Tag Archives: iheartfilm

Gratitude and Miracles 💛

Posted by donnamarie on

 

thanksgiving2012

 

iheartfilm is dedicating the month of November to the lesson of Gratitude in films; the quality of being thankful.

This is a re-post from last year. It so fits the theme of gratitude and is my official movie to kick-off the holiday season. We lost Maureen O’Hara (Doris) last month (more on the late actress here) so this is also a tribute to her career and role in this holiday classic. Enjoy!

Today marks the start of the holiday season, but it doesn’t officially kick off for me until I’ve watched the Thanksgiving Day Parade and one of my favorite holiday films, Miracle on 34th Street (1947).

 

 

Until I see Santa arrive at the end of the parade there can be no Christmas Tree, tinsel, ornaments or stockings. This has been a tradition of mine since I was a kid. Without a doubt, Edmund Gwenn is Santa Claus. No matter what other films he’s made, each character turns into Kris Kringle. (he won the Academy Award for Best Supporting Actor) Gwenn played a cockney assassin in Hitchcock’s Foreign Correspondent in 1940, but all I could scream was “Santa, don’t throw that man off the ledge!”

 

Edmund Gwenn

Miracle Kris

(September 26, 1877 – September 6, 1959)

Natalie Wood was precious as Susan, the precocious daughter of Maureen O’Hara (Doris) who doesn’t believe in fairy tales and attends a “progressive” school. Natalie Wood had an illustrious career until her death in 1981. She was able to make the transition from child star to ingenue starring opposite James Dean in Rebel Without a Cause (1955) and Warren Beatty in Splendor in the Grass (1961). Known as a loving, giving person, as well as a star, she’s always had a special place in my heart.

Natalie Wood

Miracle on i believe

(July 20, 1938 – November 29, 1981)

miracle DorisDoris is cynical as a result of a bitter divorce so she’s raising her daughter to be practical and sensible. None of this believing in fairy tales and Santa crap. All was going well until Doris – the Macy’s parade coordinator – asks Kris to replace the drunken Santa originally set for the Macy’s Thanksgiving Parade. Kris is a big hit and becomes Macy’s official Santa resulting in a personal relationship with Doris and Susan.

Maureen O’Hara (August 17, 1920 – October 24, 2015)

 

Kris is an immediate influence teaching Susan it’s okay to pretend after she tells him the other kids don’t play with her because she won’t join in their game and act like a zoo animal.

The production took flack from the Catholic League of Decency because how dare you depict a divorced woman with a successful career and a young child as a “normal family.” Yep, 1940’s mentality and morality were hard at work.

miracle susan at play

Susan learning to act like a monkey!

Just as Doris is learning to have more faith in life and Susan is embracing imagination, Kris’s sanity is questioned and a legal battle ensues to prove that not only is he sane but the one and only Santa Claus. Fred (John Payne) who is Kris’s lawyer and Doris’s boyfriend, understands the importance of the spirit of Santa especially in the lives of Susan and Doris.

John Payne (on left)

(May 23, 1912 – December 6, 1989)

miracle john

Kris is exonerated and Christmas day has arrived. Susan has asked for a very special present and is disappointed at the Christmas party to see it isn’t under the tree. Doris, in a refreshing change of heart, tells Susan she must have faith.

But, Santa Claus moves in mysterious ways and in the end teaches them both the true value of faith and miracles.

 

 

 miracle end

Cheers to Faith and Miracles!

Ferris Bueller’s Day “On!”

Posted by donnamarie on

iheartfilm is dedicating the month of November to the lesson of Gratitude in films; the quality of being thankful.

“Gratitude turns what we have into enough, and more. It turns denial into acceptance, chaos into order, confusion into clarity…it makes sense of our past, brings peace for today, and creates a vision for tomorrow.”  Melody Beattie

 

“Ferris Bueller’s Day Off” (1986) is my next pick and this is the reason why:

Ferris Bueller gets the meaning of life. He’s the type of person who lives in the moment and shows gratitude every day for his life and the endless adventures that it holds. He squeezes every last drop of living, is grateful for it and is always thirsty for more!

He loves his girlfriend Sloane and best pal Cameron, who’s his complete opposite, and wants desperately to breathe life into him and show how great each day can be, despite Cameron’s tempestuous relationship with his father. 

Ferris’s Moto:

Ferris-Bueller-Quotes-3

 

 

I love this kid! To him, there are no limits, only incredible possibilities!

“Twist and Shout!”

 

 

 

 

 

 

Gratitude of the Heart

Posted by donnamarie on

The Wizard of Oz (1939) – “There’s No Place Like Home”

 

WIZARD_OF_OZ_ORIGINAL_POSTER_1939

iheartfilm is dedicating the month of November to the lesson of Gratitude in films; the quality of being thankful.

To quote author Melody Beattie:

“Gratitude turns what we have into enough, and more. It turns denial into acceptance, chaos into order, confusion into clarity…it makes sense of our past, brings peace for today, and creates a vision for tomorrow.” 

 

My first pick, “The Wizard of Oz”, is overflowing with gratitude! Dorothy (Judy Garland) accompanied by her little dog Toto, seeking a better place in the world comes to understand what home really means and her compatriots – The Scarecrow (Ray Bolger), Tin Man (Jack Haley), and The Cowardly Lion (Bert Lahr) wishing to be more than they perceive themselves to be, learn to appreciate their unique gifts. The Great and Powerful Oz (Frank Morgan) realizes the blessing and value of truth and in his case the truth truly does set him free.

 

It all starts with a wish to be “Somewhere Over the Rainbow” and results in unexpected consequences – the terror of being caught up in a twister, inadvertently dropping a house on the sister of the Wicked Witch of the West (oops) and inheriting both the wrath of said Witch (Margaret Hamilton) and a pair of coveted ruby slippers.

 

Sadly, “Over the Rainbow” doesn’t materialize into the idyllic place of which Dorothy sings, which becomes her vision quest. Dorothy’s longing for home dovetails with the wishes of  The Scarecrow, Tin Man, and The Cowardly Lion. These three, also wishing for what they believe they don’t have – a brain, a heart, and courage – join the quest to the Emerald City to finally have their dreams realized through the power of the omnificent Wizard of Oz.

The trio’s perilous journey to get Dorothy home leads to the self-realization that they possessed the traits they sought all along and didn’t really need the wizard to bestow these attributes upon them.

Dorothy also learns a valuable lesson we all tend to forget, “there’s no place like home” and if we can’t find what we’re looking for there, then we won’t be able to find it anywhere. Home exists within us and it’s our outlook and attitude that dictates whether it’s a black and white existence filled with worries and that ole Gulch “heifer” or a technicolor world filled with musical munchkins and the love of three very special friends.

 

 

 

With Gratitude, we can appreciate and give thanks for the joys and blessings in our lives because the truth is we could be far worse off. My spiritual goal every day is to be mindful and thankful for the bounty which I’ve already received.

 

wizardofozhome

 

Always remember!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Universal Horror – The Golden Age of Movie Monsters

Posted by donnamarie on

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For a comprehensive and what I consider a definitive history of one of the original Hollywood Studios – Universal, check out the Documentary – “Universal Horror.”  Universal was founded in 1912 by Carl Laemmle and is the world’s fourth oldest major film studio.

Originally airing on Turner Classic Movies in 1998, “Universal Horror” showcases the golden age of 1930’s movie monsters. The film also highlights Carl Laemmle’s family and Carl Laemmle, Jr’s game-changing vision of producing films based on classic horror tales.

 

 

The studio is known for such horror classics as Frankenstein (1931) and Dracula (1931), the Universal monster franchise. Dracula is a 1931 American Pre-Code vampire-horror film directed by Tod Browning and starring Bela Lugosi as Count Dracula. The film was produced by Universal and was loosely based on the novel by Bram Stoker.

Casting for the film became problematic initially since Laemmle was not at all interested in Lugosi, in spite of good reviews for his stage portrayal. Laemmle instead considered other popular actors of the day, including Paul Muni and Chester Morris.

 

Frankenstein is a 1931 American Pre-Code horror monster film from Universal Pictures directed by James Whale. The film stars Colin Clive, Mae Clarke, John Boles and Boris Karloff and features Dwight Frye and Edward van Sloan. Trivia: Bela Lugosi turned down the role saying the monster was just a hulking beast.

In 1991, the Library of Congress selected Frankenstein for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant.

Throughout the documentary, we hear personal accounts and behind-the-scene stories from early stars such as Rose Hobart – co-star in the original film version of Dr. Jekyll and Mr. Hyde (1931), Gloria Stuart – The Invisible Man (1933) and Lupita Tovar – Dracula (1931) Spanish Version.

 

 

Forrest Ackerman, (November 24, 1916 – December 4, 2008) was editor and principal writer of the science fiction magazine Famous Monsters of Filmland and recalls his experiences in the documentary of seeing these films first hand. Ackerman’s magazine would provide inspiration to many who would later become successful artists, including Joe Dante, Peter Jackson, Steven Spielberg, Tim Burton, Stephen King, George Lucas, Danny Elfman, John Landis and countless other writers, directors, artists, and craftsmen.

Also affectionately called “Forry,” Ackerman was central to the formation, and spread of science fiction fandom, and a key figure in the wider awareness of science fiction as a literary, art and film genre. Famous for his wordplay he coined the genre nickname “sci-fi”.

FamousMonsters14

 

Universal Monsters Tribute

 

The end of Universal’s first run of horror films came in 1936 as the Laemmles were forced out of the studio after financial difficulties and a series of box office flops due partly to censorship and a temporary ban on American horror films in Britain. The release of MGM’s Mad Love and The Raven (both 1935) were the final nail in the coffin for monster movies, being too strong for 1935 tastes, with its themes of torture, disfigurement, and grisly revenge.

 

The monster movies were dropped from the production schedule altogether and would not re-emerge for another three years. In the meantime, a theater owner revived Dracula and Frankenstein as a double feature, resulting in an immediate smash hit and leading to the original movies being re-released by the studio to surprising success.

As I celebrate this Halloween, my film line-up would not be complete without those original horror classics from the original horror classics studio – Universal!

HAPPY HALLOWEEN!

13 Ghosts❗️ 👻👻👻👻👻👻👻👻👻👻👻👻👻

Posted by donnamarie on

williamcastle

 

Let me start by saying, I absolutely love William Castle! His “effects”, and his campy, “spooky” movies made him the “Master of the Movie Gimmick”! He financed his first movie, Macabre (1958), by mortgaging his house and came up with the brilliant idea to give every movie-goer a certificate for a $1,000 life insurance policy from Lloyd’s of London in case they should die of fright during the film. He also stationed nurses in the lobbies with parked hearses outside the theaters. Macabre was a hit!

 

Each of his films featured an “effect” or gimmick. With “House on Haunted Hill,” it was “Emergo”, the “flying skeleton.” It didn’t always work, but the kids in the audience had a good time anyway trying to knock it down. (kids will be kids:) Trivia Fact: William Castle produced the Roman Polanski horror hit “Rosemary’s Baby.”

houseskeleton

“House on Haunted Hill” Skelton

 

  “13 Ghosts” is jammed packed with “effects” and filmed in “Illusion-O”. Knife-wielding ghosts, headless ghosts, and murderous ghost Emilio, who has a thing for totally destroying the kitchen. As Buck Zorba (Charles Herbert) tells the story, seems Emilio killed not only his wife but his mother-in-law as well. Whack, whack! (nice sound effect Buck)

The “13 Ghosts'” storyline begins with Dr. Plato Zorba dying and leaving his broke nephew, Professor Cyrus Zorba (Donald Woods), an old, rundown LA mansion. The catch is Cyrus, his wife Hilda,(Rosemary DeCamp), daughter Madea (Jo Morrow) and son Buck can’t sell the house so are forced to share the joint with the 13 ghosts. “They come with the house.”

Ghosts or not the family is so broke that it’s common place for their furniture to be repossessed on a regular basis. In fact, the night they receive a telegram (from a little person in the dark) to meet with Uncle Zorba’s attorney Benjamin Rush (Martin Milner), they’re sitting on the floor exchanging gifts and slicing birthday cake for their youngest son, Buck – Once again, the furniture’s been repossessed.

Cyrus and wife Hilda
Attorney Benjamin Rush
Madea Zorba
The House
furniture’s gone
William Castle
Buck
Emilio’s knife
Emilio’s kitchen
14th Ghost?

Move-in day at their new digs includes meeting their Uncle’s housekeeper who turns out to be the green one herself, the Wicked Witch of the West! (Margaret Hamilton)

ghostshamilton

Margaret Hamilton (Elaine the housekeeper)

The best is yet to come as attorney Benjamin Rush goes to extremes trying to find the supposed fortune in cash Uncle Zorba stashed somewhere in the house. Ghosts run wild and the ghost viewer lets you catch all the action. Here’s where Illusion-O comes in:

"Aahhhhh!"

“Aahhhhh!”

Audiences received viewers with red and blue cellophane filters. Choosing to look through the red filter intensified the images of the ghosts while the blue filter “removed” them. Being brave or coward, the choice was up to you.

ghostviewer2

Put ’em on!
Emilio’s kitchen
Emilio’s knife
Cyrus and wife Hilda
Attorney Benjamin Rush
Madea Zorba
furniture’s gone
Buck
The House

“13 Ghosts” is the fourth collaboration from director William Castle and writer Robb White and lives up to the Castle touch. Two of his films were remade by his daughter Terry Ann Castle, who co-produced House on Haunted Hill in 1999, and Thirteen Ghosts in 2001 (the latter retitled Thir13en Ghosts).

A documentary focusing on Castle’s life, Spine Tingler! The William Castle Story, directed by Jeffrey Schwarz, had its premiere at AFI FEST 2007 in Los Angeles on November 8, 2007. It won the Audience Award for Best Documentary.

William Castle Spine Tingler

Happy Anniversary Thank You!

Posted by donnamarie on

It’s officially the 1 Year Anniversary of iheartfilm and my first post!

 

My intent is to share my love of film with fellow aficionados and showcase movies that impressed and made me laugh, made me cry and contributed to my love of cinema.

 

Over the course of the year, I’ve had tremendous support and encouragement from fellow bloggers, friends and visitors from around the world.

 

thank you languages 2

 

Thanks so much for all the love and I hope you continue to come back and share a like or comment. If this is your first visit, hopefully, you’ll decide to follow. This is just the beginning as I continue to grow as a blogger.

 

iheartfilm is a personal passion I enjoy and have enjoyed sharing with you!

From myself and the spirit of Agnes

Agnes thank you

Thank You!