To Remake or Not To Remake. That is the Question.

I’m on the record saying I hate remakes. If it was genius in the first place, why mess with it? If it stunk, why bring it back? Are you so ego driven Mr. Director that you feel your “version” outshines, oh say, Alfred Hitchcock‘s Psycho? Or Mr. Director, do you so lack creatively that you cop-out and warm over some – why was it made in the first place (Teenage Mutant Ninja Turtles) flick?

That being said, there are those exceptions. Websters’ definition of a remake is: to make again or anew as in a new form or manner. If a film can pay homage and capture the essence of the original but also bring freshness, I consider that film to be a great remake!

 

This classic has a great remake:

 

Invasion of the Body Snatchers (1956)

 

Directed by Don Siegel and Produced by Walter Wanger, the film starred Kevin McCarthy and Dana Wynter. This 1956 sci-fi thriller taps into a hideous nightmare, what if we went to sleep and awoke as a “pod person?” (Our physical self but void of emotion.) This movie in and of itself is an update of the 1950’s fear of space, atomic energy, and aliens. However, instead of giant mutated spiders, this tale is of an invasion from within.

 

Invasion of the Body Snatchers (1978)

Invasion_of_the_body_snatchers_movie_poster_1978

“From deep space the seed is planted.”

Directed by Philip Kaufman and starring Donald Sutherland and Brooke Adams, this remake ups the ante. It honors the original sense of foreboding but the degree of terror is raised to a pandemic level.

There’s a scene in the original involving a dog that alerts the “pod people” that “Becky” (Dana Wynter) isn’t one of them. In this version they remake the dog scene but takes it to a much freakier place.   Outstanding!

I won’t give away the ending but, holy crap, that was frigging frightening!  Totally fresh update!

 

A box office success, Invasion of the Body Snatchers was well received by critics and is considered by some (myself included) to be among the greatest film remakes.

To Remake or not to Remake. That is the Question.

In this instance – YES!

Josephine Baker – Beyond “Bronze Venus”

josephine baker tiger

Josephine Baker 1920’s

Josephine Baker is most celebrated as the “Bronze Venus” and her infamous “Banana Dance” in Paris c. 1927. However, the sum of her life is so much more! I was blown away by her boldness and sexual freedom, but it wasn’t until I saw the 1991 HBO movie starring Lynn Whitfield as Josephine Baker that I started doing research on her life. Whitfield won an Emmy Award for Outstanding Lead Actress in a Miniseries or a Special—becoming the first Black actress to win the award in this category which seems apropos since Josephine Baker was The Lady of firsts.

 

Lynn Whitfield - Josephine Baker Story 1991

I’ve always been intrigued by Baker’s provocative reputation but had no idea of her involvement in the fight for justice, racial equality, and the civil-rights movement.

Born  Freda Josephine McDonald in St. Louis, Missouri, (June 3, 1906 – April 12, 1975) she was an American-born French dancer, singer, and actress who came to be known in various circles as the “Black Pearl,” “Bronze Venus” and even the “Creole Goddess”. Her parents were Carrie McDonald and Vaudeville drummer Eddie Carson. Growing up poor she started working early cleaning homes and babysitting for wealthy white families.

josephine baker baby

Baker dropped out of school at the age of 13 and lived as a street child in the slums of St. Louis. Her street-corner dancing attracted attention from the Dixie Steppers which lead to her opportunity to appear in the groundbreaking and hugely successful Broadway revue Shuffle Along (1921). She performed as the last dancer in the chorus line, a position where, traditionally, the dancer performed in a comic manner, as if she were unable to remember the dance, until the encore, at which point she would perform it not only correctly but with additional complexity. Baker’s act set in motion the career which would make her an international star.

 

Josephine Baker_Charleston

Josephine Baker dancing the Charleston, 1926

 

Josephine traveled to Paris, France, for a new venture, and opened in “La Revue Nègre” on October 2, 1925, at the Théâtre des Champs-Élysées. Her erotic dancing and performing in next to nothing made her a sensation in Paris. The bohemian culture of interwar Paris embraced Baker’s skin color, allowing her to catapult to stardom. At the Folies Bergère, she performed the Danse Sauvage, wearing a costume consisting of a skirt made of a string of artificial bananas – voila! – a star is born.

 

 

Josephine Baker became the most successful and highest paid American entertainer working in France and the first Black woman to star in a major motion picture. Baker starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tam Tam (1935). She also starred in Fausse Alerte in 1940.

However, despite her acclaim in Europe, upon returning to New York in 1936  to star in the Ziegfeld Follies, she walked right back into good ole American racism. Audiences rejected the idea that a black woman could be so sophisticated and she was replaced by stripper Gypsy Rose Lee later in the run. Time magazine referred to her as a “Negro wench”. She returned to Europe heartbroken.

 

Josephine Baker and the French Resistance of World War II

Josephine returned to Paris in 1937, married a Jewish Frenchman, Jean Lion, and became a French citizen. In September 1939, when France declared war on Germany she was recruited by Deuxième Bureau, French military intelligence, as an “honorable correspondent”. Baker collected what information she could about German troop locations from officials she met at parties. She was awarded the Legion of Honor and given a Medal of Resistance for her work during World War II. She was also the first American woman to receive the Croix du Guerre, a notable French military honor.

josephine baker french 2

Josephine Baker Legion of Honor

 

 Josephine Baker and the Civil Rights Movement

Though based in France, Baker fought for American civil rights in the 1950s and 1960s. When she arrived in New York with her fourth husband French composer and conductor Jo Bouillon, they were refused reservations at 36 hotels because she was black. In 1951 when the famous New York Stork Club refused to serve Baker because she was black, she wrote letters to President Truman and enlisted the aid of the NAACP which focused a spotlight on the issues of inequality and racism in popular establishments.

josephine bakerstork-club-furor

(Stork Club Controversy)

Josephine Baker was one of the few female speakers at the March on Washington for Jobs and Freedom on August 28, 1963, introducing “Negro Women Fighters for Freedom”, including Rosa Parks, Martin Luther King, Jr., and Congressman John Lewis. The NAACP, National Association for the Advancement of Colored People, named May 20th Josephine Baker Day in her honor.

 

josephine_baker march on washington

Josephine Baker in French uniform March on Washington 1963

 

“The Rainbow Tribe”

Long before Angelina Jolie and Brad Pitt’s multicultural family, there was Josephine Baker and her “Rainbow Tribe”. Josephine wanted to prove that “children of different ethnicities and religions could still be brothers.” Baker raised two daughters, French-born Marianne and Moroccan-born Stellina, and ten sons; Korean-born Jeannot (or Janot), Japanese-born Akio, Colombian-born Luis, Finnish-born Jari (now Jarry), French-born Jean-Claude and Noël, Israeli-born Moïse, Algerian-born Brahim, Ivorian-born Koffi, and Venezuelan-born Mara.

 

josephine-baker-children

Josephine Baker and “The Rainbow Tribe”

 

On April 12, 1975, we lost Josephine after she suffered a cerebral hemorrhage, she was 68 years old. She performed right up to her death, starring in a retrospective revue at the Bobino in Paris, Joséphine à Bobino 1975, celebrating her 50 years in show business. The opening night audience included Sophia Loren, Mick Jagger, Shirley Bassey, (best known for recording the theme song to the James Bond film Goldfinger (1964), Diana Ross, and Liza Minnelli.

20,000 people lined the streets of Paris to watch her funeral procession. She received a 21 gun salute, making her the first Black American female to be buried with military honors in France. Josephine Baker leaves behind a legacy of accomplishments including breaking color barriers and fighting for justice and equality around the world. I thank her for channeling her celebrity into championing the rights of all.

 

A celebration of Josephine’s Life and Legacy

“You Can’t Take it With You” 1938

Related image

 

I enjoy classic television just like classic films so I’m hooked on a tv station called METV. Perry Mason with Raymond Burr is one of my favorites so I usually catch an episode daily. I love the convoluted storylines and the less than plausible show ending of the murderer jumping up in court and hysterically coping to the charge; a full confession no less.

I say all this because an episode the other day featured the scenario of the rich father trying to eliminate his son’s less than a suitable new bride; “There’s $50,000 in the safe for you to fly to Paris and get a divorce.” That’s quite the offer.

Anyhoo, that got me thinking about the brilliant, “You Can’t Take it With You” the 1938 American romantic comedy film directed by Frank Capra, and starring Jean ArthurLionel BarrymoreJames Stewart and Edward Arnold.

 

Image result for you can't take it with you

Cast with Director Frank Capra

 

Adapted from the Pulitzer Prize-winning play of the same name by George S. Kaufman and Moss Hartthe film is about a man (Jimmy Stewart) from a family of rich snobs who becomes engaged to a woman (Jean Arthur) who speaks her mind and is from a good-natured but decidedly eccentric family.

The film received two Academy Awards from seven nominations: Best Picture and Best Director for Frank Capra. An iconic director, this was Capra’s third Oscar for Best Director in just five years, following It Happened One Night (1934) and Mr. Deeds Goes to Town (1936). It was also the highest-grossing picture of the year.

I love Jean Arthur’s character (Alice) because she is a strong woman who knows who she is and isn’t afraid to tell Jimmy Stewart (Tony) that his family can go to the blazes because they aren’t better than hers; as a matter of fact, her family understands what Jimmy’s doesn’t, that money isn’t everything and you can’t take it with you. Friends and family are what gives your life worth.

 

Jimmy Stewart and Jean Arthur

 

Alice, sensing that her engagement to Tony will not be well received by his parents informs Tony that if their engagement is to go forward, he must invite his parents to the house to meet her family. I’m not sure what Tony was trying to prove but, he gives his parents the wrong date so the house is in disarray with the usual family “madness” in full view. (I said they were eccentric.)

 

Just another Tuesday night at the Sycamore house.

For me, the lesson of the movie is to live life to the fullest and cherish your family and friends. Don’t worry about being judged by others, they’re probably just jealous of how happy you are and how miserable they feel.

 

In the words of “Auntie Mame” from the 1958 movie.

The City in the Sky 🎆 Metropolis (1927)

 

Metropolis

 

As a film student at The University of Michigan, I was exposed to the masters of cinema – Chaplin, Murnau, Kubrick, Lang, etc. There, we were challenged to critique and look beyond the surface to the underlying themes. “Metropolis” is supreme in incorporating intriguing layers of sub-texture and sub-plots.

Image result for metropolis movie moloch

Moloch Machine

Austrian director Fritz Lang’s German Expressionistic masterpiece helped to develop the science-fiction genre, with innovative imagery from cinematographer Karl Freund, art design by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht and set design by Edgar Ulmer.(set designer for The Phantom of the Opera) It was the last of Lang’s silent films. (Filmsite Movie Review)

 

fritz lang

Friedrich Christian AntonFritzLang (December 5, 1890 – August 2, 1976)

“Metropolis” was not just some sci-fi flick from the silent era, it’s a visually-compelling allegory set in the dystopic, 21st-century city of Metropolis and represents a brilliant critique of the repercussions of man vs. machine and the brutality of the never-ending class struggle.

Establishing the tone of the film, this statement is presented following the opening credits.

THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!

 

“Metropolis” took over 2 years to complete at ten times the budget for the usual Hollywood production of the time and influenced visuals associated with classic films such as; Chaplin’s war against the machines in Modern Times (1936), the mechanical hand of Dr. Strangelove in Stanley Kubrick’s Dr. Strangelove, (1964), or the resemblance between the Maria robot and the droid C-3PO in George Lucas’ Star Wars (1977) trilogy of films, and scenes of Los Angeles in Ridley Scott’s Blade Runner (1982) to name just a few.

This symbolic tale was written by Lang’s wife Thea Von Harbou (from her own novel). Her vision detailed a self-indulgent, futuristic, industrial world built of skyscrapers and bridges incorporating the Art Deco style of the 20s for the 2026 city of Metropolis.

An ultra elite, 1% privileged class of powerful industrialists is juxtaposed with a subterranean environment of the nameless, oppressed and exploited drone-like slave labor class.

Related image

City of Metropolis

Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder (Gustav Fröhlich), the wealthy son of the city’s ruler, and Maria (Brigitte Helm), a poor worker, to overcome the vast gulf separating the classes of their city.

Filming took place in 1925 at a cost of approximately five million Reichsmarks. The art direction draws influence from Bauhaus, Cubist, and Futurist design. (Wikipedia)

Image result for Fritz Lang directing the workers

Fritz Lang directing the workers

As with all great films, “Metropolis” was influenced by the historical events occurring during its time. Centered around the developing Industrial Revolution and depressed economic times, the film also incorporates the rise of fascism in a pre-Hitler Weimar Republic Germany following World War I.

Another influence of the movie’s themes was the rise of the American labor movement and unions during the 1920s due to oppressive working conditions. “Metropolis”, like the Progressive, investigative journalists of the day, took on corrupt politicians and the establishment in an effort to make people aware of the contrast of poverty with the upper-crust classes of the opulent Roaring 20s.

Image result for american labor movement

I’m a steadfast believer that understanding history is empowering. “Metropolis” tackles the rise of immigration into the US and exploitation of workers at the beginning of the 20th century along with Capitalists exploiting labor. It deals with the conversation of doing what’s right versus greed and the power of modern science.

The creation of the evil android Maria (Bridgitte Helm) was an abuse of science but that same knowledge powered the city in the sky and could have been used to enrich the lives of the subterranean slaves.

Related image

Describing these themes and comparisons in “Metropolis” is like writing a piece for The Nation magazine today. The similarities are frightening like George Orwell’s “1984” or H.G. Well’s “The Time Machine”. It’s dismaying to revisit a film I critiqued back in the ’70s, that was made in the ’20s continues to unfold in the year 2019; only 7 years away from the time of the 2026 Art Deco Metropolis city in the sky.

 

Image result for the nation magazine

Does art imitate life or life imitate art? I’m not sure, but in our “reality” tv driven news programming, a low information population, and the “I don’t believe in science” facts, kinda feels like we’re living in the dystopian world of “Metropolis”.

Lest we forget.

THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!

This is a restored version of “Metropolis”

If you’ve never seen it, I highly recommend this viewing experience. But, lasting 2 1/2 hours, prepare to settle in with an extra large bag of popcorn.

 

Die Hard 30th Anniversary

 

Die Hard

IN THEATERS NOV 11th, NOV 14th

New York City Detective John McClane becomes the only hope for a small group of hostages, trapped in a Los Angeles high-rise office building when it is seized by terrorists on Christmas Eve. This 30th Anniversary event includes exclusive insight from Turner Classic Movies.

I have fond memories of the energy and excitement in the theater upon Die Hard’s release and it has remained one of my favorite movies of all time. Although premiering on July 12th,1988, it’s the perfect Christmas themed movie which our family always ends up watching during the Holidays.

The plot of the story takes place on Christmas Eve with NYPD detective John McClane (Bruce Willis) arriving in Los Angeles, intending to reconcile with his estranged wife, Holly (Bonnie Bedelia), at the Christmas party of her employer, the Nakatomi Corporation.

While McClane changes clothes at the festivities, the party is disrupted by the arrival of a German terrorist, Hans Gruber (Alan Rickman), and his heavily armed team: Karl, Tony, Franco, Theo, Alexander, Marco, Kristoff, Eddie, Uli, Heinrich, Fritz, and James. The group seizes the tower and secures those inside as hostages except for McClane, who slips away, and Argyle, (his limo driver) who gets trapped in the garage. (Wikipedia)

Image result for die hard

Let the games begin because McClane is a tough New York cop to his very core and is bound and determined to foil the terrorist takeover as captioned on the movie poster.

“Twelve terrorists. One cop. The odds are against John McClane…That’s just the way he likes it.”

This highly successful American action thriller was directed by John McTiernan and written by Steven E. de Souza and Jeb Stuart. It was produced by the Gordon Company and Silver Pictures and distributed by 20th Century Fox.

Made for $28 million, Die Hard grossed over $140 million theatrically worldwide, with the film turning Willis into an action star, and became a metonym for an action film in which a lone hero fights overwhelming odds. The film’s success created the Die Hard franchise, which includes four sequels, a number of video games, and a comic book, and later in 2017 was selected for preservation in the United States National Film RegistryDie Hard has been named one of the best action and Christmas-themed films ever made. The film also ranks No. 20 on Empires 2017 list of the 100 greatest movies of all time. (Wikipedia)

I didn’t really care for the sequels, but I highly recommend checking out the original on the big screen at this 30th Anniversary screening. Find out where it’s showing in your area here.

iheart Halloween!👻

Halloween is my favorite holiday! It’s a day for self-expression. A day for fun and fantasy. A day for taking control of phobias and fears and turning your back on Freddy Krueger from A Nightmare on Elm Street (1984). Where’s your power now Fred? Way to shut that mess down.

It’s also a day to indulge in all your favorite classic, creepy, monster, sci-fi horror films.

Therefore, in the spirit of Halloween, let’s pay homage to the original man of horror. The “Man of a Thousand Faces”- Lon Chaney.

 Man of a Thousand Faces – Lon Chaney

lon chaney man of a

Lon Chaney (April 1, 1883 – August 26, 1930), born Leonidas Frank Chaney

Born to deaf parents, Lon learned to express himself and communicate visually. He took his desire to become an actor and created an art form and space for himself that was revolutionary to the motion picture industry. His makeup artistry allowed him to transform and become grotesque characters in films like The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). He’s regarded as one of the most important character actors of the silent film era.

lon chaney headshot

The original “monster maker”, he would scout out the daily call sheets for a studio finding out what types of extras were needed for that day’s shoot. He created a make-up toolbox of possibilities for him to achieve the look and characterizations needed to be chosen for a role. This talent was the impetus for his unparalleled reputation in the burgeoning film industry.

 lon unknown poster

This flick is by far my favorite Lon Chaney! 

Chaney’s alliance with Director Tod Browning was inspired! Browning was into the macabre and best known for his films Dracula (1931) and the cult classic Freaks (1932) and Lon Chaney had the acting and makeup skills to realize any twisted character the director could come up with.

My favorite movie line is from their 1927 silent film The Unknown – “crack of your ass”. (okay, I can’t swear that’s what he said) But, seriously, as Alonzo the Armless, he threatened his co-star Joan Crawford with bodily harm if she did not bend to his will. Remember Grandma Klump from Eddie Murphy’s The Nutty Professor(1996)? “You might walk over, but you limpin’ back! “Chaney totally went there. Check it out:

Let’s talk about the level of twisted in this movie:

A word of advice, if you’ve got a thing about someone that’s all consuming and you’d do anything to get with that person, forget about it!

Plot: This crazy man, Alonzo the Armless (Lon Chaney) has a knife throwing act using only his feet and is in love with Nanon (Joan Crawford) who”can’t bear to be touched.” He has arms but pretends not to for his act and so Nanon will talk to him. When it’s discovered that he indeed has arms, he blackmails a low-rent surgeon to amputate them. Sick!

Nanon and Alonzo

lon and nanon

After his surgery, Alonzo returns to the circus and his knife throwing act. Hoping to rekindle his relationship, he strolls over to Nanon’s circus wagon to see his rival Malabar, the circus strongman, (Norman Kerry) with his hands all over his love. Holy crap, it’s on! Alonzo schemes to get his girl back by rigging the speed of Malabar’s horses in his act which will dislocate and sever his arms during the live circus performance.

Alonzo

lon feet

Alonzo’s sick plan is working until Nanon realizes what is happening and tries to stop the performance. And then boom! The”crack of your ass” line. As you saw in the clip, things didn’t really work out the way he saw it play out in his mind.

Malabar

lon malabar stretch

This documentary, Lon Chaney: A Thousand Faces is a great biography for more in-depth background information and presents a great opportunity to discover your own Lon Chaney gem.

Here it is, Lon Chaney: A Thousand Faces

Lon Chaney is also the father of Lon Chaney, Jr best known for his role in Universal’s The Wolfman (1941).

“Hail, Hail Freedonia” – Try the Duck Soup!

Duck Soup.jpg

Duck Soup (1933)

I was first introduced to the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) in one of my favorite classes at The University of Michigan – Cinema. It was more like an afternoon of fun at the movies since in our lecture all we did was analyze and critique classic films.

(top to bottom) Chico, Harpo, Groucho, and Zeppo 1931

◊◊◊

The Marx Brothers laugh riot film, “Duck Soup”, has to go down as one of the best and most hilarious political films of the century! Pure anarchy reigned as the idiocy of war was laid bare and Rufus T. Firefly’s (Groucho Marx) rapid-fire one-liners were pure genius.

Enter Rufus T.

On days we screened The Marx Brothers films, the lecture hall seemed a little bit fuller. I was also guilty of padding the room since I would tell my boyfriend what movie we were reviewing and the Marx Brothers quickly became his and my favorites. “Whatever it is, I’m against it.” Groucho in (“Horse Feathers”1932)

Directed by Leo McCarey and written by Bert Kalmar and Harry Ruby, the film was first released theatrically by Paramount Pictures on November 17, 1933. The storyline of “Duck Soup” involves the wealthy Mrs. Teasdale (Margaret Dumont) insisting that Rufus T. Firefly (Groucho) be appointed the leader of the small, bankrupt country of Freedonia before she will continue to provide their much-needed financial aid. (Wikipedia)

duck soup marx brothers

Groucho, Margaret Dumont, Louis Calhern, and Raquel Torres

◊◊◊

Meanwhile, neighboring country Sylvania is attempting to annex Freedonia. Sylvanian ambassador Trentino (Louis Calhern) tries to instigate a revolution while attempting to woo Mrs. Teasdale. To further tip the scale in his favor, he also tries to dig up dirt on Firefly by sending in bumbling spies Chicolini (Chico) and Pinky (Harpo).

I adore Harpo (Arthur Duer Marx born Adolph Marx; November 23, 1888 – September 28, 1964), he is totally off the wall with his facial expressions and his manic pantomime sight gags! Harpo actually played the harp (hence his nickname) and there was usually a scene in the Marx Brothers movies that featured Harpo playing a beautiful piece on the harp.

Harpo Marx

Harpo playing the harp.

Margaret Dumont is often described as not getting the Brothers humor. In fact, she did. In a 1940 interview, Dumont said, “Scriptwriters build up to a laugh, but they don’t allow any pause for it. That’s where I come in. I ad lib—it doesn’t matter what I say—just to kill a few seconds so you can enjoy the gag”.

Image result for margaret dumont

Personally, I don’t know how she could keep a straight face working with Groucho.

Margaret Dumont would typically portray the rich widow that Groucho was always trying to dupe. He could simultaneously insult and make advances towards her. It was fabulous to watch since his wit and timing were impeccable.

Julius Henry Marx (October 2, 1890 – August 19, 1977)

◊◊◊

Premiering during The Depression, “Duck Soup” was not initially received as well as their previous films. However, critical opinion has evolved and the film has since achieved the status of a classic. “Duck Soup is now widely considered by critics to be a masterpiece of comedy and the Marx Brothers’ finest film. (Wikipedia)

In 1990 the United States Library of Congress deemed Duck Soup “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.

Chico and Zeppo round out the troupe. Chico was known for being the crafty con artist (who was usually teamed with Harpo) and for his broken Italian accent (although the Brothers were Jewish) and Zeppo, who always played the straight man. (This was also Zeppo’s last film with his brothers)

In the famous “mirror scene,” Pinky, dressed as Firefly, pretends to be Firefly’s reflection in a missing mirror, matching his every move—including absurd ones that begin out of sight—to near perfection. In one particularly surreal moment, the two men swap positions, and thus the idea of which is a reflection of the other. Eventually, and to their misfortune, Chicolini, also disguised as Firefly, enters the frame and collides with both of them.

Although its appearance in Duck Soup is the best-known instance, the concept of the mirror scene did not originate in this film. Max Linder included it in Seven Years Bad Luck (1921), where a man’s servants have accidentally broken a mirror and attempt to hide the fact by imitating his actions in the mirror’s frame. Charlie Chaplin used a similar joke in The Floorwalker (1916), though it did not involve a mirror. (Wikipedia)

◊◊◊

“Just Wait ‘Til I Get Through With It” parodies the ridiculous state of politics and sounds all too familiar.

I admit to being a political junkie and the Marx Brothers humor and point of view ring true in how ludicrous and corrupt the political system is. We know it’s a racket, the Brothers know it’s a racket and they have no compunction with sticking that fact right in your face.

Bravo!

If you’re interested in binge-watching The Marx Brothers, Universal Home Video has released Duck Soup on DVD, unrestored but uncut, as part of a six-disc box set The Marx Brothers: Silver Screen Collection, which includes the Brothers’ other Paramount films, The Cocoanuts, Animal Crackers, Monkey Business, and Horse Feathers. Definitely worthy of the buy.

 

Image result for marx brothers dvd collection

 

Happy Viewing!