“The Incredibles” is a 2004 American computer-animated superhero comedy film written and directed by Brad Bird, produced by Pixar Animation Studios, and released by Walt Disney Pictures.
In this lauded Pixar production, married superheroes Mr. Incredible (Craig T. Nelson) and Elastigirl (Holly Hunter) are forced to assume mundane lives as Bob and Helen Parr after all super-powered activities have been banned by the government. While Mr. Incredible loves his wife and kids, he longs to return to a life of adventure and his desire to help people draws the entire family into a battle with superhero obsessed villain –
Syndrome (Jason Lee)
and his killer robot. Omnidroid
I must say that baby Jack-Jack is my favorite “Super”/Parr family member.
Everyone thinks he has no powers and is “normal”. (which is so not true) When I saw this scene with Jack-Jack and his babysitter Kari, I would have spit milk out of my nose (if I was drinking milk😂) Too funny!!
When “The Incredibles” was released I felt it was the best-animated film I’d seen to date. It combined humor with drama and kept the audience engaged from start to finish. There was an audible gasp in the theater during the airplane sequence with Elastigirl and the kids (Dash and Violet).
The Incredibles was written and directed solely by Brad Bird, a departure from previous Pixar productions which typically had two or three directors and as many screenwriters. In addition, it would be the company’s first film in which all characters are human.
Brad Bird came to Pixar with the lineup of the story’s family members worked out: a mom and dad, both suffering through the dad’s midlife crisis; a shy teenage girl; a cocky ten-year-old boy; and a baby. Bird had based their powers on family archetypes.
After several failed attempts to cast Edna Mode, Bird took on her voice role himself. It was an extension of the Pixar custom of tapping in-house staff whose voices came across particularly well on scratch dialogue tracks.
There were 781 visual effects shots in the film and the skin of the characters gained a new level of realism from a technology to produce what is known as “subsurface scattering.”
Critic Roger Ebert of the Chicago Sun-Times awarded the film 3½ stars out of 4, writing that the film “alternates breakneck action with satire of suburban sitcom life” and is “another example of Pixar’s mastery of popular animation.”
The film won the Academy Award for Best Animated Feature, beating two DreamWorks films, Shrek 2 and Shark Tale, as well as Best Sound Editing at the 77th Academy Awards. It also received nominations for Best Original Screenplay (for writer/director Brad Bird) and Best Sound Mixing (Randy Thom, Gary Rizzo, and Doc Kane). It was Pixar’s first feature film to win multiple Oscars, followed in 2010 by Up. (Wikipedia)