For a comprehensive and what I consider a definitive history of one of the original Hollywood Studios – Universal, check out the Documentary – “Universal Horror.” Universal was founded in 1912 by Carl Laemmle and is the world’s fourth oldest major film studio.
Originally airing on Turner Classic Movies in 1998, “Universal Horror” showcases the golden age of 1930’s movie monsters. The film also highlights Carl Laemmle’s family and Carl Laemmle, Jr’s game-changing vision of producing films based on classic horror tales.
The studio is known for such horror classics as Frankenstein (1931) and Dracula (1931), the Universal monster franchise. Dracula is a 1931 American Pre-Code vampire-horror film directed by Tod Browning and starring Bela Lugosi as Count Dracula. The film was produced by Universal and was loosely based on the novel by Bram Stoker.
Casting for the film became problematic initially since Laemmle was not at all interested in Lugosi, in spite of good reviews for his stage portrayal. Laemmle instead considered other popular actors of the day, including Paul Muni and Chester Morris.
Frankenstein is a 1931 American Pre-Code horror monster film from Universal Pictures directed by James Whale. The film stars Colin Clive, Mae Clarke, John Boles and Boris Karloff and features Dwight Frye and Edward van Sloan. Trivia: Bela Lugosi turned down the role saying the monster was just a hulking beast.
In 1991, the Library of Congress selected Frankenstein for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant.
Throughout the documentary, we hear personal accounts and behind-the-scene stories from early stars such as Rose Hobart – co-star in the original film version of Dr. Jekyll and Mr. Hyde (1931), Gloria Stuart – The Invisible Man (1933) and Lupita Tovar – Dracula (1931) Spanish Version.
Forrest Ackerman, (November 24, 1916 – December 4, 2008) was editor and principal writer of the science fiction magazine Famous Monsters of Filmland and recalls his experiences in the documentary of seeing these films first hand. Ackerman’s magazine would provide inspiration to many who would later become successful artists, including Joe Dante, Peter Jackson, Steven Spielberg, Tim Burton, Stephen King, George Lucas, Danny Elfman, John Landis and countless other writers, directors, artists, and craftsmen.
Also affectionately called “Forry,” Ackerman was central to the formation, and spread of science fiction fandom, and a key figure in the wider awareness of science fiction as a literary, art and film genre. Famous for his wordplay he coined the genre nickname “sci-fi”.
Universal Monsters Tribute
The end of Universal’s first run of horror films came in 1936 as the Laemmles were forced out of the studio after financial difficulties and a series of box office flops due partly to censorship and a temporary ban on American horror films in Britain. The release of MGM’s Mad Love and The Raven (both 1935) were the final nail in the coffin for monster movies, being too strong for 1935 tastes, with its themes of torture, disfigurement, and grisly revenge.