.

Macabre the 13th

Posted by donnamarie on February 13, 2015

I really don’t need an excuse to watch the creepy, macabre “What Ever Happened to Baby Jane?” (1962) but on Friday the 13th it just seems apropos.

This film showcases not only the destructive rival between two sisters Baby Jane Hudson (Bette Davis) and Blanche Hudson (Joan Crawford) but also the real life, career-long rival between the actresses. That’s at the center of what makes this such a fabulous movie. I can just see Bette’s wheels turning as she relishes her slow, ongoing torture of Joan, her on-screen nemesis.

Directed by Robert Aldrich from the novel by Henry Farrell, the story revolves around former child star – Baby Jane Hudson who can’t make the successful transition to film unlike her sister Blanche who spent her childhood in Baby Jane’s shadow. But, because of a car accident, Blanche is left crippled and Jane is begrudgingly forced to take care of her. Emphasis on the begrudging! – The result? – 133 minutes of pure on the edge of your seat, I can’t believe she just did that, sadomasochist Baby Jane Hudson.

Baby Jane – “I’ve Written a Letter to Daddy”

Blanche Hudson

For full disclosure, I’ve always loved Bette Davis! Check out my previous post, If it’s Sunday, break out the hankies! Bette always sought out challenging roles and wasn’t afraid to “go there.” As a matter of fact, in her first acclaimed film, “Of Human Bondage” she both emotionally and physically portrayed the grotesque nature of her character. She made her appearance “haggish” wanting to express the true physical appearance of someone with tuberculosis.

The success of “What Ever Happened to Baby Jane” re-energized both actresses careers in the 60’s as the “psycho-biddy” subgenre of horror/thriller films featuring psychotic older women came into vogue. Two other movies that followed the trend were Aldrich’s Hush… Hush, Sweet Charlotte and What Ever Happened to Aunt Alice?.

“What Ever Happened to Baby Jane?” was nominated for 5 Academy Awards, winning one for Best Costume Design.

Academy Award for Best Actress (Bette Davis, nominee)
Academy Award for Best Actor in a Supporting Role (Victor Buono, nominee)
Academy Award for Best Costume Design, Black and White (Norma Koch, winner)
Academy Award for Best Cinematography, Black and White (nominee)
Academy Award for Best Sound (Joseph D. Kelly, nominee)

So, on this Friday the 13th if you’re looking for a treat – I recommended spending a little time with the Hudson sisters and find out – “What Ever Happened to Baby Jane?”

What’s Love Got to Do with It?

Posted by donnamarie on January 29, 2015

Angela Bassett’s performance of Tina Turner’s iconic “Proud Mary” in the biopic, “What’s Love Got to Do With It?”(1993) is a tour de force tribute to my favorite “girls rock” musical numbers from films with dynamic female leads.

James Brown may have been the hardest working man in show business, but he wasn’t being physically abused every day by his spouse. Unlike Tina Turner, the hardest working woman in show business who simultaneously raised a family while delivering show stopping, gut wrenching vocals that, at that time, girls weren’t suppose to be able to deliver.

Quoting my favorite critic – the late Roger Ebert’s review from 1993 – “…ranks as one of the most harrowing, uncompromising showbiz biographies I’ve ever seen.”

Bassett kills it with her living, breathing and – Whoa, check out those guns – transformation paying homage to the Queen of Rock – Tina Turner!

This is Angela Bassett’s hard work paying off; seamlessly blending Tina’s vocals with a powerful performance of her hard rockin’ hit – “Proud Mary”.

Tina Turner’s (Anna Mae Bullock) life is a testament to her resilience. I’ve been fortunate enough to see her live and believe me she is truly a force of energy “leaving it all on the stage” with every performance. “Proud Mary” (written in 1969 by singer/songwriter John Fogerty and recorded by his band Credence Clearwater Revival) is one of her most recognizable signature songs.

Tina’s interpretation is worlds away from the original southern rock version. With a completely different arrangement, it opens with Tina teasing that sometimes the audience might like to hear them do a song “nice and easy” but “we never, ever do nothing nice and easy” we always do it “nice and rough”. She further sets up the number by enticing the crowd with they’re going to do the first part “nice” but they’re going to do the finish “rough”.

The song reached #4 on the pop charts on March 27, 1971 and won the Grammy Award for Best R&B Vocal Performance by a Group in 1972.

Tina lived a life of poverty growing up in Nutbush, TN in the 1940’s, but found solace in the spirit and freeing experience of music and singing in the choir of her Southern Baptist church. She began her musical career in St. Louis in the 1950’s singing in Ike Turner’s Kings of Rhythm band.

Ike Turner (her husband) ended up trying to destroy not only her passion but her life. With hate in his heart and jealousy of her talent, he systematically physically and mentally abused her for years. However, through her strength of will and perseverance, she fought back, sued for divorce, and walked out the courtroom in 1978 (in spite of what Ike tried to prevent) with her dignity and above all – Her Name!

I love Tina Turner and smile because this routine has been performed more than once in the living rooms, basements, wherever by a generation of “rock girls” (myself included). Tearing it up, whipping our hair back and forth and just knowing we are too doggone hot!

This performance of “Proud Mary”(1971) showcases the dynamic energy and incredible legs of the one, the only, the incomparable – Miss Tina Turner!

Spark the Fire – What it Means to be Young!

Posted by donnamarie on January 19, 2015

This new year I’m starting out with a series of tributes to my favorite “girls rock” musical numbers from films with dynamic female leads.

This post is my salute to Diane Lane (Ellen Aim) and to one of the great bass thumping, energy boosting, heart-stirring numbers I love from the 80’s. (Giving credit where credit is due, those incredible vocals were performed by Holly Sherwood; another unsung, backup hero.)

Streets of Fire 1984

My emotional connection to this song has not diminished. It’s still as powerful and meaningful to me as when I first embraced it over 20 years ago. Penning this post was difficult but also cathartic. To write this piece from truth, I had to acknowledge my own struggle to reconcile the ideal with the real. My vision of myself as the rebel, the dreamer and the one determined to not look back with regret.

“Tonight is What it Means to be Young” amplifies those feelings of that perfect love, staying true to one’s self, and the reality of having to let go.

This driving beat is palpable. It’s a CPR pumping of blood sent to both quicken and relieve the relentless pain Ellen Aim is feeling after losing the love of her life; the embodiment of her dream of an “angel.”

Rockin’ that hot red dress, she channels acceptance and remembrance of another time and another place of youth and the promise of love.

I’ve got a dream when the darkness is over
We’ll be lyin’ in the rays of the sun
But it’s only a dream and tonight is for real
You’ll never know what it means
But you’ll know how it feels

It’s gonna be over
Before you know it’s begun
It’s all we really got tonight
Tonight is what it means to be young
Tonight is what it means to be young

Souls of 2014

Posted by donnamarie on December 30, 2014

It’s hard for me to believe we’re at the end of another year. Looking back at 2014 and the artistic souls we’ve lost, I re-live joy, sorrow, wonderment, and childhood. Lost a little of my soul in 2014 but gained a new appreciation for what those souls gave to my life and the lives of others.

This retrospect is a beautiful reminder of the dedication, love and craftsmanship that goes into the creation of a film and the experiences we share sitting in a darkened theater. I love the movies (even built a website to celebrate) and the honesty of great actors.

Thank you so much for sharing your gift.

Souls of 2014 shared here at iheartfilmblog.com

Robin Williams

Ruby Dee

Maya Angelou

Lauren Bacall

Don’t Be So Mean Grinch!

Posted by donnamarie on December 19, 2014

“Every Who down in Whoville liked Christmas a lot,
But the Grinch, who lived just north of Whoville, did not.
The Grinch hated Christmas — the whole Christmas season.
Oh, please don’t ask why, no one quite knows the reason.
It could be, perhaps, that his shoes were too tight.
It could be his head wasn’t screwed on just right.
But I think that the most likely reason of all
May have been that his heart was two sizes too small.”

Theodor Seuss Geisel aka Dr. Seuss is one of the most significant authors in American literature. His classic book, “How the Grinch Stole Christmas” has been a lifelong favorite. Known as a children’s author, Dr. Seuss’ cadence and rhyming style (anapestic tetrameter) is both renown and his signature. I believe his gift lies in his ability to convey his philosophy of life in a playful, endearing way. Most of us grew up reading Dr. Seuss and escaping into the wonderful worlds he shared. His other bestselling books bring back precious memories: Green Eggs and Ham, The Cat in the Hat, The Lorax, One Fish Two Fish Red Fish Blue Fish, and Horton Hears a Who!

On December 18, 1966 “How the Grinch Stole Christmas” premiered as a television special and has continued to entertain and touch my life and the lives of countless children both young and old. It relates the tale of the Christmas plot of the mean ole Mr. Grinch to steal the joy of celebration from the residents of Whoville; it’s Seuss’ spiritual lesson for the true meaning of Christmas.

Print ad of Dr. Seuss’ How the Grinch Stole Christmas! 1966

Narrated by the legendary Boris Karloff – also the voice of The Grinch – we are introduced to the world of Whoville and that nasty wasty Grinch.

Boris Karloff and The Grinch

You’re a foul one, Mr. Grinch.
You’re a nasty, wasty skunk.
Your heart is full of unwashed socks, your soul is full of gunk.
Mr. Grinch!
[spoken] The three words that best describe you are as follows and I quote:
[sung] “Stink! Stank! Stunk!”

In this version of the story, we don’t really know why The Grinch hates Christmas and the residents of Whoville. Just that his heart is 2 sizes too small. However in the Jim Carrey movie version of Dr. Seuss “How the Grinch Stole Christmas,”we see the flashback of The Grinch as a child and how because he looks different: green and hairy as an eight-year-old he is taunted and teased by his classmates.

For his crush, he makes a Christmas present and tries to shave his face but ends up with toilet paper stuck all over. Everyone laughs at him – including his crush – so he storms out the room climbing up to his mountain exile. Not seen for years, he becomes an urban legend. Flashing forward to The Grinch and his now adult classmates it isn’t hard to understand why Whoville isn’t his favorite town and therefore the Whos love of Christmas has become a thorn in his side.

So, The Grinch gets this inspired idea after seeing his dog Max get snow on his face that sort of looks like a beard. The plan becomes to dress up as Santa, sneak into Whoville and rip off all the houses of presents, toys and even a piece of cheese from a mouse. So low down. Hence “stink, stank, stunk!”

Poor Max wasn’t really down with the plan but was forced to play his part as a reindeer.

Enter my favorite resident of Whoville, Cindy Lou Who. I’ve loved her all my life. Her innocence and open heart is a testament to – as John Lennon once wrote: “All you need is love.”

“Santy Claus”

“Why?”

Ah, but not even the innocence of Cindy Lou could discourage The Grinch from following thru with his wicked plan.

However, The Grinch would come to realize that Whoville is no ordinary town. Even without presents, toys or roast beast, Christmas would still come.

Joyful Grinch

This timeless message of appreciating what you have in friends and family is a gift often lost in this world of envy and greed. Matthew 16:26 “For what will it profit a man if he gains the whole world and forfeits his soul?” Let’s remember the true meaning of Christmas not only during the holidays but every day of the year.

Merry Christmas!

A Charlie Brown Christmas

Posted by donnamarie on December 4, 2014

Premiered December 9, 1965

A Charlie Brown Christmas will always have a special place in my heart for its honesty, faith, humor and appreciation of a child’s intelligence. I’ve watched every year since its premier in 1965. I fell in love with Charlie and the Peanuts gang, relating to the familiar relationships we all had as children.

Charlie’s sad little Christmas Tree

Charlie Brown is the quintessential “nice guy.” Sweet, awkward and sincere. All the traits that guarantee a life of hell for an 8-year-old boy on the playground. In this musical special, Charlie is depressed about the commercialism of Christmas and seeks ways to enjoy the true meaning of the season; the celebration of the birth of Jesus Christ. Charlie confides his feelings to his best friend Linus who’s also sweet, but also philosophical.

After Linus tells him to stop being so ” Charlie Brownie,” Chuck seeks the advice of his nemesis Lucy (aka Dr. Lucy). We’ve all had a Lucy in our lives. The kid who takes tremendous pleasure in the humiliation and torture of the sweet, awkward and sincere kid on the block. You know – Charlie Brown.

Charlie takes Lucy’s advice to become involved in a Christmas project and becomes the play’s director. However, his vision is the complete opposite of Lucy’s vision of becoming the Christmas Queen. (hey, don’t judge; what’s your fantasy?) Result, my favorite scene:

OMG!! The dance scene is hilarious. Everybody who’s ever seen this has their favorite dancer. I see myself as one of the twin girls with their head and individual hair strands swinging side to side. They look so happy and diggin’ the groove. I love it! My other fave is the little boy doing what I call the Frankenstein. His arms are out in front of him and he’s doing some sort of “running man” dance move. Go ahead baby, get your dance on!

For Charlie, the play’s a disaster. His decision for a Christmas tree being even worse; failing to bring any of the holiday spirit to Charlie Brown.

What a great tree!

I’ve killed it!

But ever faithful, his best friend Linus tells him what Christmas is all about and gives the most memorable soliloquy of my young life. (the Gospel of Luke, chapter 2, verses 8 through 14 from the Authorized King James Version)

I was raised in the church and heard this passage before but never in the context of a cartoon or animation. Quoting the bible in this realm was a bold move but is one of the reasons why I have such respect for the creator, Charles Schultz, and this project.

It reminds me, to this day, don’t forget the reason we celebrate Christmas; it’s the birth of Christ.

Even though Charlie’s day started with doom, gloom, and humiliation (including his dog Snoopy laughing in his face); in the end he finds joy and empathy from his friends.

Let the choir sing:

“Hark the Heralded Angels Sing”

I raised my children on this timeless classic and they continue the tradition. A Charlie Brown Christmas touches my heart in so many ways. The innocence of childhood, the unbridled excess of commercialism on what is a holy holiday. But also the friendships, experiences, and faith that shapes our lives forever.

A Christmas Miracle – The Making of a Charlie Brown Christmas

Gratitude and Miracles

Posted by donnamarie on November 27, 2014

Today marks the start of the holiday season, but it doesn’t officially kick off for me until I’ve watched the Thanksgiving Day Parade and one of my favorite holiday films, Miracle on 34th Street (1947).

Until I see Santa arrive at the end of the parade there can be no Christmas Tree, tinsel, ornaments or stockings. This has been a tradition of mine since I was a kid. Without a doubt, Edmund Gwenn is Santa Claus. No matter what other films he’s made, each character turns into Kris Kringle. (he won the Academy Award for Best Supporting Actor) Gwenn played a cockney assassin in Hitchcock’s Foreign Correspondent in 1940, but all I could scream was “Santa, don’t throw that man off the ledge!”

Edmund Gwenn

(September 26, 1877 – September 6, 1959)

Natalie Wood was precious as Susan, the precocious daughter of Maureen O’Hara (Doris) who doesn’t believe in fairy tales and attends a “progressive” school. Natalie Wood had an illustrious career until her death in 1981. She was able to make the transition from child star to ingenue starring opposite James Dean in Rebel Without a Cause (1955) and Warren Beatty in Splendor in the Grass (1961). Known as a loving, giving person, as well as a star, she’s always had a special place in my heart.

Natalie Wood

(July 20, 1938 – November 29, 1981)

Doris is cynical as a result of a bitter divorce so she’s raising her daughter to be practical and sensible. None of this believing in fairy tales and Santa crap. All was going well until Doris – the parade coordinator asks Kris to replace the drunken Santa originally set for the Macy’s Thanksgiving Parade. Kris is a big hit and becomes Macy’s official Santa resulting in a personal relationship with Doris and Susan.

Maureen O’Hara (born August 17, 1920)

Kris is an immediate influence teaching Susan it’s okay to pretend after she tells him the other kids don’t play with her because she won’t join in their game and act like a zoo animal.

The production took flack from the Catholic League of Decency because how dare you depict a divorced woman with a successful career and a young child as a “normal family.” Yep, 1940’s mentality and morality were hard at work.

Susan learning to act like a monkey!

Just as Doris is learning to have more faith in life and Susan is embracing imagination, Kris’s sanity is questioned and a legal battle ensues to prove that not only is he sane but the one and only Santa Claus. Fred (John Payne) who is Kris’s lawyer and Doris’s boyfriend, understands the importance of the spirit of Santa especially in the lives of Susan and Doris.

John Payne (on left)

(May 23, 1912 – December 6, 1989)

Kris is exonerated and Christmas day has arrived. Susan has asked for a very special present and is disappointed at the Christmas party to see it isn’t under the tree. Doris, in a refreshing change of heart, tells Susan she must have faith.

But, Santa Claus moves in mysterious ways and in the end teaches them both the true value of faith and miracles.

http://dai.ly/xg9vqw

Here’s to Faith and Miracles!

Legendary Director of “The Birdcage” Dies

Posted by donnamarie on November 20, 2014

Mike Nichols, Acclaimed Director of ‘The Graduate,’ Dies at 83

(November 6, 1931 – November 19, 2014)

New York (AP) Mike Nichols, one of America’s most celebrated directors, died on Wednesday from cardiac arrest. He was married to ABC’s news anchor Diane Sawyer. The family will hold a private service this week; a memorial will be held at a later date.

Dryly urbane, Mr. Nichols had a gift for communicating with actors and a keen comic timing, which he honed early in his career as half of the popular sketch comedy team Nichols and May. In films like “The Graduate,” “Who’s Afraid of Virginia Woolf?” and “Carnal Knowledge” and in comedies and dramas on stage, he accomplished what Orson Welles and Elia Kazan but few if any other directors have: achieving popular and artistic success in both film and theater. He was among the most decorated people in the history of show business, one of only a dozen or so to have won an Oscar, a Tony, an Emmy and a Grammy.

For more of his legacy click here:

http://www.nytimes.com/2014/11/21/obituaries/mike-nichols-celebrated-director-dies-at-83.html?emc=edit_na_20141120

R.I.P.

My absolute favorite of his films!

The Birdcage (1996)

What’s not to love about this film? Starring Robin Williams and Nathan Lane the pairing is perfect and the performances are brilliant!

Here’s the plot:

Meet Armand, Albert and their son Val who’s engaged to Barbara Keeley and the rip-roaring evening when their families meet.

Val’s father, Armand, owns The Birdcage, a drag club in South Beach. His domestic partner is Albert, who appears regularly as “Starina”, the show’s star drag queen. Barbara’s father is ultraconservative Republican Senator Kevin Keeley of Stow, Ohio. He is up for reelection and is also co-founder of the “Coalition for Moral Order”.

Fearing the Keeleys reaction if they learn the truth about Val’s parents, Barbara tells her parents that Armand is a cultural attaché to Greece, that Albert is a housewife, and that they divide their time between Greece and Florida; she also changes the family’s last name from Goldman to Coleman to hide their Jewish background.

What could go wrong?

Based on the 1973 stage play by Jean Poiret and the 1978 French-Italian film la Cage aux Folles co-written and directed by Édouard Molinaro; it starred Ugo Tognazzi and Michel Serrault. In Italian, it is known as Il vizietto. An excellent flick definitely worth checking out.

Love the scene with Renaldo teaching Albin to act “straight.” La Cage vs. Birdcage. What do you think?

(Sorry, no subtitles for the trailer but they are available on the DVD)

The Birdcage pays homage but definitely brings its own attitude and flair.

And Hank Azaria as Agador Spartacus is too hilarious!!!!

Directed by	Mike Nichols
Produced by	Mike Nichols Neil A. Machlis
Screenplay by	Elaine May
Based on	La Cage aux Folles by Jean Poiret Francis Veber
Starring	Robin Williams Gene Hackman Nathan Lane Dianne Wiest
Music by	Stephen Sondheim
Cinematography	Emmanuel Lubezki
Edited by	Arthur Schmidt
Production company	Nichols Film Company
Distributed by	United Artists
Release dates	March 8, 1996

Last year’s 86th Academy Awards marked a historic night for black filmmakers at the Oscars. It’s the first time a black film – 12 Years a Slave — won best picture; the Academy’s most prestigious award. John Ridley won for Best Adapted Screenplay and Steve McQueen won as Producer.

But, as the 1959 Grammy Award winning vocalist Dinah Washington sang: “What a Difference a Day Makes.”

I’m recognizing and celebrating the accomplishments of Black Artists in Hollywood; especially considering the lack of African-American nominations for this year’s 87th Academy Awards.

History

The 12th Academy Awards is historic for being the 1st Oscar nomination for an African-American and 1st Oscar win. Hattie McDaniel accepted her award in 1940 as Best Actress in a Supporting Role for “Gone With the Wind” as the character – Mammy.

Despite all the prejudice, Hattie McDaniel – who at the time was one of the biggest African-American actors in the world -promoted herself for the nomination. After the release of the movie, she placed a stack of outstanding film reviews on O. Selznick’s desk and the rest is history.

First Best Actress Oscar

In 2002, Halle Berry became the 1st (and to date) only African-American to win the Academy Award for Best Actress. The Oscar was for the film “Monsters Ball”.

Halle Berry portrayed her life in the HBO biographical film “Introducing Dorothy Dandridge” in 1999.

Watching Halle’s acceptance speech again while researching this post, I burst into tears reliving her emotion as she tries to process the win and the historical significance of this moment. Looking forward to the acceptance speech of our second Best Actress Oscar Winner.

This win also marked the 1st time two African-American performers won in leading role Oscars in the same year (Denzel Washington, Training Day).

Best Supporting Actress

1st to Win: Hattie McDaniel “Gone With the Wind” 1940

Hattie McDaniel was also the oldest African-American actress to win an Academy Award (age 44).

Finally – 50 Years later the 2nd Winner!

Winner: Supporting Actress – Whoopi Goldberg “Ghost” 1990

First African-American actress to receive two acting nominations overall.

Second African-American actress to win Best Supporting Actress.

Winner: Supporting Actress – Jennifer Hudson “Dreamgirls” 2006

First African-American actor (male or female) to win an Academy Award for a debut film performance.

Youngest African-American actress to win or be nominated for Best Supporting Actress.

Youngest African-American actor (male or female) to win an Academy Award (age 25).

First African-American actress to win an Academy Award for a musical film.

Oldest African-American actress to be nominated for an Academy Award (age 83) – Ruby Dee “American Gangster” 2007.

For her life and career see my previous post here: Ruby Dee

Winner: Supporting Actress – Mo’Nique “Precious” 2009

Second film to feature African-American nominees for both Best Actress and Best Supporting Actress.

Winner: Supporting Actress – Octavia Spencer “The Help” 2011

Third film to feature African-American nominees for both Best Actress and Supporting Actress.

Winner: Supporting Actress – Lupita Nyong’o “12 Years a Slave” 2013

First black African (Kenyan) actress to be nominated.

First black African to win in any category.

Second black actor to win for a debut performance.

Congratulations and Cheers to these exceptional artists!

We’ve come a long way, but we’ve still got a long way to go.

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In honor of Black History Month

Celebrating the accomplishments of Black Artists in Hollywood; especially in light of the lack of African-American nominations for this year’s 87th Academy Awards.

Oscars 2015: No black actors or female screenwriters, directors or cinematographers were nominated.

Our First Best Actor

Oscar Accomplishments:

First African-American nominated for Best Actor award

First black male to win an Oscar

First black actor to win Best Actor

First to receive two acting nominations (Best Actor)

Youngest black actor to win Best Actor (37)

It took 36 years for another win in the Best Actor category, but finally Denzel Washington was recognized by the Academy for his portrayal of Alonso Harris in “Training Day” making him the second black actor to win the Oscar.

1999 also marked the first time two African-American performers won leading role Oscars in the same year. (Halle Berry, “Monster’s Ball“)

Denzel Washington has the most nominations for an African-American Actor: Best Actor (4 nominations) and Best Supporting Actor (2 nominations).

Forest Whitaker is the fourth and most recent African-American male to win the Academy Award for Best Actor for his performance as the Ugandan dictator Idi Amin in the 2006 film “The Last King of Scotland.”

First Nominated: Rupert Crosse – “The Reivers” 1969

First to Win: Louis Gossett, Jr – “An Officer and a Gentleman” 1982

Winner: Supporting Actor – Denzel Washington “Glory” 1989

Youngest African-American male actor to win an Academy Award (age 29) – Cuba Gooding, Jr. “Jerry Maguire” 1996

Oldest African-American actor to win an Academy Award (age 67) – Morgan Freeman “Million Dollar Baby” 2004

Congratulations and Cheers to these exceptional artists!

Part two in this series will focus on the achievements of African-American Women in film.

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I really don’t need an excuse to watch the creepy, macabre “What Ever Happened to Baby Jane?” (1962) but on Friday the 13th it just seems apropos.

“What Ever Happened to Baby Jane?” was nominated for 5 Academy Awards, winning one for Best Costume Design.

So, on this Friday the 13th if you’re looking for a treat – I recommended spending a little time with the Hudson sisters and find out – “What Ever Happened to Baby Jane?”

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Angela Bassett’s performance of Tina Turner’s iconic “Proud Mary” in the biopic, “What’s Love Got to Do With It?”(1993) is a tour de force tribute to my favorite “girls rock” musical numbers from films with dynamic female leads.

Quoting my favorite critic – the late Roger Ebert’s review from 1993 – “…ranks as one of the most harrowing, uncompromising showbiz biographies I’ve ever seen.”

Bassett kills it with her living, breathing and – Whoa, check out those guns – transformation paying homage to the Queen of Rock – Tina Turner!

This is Angela Bassett’s hard work paying off; seamlessly blending Tina’s vocals with a powerful performance of her hard rockin’ hit – “Proud Mary”.

The song reached #4 on the pop charts on March 27, 1971 and won the Grammy Award for Best R&B Vocal Performance by a Group in 1972.

Tina lived a life of poverty growing up in Nutbush, TN in the 1940’s, but found solace in the spirit and freeing experience of music and singing in the choir of her Southern Baptist church. She began her musical career in St. Louis in the 1950’s singing in Ike Turner’s Kings of Rhythm band.

I love Tina Turner and smile because this routine has been performed more than once in the living rooms, basements, wherever by a generation of “rock girls” (myself included). Tearing it up, whipping our hair back and forth and just knowing we are too doggone hot!

This performance of “Proud Mary”(1971) showcases the dynamic energy and incredible legs of the one, the only, the incomparable – Miss Tina Turner!

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This new year I’m starting out with a series of tributes to my favorite “girls rock” musical numbers from films with dynamic female leads.

This post is my salute to Diane Lane (Ellen Aim) and to one of the great bass thumping, energy boosting, heart-stirring numbers I love from the 80’s. (Giving credit where credit is due, those incredible vocals were performed by Holly Sherwood; another unsung, backup hero.)

“Tonight is What it Means to be Young” amplifies those feelings of that perfect love, staying true to one’s self, and the reality of having to let go.

This driving beat is palpable. It’s a CPR pumping of blood sent to both quicken and relieve the relentless pain Ellen Aim is feeling after losing the love of her life; the embodiment of her dream of an “angel.”

Rockin’ that hot red dress, she channels acceptance and remembrance of another time and another place of youth and the promise of love.

I’ve got a dream when the darkness is over We’ll be lyin’ in the rays of the sun But it’s only a dream and tonight is for real You’ll never know what it means But you’ll know how it feels

It’s gonna be over Before you know it’s begun It’s all we really got tonight Tonight is what it means to be young Tonight is what it means to be young

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It’s hard for me to believe we’re at the end of another year. Looking back at 2014 and the artistic souls we’ve lost, I re-live joy, sorrow, wonderment, and childhood. Lost a little of my soul in 2014 but gained a new appreciation for what those souls gave to my life and the lives of others.

I’ve got a dream when the darkness is over
We’ll be lyin’ in the rays of the sun
But it’s only a dream and tonight is for real
You’ll never know what it means
But you’ll know how it feels

It’s gonna be over
Before you know it’s begun
It’s all we really got tonight
Tonight is what it means to be young
Tonight is what it means to be young

You’re a foul one, Mr. Grinch.
You’re a nasty, wasty skunk.
Your heart is full of unwashed socks, your soul is full of gunk.
Mr. Grinch!
[spoken] The three words that best describe you are as follows and I quote:
[sung] “Stink! Stank! Stunk!”