“Dancing and Singing at the Movies” 💃🏽🎶

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It seems every time someone asks the question “What’s your favorite? (fill in the blank film) that’s what happens to me…BLANK; there are just too many.  So, I decided to prep for the next occasion.

With the new film “La La Land” starring Ryan Gosling and Emma Stone being touted as this generation’s “Singing in the Rain”, I decided to start with the Musicals genre. These are some of my favorites that also made AFI’s list of the Top 5 Musicals of all time!

 

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Can you name yours?  Let’s share.

# FILM YEAR STUDIO
1 SINGIN’ IN THE RAIN 1952 MGM
2 WEST SIDE STORY 1961 United Artists
3 WIZARD OF OZ, THE 1939 MGM
4 SOUND OF MUSIC, THE 1965 Twentieth Century-Fox
5 CABARET 1972 Allied Artists

 

Some of my favorite quotes!

 

Singin’ in the Rain (1952)

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Lina:  [with a voice to peel paint]  And I cayn’t stand’im.    Holy crap! This line makes the movie for me!!

 

This celebrated musical-comedy was directed and choreographed by Gene Kelly and Stanley Donen. Starring Kelly, Donald O’Connor, and Debbie Reynolds, it offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to “talkies.” (Wikipedia)

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West Side Story (1961)

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[singing]

Bernardo:  “I’d like to go back to San Juan.”

Anita:  “I know a boat you can get on!”

Ha!  Bernardo, you do you, cause I’m gonna do me!

 

Ah, the Sharks and the Jets who turn a knife fight into the coolest, choreographed ballet I’ve ever seen. I also have a particular fondness for this film having performed in a community theater stage production.

Jets

Jets

A musical romantic drama directed by Robert Wise and Jerome Robbins, the film is an adaptation of the 1957 Broadway musical of the same name, which in turn was inspired by William Shakespeare’s play Romeo and Juliet. It stars Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris.

Nominated for 11 Academy Awards and winning 10, including Best Picture (as well as a special award for Robbins), “West Side Story” is the record-holder for the most wins for a movie musical. (Wikipedia)

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The Wizard of Oz (1939)

 

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Cowardly Lion:  ” Alright I’ll go in there for Dorothy. Wicked Witch or no Wicked Witch, guards or no guards, I’ll tear them apart. I may not come out alive, but I’m going in there. There’s only one thing I want you fellows to do.”

Tin WoodsmanScarecrow:  “What’s that?”

Cowardly Lion:  “Talk me out of it!”

 Oh, Lion – you just gotta love him!

Produced by Metro-Goldwyn-Mayer, “The Wizard of Oz” is the most well-known and commercially successful adaptation based on the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum. The classic stars Judy Garland as Dorothy Gale. The co-stars include Ray Bolger (The Scarecrow), Jack Haley (The Tin Man), Bert Lahr (The Cowardly Lion), Frank Morgan, Billie Burke, and Margaret Hamilton (The Wicked Witch of the West), with Charley Grapewin, Terry the dog (billed as Toto), and the Singer Midgets as the Munchkins.

Notable for its use of Technicolor, fantasy storytelling, musical score, and unusual characters, over the years, it has become an icon of American popular culture. It was nominated for six Academy Awards, including Best Picture, but lost to “Gone with the Wind”. It did win in two other categories, including Best Original Song for “Over the Rainbow” and Best Original Score by Herbert Stothart. (Wikipedia)

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The Sound of Music (1965)

 

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Maria:  “When the Lord closes a door, somewhere He opens a window.”

 Without a doubt, Maria!  Amen!

 

This song by Christina Perri  “A Thousand Years” isn’t from the film but I felt it perfectly reflected the relationship between Maria and the Captain.

“The Sound of Music” was produced and directed by Robert Wise, and starred Julie Andrews and Christopher Plummer. An adaptation of the 1959 Broadway musical The Sound of Music, composed by Richard Rodgers with lyrics by Oscar Hammerstein II it was based on the memoir The Story of the Trapp Family Singers by Maria von Trapp.

 

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Cabaret (1972)

 

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Sally:  ” I’m going to be a great film star! That is if booze and sex don’t get me first.”

This is a very prophetic quote considering the fate of many a would-be star.

 

This stylish, socially conscious musical drama was directed by the legendary choreographer Bob Fosse and stars Liza Minnelli, Michael York. and Joel Grey. The setting is Berlin in 1931 with the Nazis’ violent rise serving as a powerful, ever-present undercurrent in the film.

Liza Minnelli won the Best Actress Award for her portrayal of the flamboyant, cabaret performer, Sally Bowles, with the film also garnering Academy Awards for Best Supporting Actor (Joel Grey), Best Cinematography, Best Art Direction, Best Sound, Best Original Song Score and Adaptation, and Best Film Editing. It holds the record for most Oscars earned by a film not honored for Best Picture. “The Godfather” took the prize. (Wikipedia)

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Chicago (2002)

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Although the stylized, Jazz Age hit “Chicago”(2002) didn’t make the AFI Top 5, (#12), I couldn’t omit this sizzling number, Cell Block Tango. “He had it comin'”☺☺

 

A film version of Chicago was to have been the next project for Bob Fosse, who had directed and choreographed the original 1975 Broadway production but he died before realizing his vision.

Fosse’s distinctive jazz choreography style is evident throughout and he is thanked in the credits. The movie explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. (Wikipedia)

 

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Catherine Zeta-Jones, Richard Gere, Renée Zellweger

 

Starring Catherine Zeta-Jones, Renée Zellweger, and Richard Gere, “Chicago” centers on Velma Kelly (Zeta-Jones) and Roxie Hart (Zellweger), two murderesses who find themselves in jail together awaiting trial in 1920s Chicago.

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Queen Latifah “Mama”

For her part, the multi-talented rapper, actress, producer, Queen Latifah’s role as Matron “Mama” Morton earned her a nomination for Best Supporting Actress. The movie was the winner of six Academy Awards in 2003, including Best Picture. The film was the first musical to win Best Picture since Oliver! in 1968.

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There are definitely a lot more for the list so please, let me know some of your picks in the comments!

 

I Am Spartacus – Celebrating Living Legend Kirk Douglas

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Kirk Douglas’s personality has always been larger than life; with an incredible presence and life that has spanned these 100 years.

Kirk Douglas (born Issur Danielovitch; December 9, 1916) is an American actor, producer, director, and author. He is one of the last survivors of Hollywood’s Golden Age.

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Young Kirk Douglas

After an impoverished childhood with immigrant parents and six sisters, he had his film debut in “The Strange Love of Martha Ivers” (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s and 1960s, known for serious dramas, including westerns and war movies. (Wikipedia)

 

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During a 64-year acting career, he has appeared in more than 90 movies and in 1960 (through his production company – Bryna Productions) helped end the Hollywood Blacklist by hiring blacklisted writer Dalton Trumbo to write “Spartacus” (1960) with an official on-screen credit. I gained a lot of respect for Douglas when I learned of this decision.

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Kirk Douglas as Spartacus

Screenwriter Dalton Trumbo was blacklisted at the time as one of the Hollywood Ten. The ten writers and directors who were cited for contempt of Congress and blacklisted after refusing to answer questions about their alleged involvement with the Communist Party.

Douglas publicly announced that Trumbo was the screenwriter of Spartacus, and President-elect John F. Kennedy crossed American Legion picket lines to view the film, helping to end blacklisting. The author of the novel on which it is based, Howard Fast, was also blacklisted, and originally had to self-publish it. (Wikipedia)

 

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The film became the biggest moneymaker in Universal Studios’ history until it was surpassed by Airport (1970).

This scene from “Spartacus” is very apropos; rebels standing up for Spartacus the way Douglas stood up for Dalton Trumbo.

 

I love this cinematic moment reflecting the truth that when we stand together, we are a mighty force!

Douglas’s image as a tough guy and international star were established in his eighth film, “Champion” (1949) after producer Stanley Kramer chose him to play a selfish boxer. He received his first Academy Award nomination and the film earned six nominations in all. Variety magazine called it “a stark, realistic study of the boxing rackets.” (Wikipedia)

 

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From that film on, Kirk decided that to succeed as a star, he needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles.

Douglas’early films include Young Man with a Horn (1950), playing opposite Lauren Bacall and Doris Day; Ace in the Hole opposite Jan Sterling (1951); and Detective Story (1951). He received a second Oscar nomination for his dramatic role in The Bad and the Beautiful (1952), opposite Lana Turner, and his third nomination for portraying Vincent van Gogh in Lust for Life (1956). (Wikipedia)

 

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As an actor and philanthropist, Douglas has received three Academy Award nominations, an Oscar for Lifetime Achievement, and the Presidential Medal of Freedom. As an author, he has written ten novels and memoirs. Currently, he is No. 17 on the American Film Institute’s list of the greatest male screen legends of classic Hollywood cinema, and the highest-ranked living person on the list.

 

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Wife Anne and Kirk Douglas

A birthday gala was held for Douglas in the Sunset Room at the Beverly Hills Hotel on December 9th. In keeping with his larger than life persona, he entered the celebration with the theme from “Rocky” blaring over the speakers.

 

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Son, Michael Douglas kicked off the proceedings, saying that it’s not just about age, but about the life he’s lived and what he’s accomplished.

 

Kirk Douglas, seated left, holds hands with his wife Anne Douglas, seated right, as they pose with family members, their son Michael, standing second left with his wife Catherine Zeta-Jones, and their children, Carys Zeta Jones, left, and son Dylan

Kirk Douglas, seated left, holds hands with his wife Anne Douglas, seated right, as they pose with family members, their son Michael, standing second left with his wife Catherine Zeta-Jones, and their children, Carys Zeta-Jones, left, and son Dylan CREDIT:CHRIS PIZZELLO/INVISION/AP 

 

As clips from Douglas’ films played in the background, fun and poignant stories were shared about the legend from Don Rickles, Steven Spielberg, friends, and family.

“My wife Anne and I always use these happy occasions to give presents to the institutions we support through our foundation,” he wrote. “Giving is a selfish act, I maintain because it makes you feel so good. I am always asked for advice on living a long and healthy life. I don’t have any. I do believe, however, that we have a purpose for being here. I was spared after a helicopter crash and a stroke to do more good in the world before I leave it.” Kirk Douglas

 

Happy 100th Birthday, Kirk!

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“Hair” A Time for Peace and Love ❤✌🏼

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Hair: The American Tribal Love-Rock Musical with a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot is a product of the hippie counterculture and sexual revolution of the late 1960s. Several of its songs became anthems of the anti-Vietnam War peace movement.

Gimme head with hair
Long beautiful hair
Shining, gleaming,
Streaming, flaxen, waxen
 
Give me down to there hair
Shoulder length or longer
Here baby, there mama
Everywhere daddy daddy
 
Hair, hair, hair, hair, hair, hair, hair
Flow it, show it
Long as God can grow it
My hair!

 

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The musical’s profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of “rock musical”, using a racially integrated cast, and inviting the audience onstage for a “Be-In” finale.

 

Controversial – Yes! Statement of the times – Yes! If I were doing a time capsule this is one of the films I would include. A snapshot of changing times and a declaration of pride in being who you are and standing up for what you believe.

Hair, the 1979 musical war comedy-drama film is an adaptation of the 1968 Broadway musical Hair: An American Tribal Love-Rock Musical.The film focuses on the lives of two young men in the Vietnam era against the backdrop of the hippie culture, race and class issues of the 1960’s.

 

 

Set in the late 1960s, Claude Hooper Bukowski (John Savage) is a naive Oklahoman sent off to see the sites of New York before beginning his enlistment in the US Army. On his arrival, he hooks up with a group of hippies lead by George Berger (Treat Williams) which results in his questioning everything he was brought up to believe.

 

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John Savage (Claude), Treat Williams (George)

Claude has to decide whether to resist the draft as his new friends have done or to succumb to the pressures of his parents (and conservative America) to serve in Vietnam, compromising his pacifistic principles and risking his life.

The film was directed by Miloš Forman, who was nominated for a César Award for Best Foreign Film for his work. Cast members include Treat Williams, John Savage, Beverly D’Angelo, Nell Carter, and Charlotte Rae.

 

Dance scenes were choreographed by the legendary Twyla Tharp and performed by the Twyla Tharp Dance Foundation. The film was nominated for Golden Globe Awards for Best Motion Picture – Musical or Comedy and New Star of the Year in a Motion Picture (for Williams).

These are the social times and political issues I grew up with and I wear my hippie status with pride. The revolution for love, peace, and equality has been hard fought but what we’ve come to realize is that the struggle will always continue.

I think we need to shake the world up again with this eternal message of peace and love. Yes, I’m a “liberal progressive” and I believe love is love, women’s rights are human rights and Black Lives Matter.

Just like in the 60’s these social and equality issues are still pressing. Every time there’s progress, there are those who want to take us back. We must acknowledge these forces and continue the fight for ALL of our rights.

 

PEACE AND LOVE

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When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars
This is the dawning of the age of Aquarius
The age of Aquarius
Aquarius!
Aquarius!
 

The Struggle Continues…

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How Understanding Film History Impacts Your Film Appreciation

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Hollywood’s Golden Age

 

While watching Marlene Dietrich’s sultry performance of “The Laziest Gal in Town” in Alfred Hitchcock’s 1950 thriller,”Stage Fright”, I asked my husband if the song and performance seemed familiar. Because I’ve raised him right (on film history that is😎), he remarked, “of course, Madeline Kahn’s performance of “I’m Tired” in the Mel Brooks satirical Western comedy classic, “Blazing Saddles” (1974).

Marlene Dietrich “Laziest Gal in Town”

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Madeline Kahn “I’m So Tired”

 

I loved hearing his response because it’s the main reason I pen this post; for the history and appreciation of films. Understanding a writer or director’s references to past movies in theirs adds to the richness of the production. It helps young people comprehend that few things in life are original and imitation can be the sincerest form of flattery.

 

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History of Film

 

Sometimes the homage in a movie isn’t to a particular scene in a film but the music. I love Minions period but I especially enjoyed the “Minions” movie’s 1960’s soundtrack that made the perfect nod to James Bond type villains (“Minions”Scarlet Overkill) and the time period of the setting.

 

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As a child of the ’60’s I remember turning to my husband in the theater saying, 99% of the people in here weren’t even born yet and I wonder if any of them appreciate the inclusion of the classic songs of this era.

 

The song is “Hair” from the iconic 1968 counter-culture and controversial stage and film production “Hair”

 

 

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I’ve spent my lifetime watching and loving the cinema and have educated my children with a more sophisticated palette for black and white films and how they just don’t make them like that anymore.😊

Hundreds of full-length films were produced during the decade of the 1940s; during Hollywood’s Golden Age. The great actor Humphrey Bogart made his most memorable films in this decade. Frank Capra’s masterpiece It’s a Wonderful Life and Orson Welles’s cinema genius production of Citizen Kane were released. The film noir genre was at its height. Alfred Hitchcock made his American debut with the film Rebecca and made many classics throughout the 1940s. (Wikipedia)

 

1940's/ 1950's Movie Stars

(Top) Cary Grant, Audrey Hepburn, Marlon Brando (Middle) Lauren Bacall, Marilyn Monroe, Grace Kelly (Bottom) Humphrey Bogart, Marlene Dietrich, Clark Gable

Movie Stars of the 1940’s & 1950’s

 

Of course, I want you to visit my website as a source of reference material, but if you want to see these full-length gems for free, I recommend tuning into the Turner Classic Movies channel. They show everything from the great silent films, Chaplin, Buster Keaton, etc. through Hollywood’s “Golden Age”.

 

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These classic films bring me great joy and I hope you’ll find a special place in your heart for them, too!

 

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“Simply the Best” Miss Tina Turner!

Happy Birthday, Tina!

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Anytime I feel I’m running on low energy I just channel Tina and my body can’t help but pulsate.

Today we celebrate Tina Turner’s 77th birthday and the life of an icon and true RockStar! I marvel at her eternal youth and vitality. I wanna be just like her when I grow up!

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Tina Turner, born Anna Mae Bullock on November 26, 1939, is an acclaimed recording artist, dancer, actress, and author, whose career has spanned more than half a century, earning her widespread recognition and numerous awards.

Born and raised in Nutbush, Tennesse, she began her musical career in the mid-1950s as a featured singer with Ike Turner’s Kings of Rhythm, first recording in 1958 under the name “Little Ann.”

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Anna Mae Bullock

Her introduction to the public as Tina Turner began in 1960 as a member of the Ike & Tina Turner Revue. Success followed with a string of notable hits credited to the duo, including “A Fool in Love”, “River Deep – Mountain High” (1966), “Proud Mary” (1971) and “Nutbush City Limits” (1973), a song which she herself wrote. (Wikipedia)

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Ike & Tina Turner Revue – (Tina center)

Imitating Miss Tina was part of my childhood as my girlfriends and I would shake our booties whipping our hair and working it out with the ladies.

This is an early performance of the gift that is Miss Tina Turner!

In her autobiography, I, Tina, she revealed several instances of severe domestic abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. Raised as a Baptist, she encountered faith with Nichiren Shoshu Buddhism in 1971, crediting the spiritual chant of Nam Myoho Renge Kyo, which Turner claims helped her to endure during difficult times. (Wikipedia)

 

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This concert footage is part of Tina’s “comeback” tour after those early, disastrous years with Ike Turner. I wrote in a previous post about Tina’s life as portrayed by Angela Bassett in “What’s Love Got to Do With It?”and what a remarkable life Tina has endured.

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Tina Turner (l) Angela Bassett (r) “What’s Love Got to Do With It”

She’s always been my idol since I was a child and after seeing Tina looking hot in this white leather outfit and her boundless energy I stopped boohooing about baby weight gained after my daughter and got my butt back into the gym.

Seeing her in concert was a night I’ll always treasure. That woman is all that and no one compares. If you haven’t had the pleasure.

 

Enjoy!

 

After her divorce from Ike Turner, Tina rebuilt her career through live performances. In the early 1980s, she launched a major comeback with another string of hits, starting in 1983 with the single “Let’s Stay Together” followed by the 1984 release of her fifth solo album Private Dancer which became a worldwide success. “What’s Love Got to Do with It”, the lead single won three Grammy Awards including Record of the Year. (Wikipedia)

 

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Her solo success continued with the multi-platinum albums Break Every Rule and Foreign Affair and with singles such as “We Don’t Need Another Hero (Thunderdome)”, “The Best” and “GoldenEye” for the James Bond film of the same name. “What’s Love Got to Do with It” was later used as the title of a loosely based biographical film adapted from her autobiography.

 

In addition to her musical career, Tina has also experienced success in films, including the role of Acid Queen in the 1975 rock musical “Tommy”, a starring role alongside Mel Gibson in the 1985 action film Mad Max Beyond Thunderdome, and a cameo role in the 1993 film Last Action Hero. (Wikipedia)

Tina’s critically acclaimed role as “The Acid Queen” in The Who’s “Tommy” (1975) was outstanding! Still a classic today.

 

If you weren’t on acid, you sure felt like it!

One of the world’s best-selling music artists of all time, she has also been referred to as The Queen of Rock ‘n’ Roll. Tina has been called the most successful female Rock ‘n’ Roll artist, receiving eleven Grammy Awards, including eight competitive awards and three Grammy Hall of Fame awards.

Miss Turner has also sold more concert tickets than any other solo performer in history. Her combined album and single sales total approximately 180 million copies worldwide, making her one of the biggest selling females in music history.

 

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Her Tina!: 50th Anniversary Tour became one of the highest selling ticketed shows of 2008–09. Rolling Stone ranked her no. 63 on their 100 greatest artists of all time and in 1991, she was inducted into the Rock and Roll Hall of Fame. (Wikipedia)

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Tina Turner’s career has been a marvel to watch. Despite all odds, she brought herself up from Nutbush to the pentacle of success in music, film, and continues to be an inspirational figure.

Thank you, Tina, for uplifting my life and demonstrating that you can accomplish whatever you want with determination and faith. You are simply the best!

Love you!

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Remembering The Man From U.N.C.L.E. – Robert Vaughn

 

 

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Robert Francis Vaughn (November 22, 1932 – November 11, 2016)

Robert Vaughn was a cool, and debonair symbol of the 1960’s and will forever live on as the suave secret agent, Napoleon Solo. The iconic international spy tasked with saving the world on a weekly basis lost his battle with Acute Leukemia and died on Friday, November 11, 2016, in Danbury, Connecticut. He was 83.

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Legacy of Robert Vaughn

Vaughn’s first film appearance was as an uncredited extra in “The Ten Commandments” (1956), playing a golden calf idolater also visible in a scene in a chariot behind that of Yul Brynner. His first credited movie role came the following year in the Western Hell’s Crossroads (1957), in which he played Bob Ford, the murderer of outlaw Jesse James.

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Robert Vaughn, Paul Newman “The Young Philadelphians”

Robert Vaughn’s first notable appearance was his role as a man accused of murder in “The Young Philadelphians” (1959) staring Paul Newman and for which Vaughn received a nomination for both the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. In his next role, he would portray the insecure gunman Lee in the Old West-style remake of Akira Kurosawa’s 1954 Japanese masterpiece Seven Samurai, “The Magnificent Seven” (1960). (Wikipedia)

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When The Man From U.N.C.L.E. ended, Vaughn landed a major role playing Chalmers, an ambitious California politician in the mega box office hit Bullitt (1968) starring and produced by screen legend, Steve McQueen; Vaughn was nominated for a BAFTA Award for Best Supporting Actor for this role.

 

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In 1978 he won a best supporting actor Emmy for his performance as a White House chief of staff in the miniseries “Washington: Behind Closed Doors.” (New York Times)

However, the role he is most remembered and loved is Napoleon Solo, the dashing international spy for U.N.C.L.E. (United Network Command for Law Enforcement) Together with his laid back partner Illya Kuryakin (David McCallum), the enigmatic Russian spy, he battled T.H.R.U.S.H. (Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity), a super secret organization intent on achieving world domination.

From 1964 to 1968, in the thick of the Cold War, millions of Americas tuned in weekly to check out the wit and cool of the unlikely duo (American and Russian) as they foiled the various diabolical schemes of the colorful T.H.R.U.S.H. villains.

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Robert Vaughn (Napoleon Solo) and David McCallum (Illya Kuryakin)

The show was an obvious parody of Ian Fleming’s James Bond films and Mr. Fleming actually served as an advisor, which probably lent more authenticity to the characters and storylines. He is also widely credited with coining the name Napoleon Solo.

 

 

Robert Francis Vaughn was born on Nov. 22, 1932, in New York City into a theatrically inclined household. His father, Gerald Walter Vaughn, was heard on radio series like “Gangbusters” and “Crime Doctor,” and his mother, the former Marcella Gaudel, appeared in a 1931 Broadway production of “Dracula.” The couple divorced when Mr. Vaughn was an infant and he moved with his mother to Minneapolis, where he was partly reared by grandparents.

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He was encouraged by his mother to pursue acting, starting with having him (at the age of 5) learn the soliloquy, “To Be or Not to Be..” from Hamlet. In 1952 he headed to Hollywood studying theater arts at Los Angeles City College during the day while pursuing bit-parts.

Earning a master’s degree in theater, he received a Ph.D. in communications from the University of Southern California in 1970. In 1972, he published his dissertation as the book Only Victims: A Study of Show Business Blacklisting. (Wikipedia)

He was known for hanging out at local Hollywood hot spots with the likes of Bette Davis and dated (a legend in her own right) actress Natalie Wood. After graduating from college in 1956, Mr. Vaughn signed with Columbia Pictures for $15,000 a role. However, his career was put on hold after he was drafted into the Army serving 18 months.

robert-vaughn-natalie-woodRobert Vaughn and Natalie Wood

Mr. Vaughn continued to work as an actor into his 80s. He appeared on the British television series “Hustle” from 2004 to 2012 and on another British show, “Coronation Street,” in 2012. He was seen on an episode of “Law & Order: Special Victims Unit” last year.

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Caitlin Vaughn, wife Linda Staab, and son Cassidy

Robert Vaughn is survived by wife, actress Linda Staab, whom he married in 1974 and a daughter, Caitlin Vaughn; a son, Cassidy; and two grandchildren.

He will always be a fond reminder of my childhood and the swinging ’60s. Those days are gone, but Napoleon Solo will forever live on.

R.I.P.

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What Fourth Estate? – “Network” 1976📺

The Fourth Estate

The fourth estate is a term that positions the press as the fourth branch of government and one that is important to a functioning democracy.

The First Amendment to the Constitution “frees” the press but carries with it a responsibility to be the people’s watchdog.

 

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Network 1976

Originally this film was going to be part of a favorite monologues piece. However, after watching Howard Beale’s (Peter Finch) speech on the state of the world, I felt the need to turn it into a full blown post on its own.

This prophetic monologue is incredible! It could very well have been given today. His truth and passion still hit hard. Politically, I feel this way most days.

Network film

“Network” is a 1976 American satirical black comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet, about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch, and Robert Duvall.

When I saw this movie at its premiere I thought it was pinpoint accurate as a representation of the industry and the direction it was going. Today’s corporate media has even surpassed the foretold death of true journalism that “Network” showcased.

Entertainment television was the news style of the film and parrots the absurdity of what passes for the Fourth Estate today.

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As a journalism student in the ’70s, I’ve been outraged over time witnessing the demise and bastardization of the reason for journalism, to begin with. The news is supposed to inform the public of what is going on in Washington and globally. It’s supposed to be impartial, probing and take seriously the consequences of misleading and misinforming the American people of information needed to make informed decisions on our public servants and events.

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I often think of the Watergate scandal and how very differently it would have emerged in today’s news environment. Bob Woodward and Carl Bernstein from the Washington Post represented the best of journalism and the importance of separating news from entertainment; digging deep and not letting up until all the facts had been revealed.

Chilling commentary and viewpoint from the Corporate Chairman (Ned Beatty)

Allegedly, part of the inspiration for Chayefsky’s script came from the on-air suicide of television news reporter Christine Chubbuck in Sarasota, Florida two years earlier. The anchorwoman was suffering from depression and battles with her editors, and unable to keep going, she shot herself on camera as stunned viewers watched on July 15, 1974. Chayefsky used the incident to set up his film’s focal point. As he would say later in an interview, “Television will do anything for a rating… anything!”

 

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However, Dave Itzkoff’s book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies disputes this, asserting that Chayefsky actually began writing “Network” months before Chubbuck’s death and already planned for Howard Beale to vow to kill himself on air; Chubbuck’s suicide was an eerie parallel. (Wikipedia)

Whatever the order of events, Paddy Chayefsky’s intuition and writing are inspired! Words we should never take lightly and always remember.

 

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In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has “set an enduring standard for U.S. American entertainment”. (Wikipedia)

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In 2006, the two Writers Guilds of America voted Chayefsky’s script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.

 

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Frederick George Peter Ingle Finch

( September 28,  1916 – January 14, 1977)

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The role of Howard Beale earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes. He was the first person to win a posthumous Academy Award in an acting category.

Although Finch didn’t live to receive the Academy Award for Best Actor, his performance as Howard Beale will never leave the memories of those who witnessed it.

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So, in honor of Howard Beale let’s all get up off our chairs, go to the window and yell – “I’m mad as hell and I’m not going to take this anymore!”

And, after you’re done, make sure you stay up and go out and VOTE!

 

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Scary Meets Hilarious Halloween Fun! Abbott and Costello Meet Frankenstein🎃

 

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I’m a lifelong fan of Halloween and Universal Horror films. From “The Phantom of the Opera”(1925) to “The Wolfman”(1941), I own the entire catalog.

And, when you take those classic monster movies and add in the hilarity of the top comedy duo of the day, you end up with the hit comedy-horror flick “Abbott and Costello Meet Frankenstein” (1948).

 

Starring the legendary comedy team of Bud Abbott and Lou Costello the production has the reputation of being the final nail in the coffin of taking seriously Universal Horror monsters. The film is also considered the swan song for the “Big Three” Universal horror monsters – Count Dracula (Bela Lugosi), Frankenstein’s monster played by (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), none of whom had appeared in a Universal film since 1945’s House of Dracula.

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left to right – Bud Abbott, Lou Costello, Frankenstein (Glenn Strange), Dracula (Bela Lugosi), and The Wolfman (Lon Chaney, Jr.)

The movie makes glorious fun of the classic monsters, Dracula, Frankenstein, and The Wolfman and is one of my all-time favorites!

Bud Abbott and Lou Costello Meet Frankenstein (the film’s poster title), or Bud Abbott Lou Costello Meet Frankenstein (the onscreen title)—although the film is usually referred to as simply Abbott and Costello Meet Frankenstein—is a 1948 American horror comedy film directed by Charles Barton and starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. (Wikipedia)

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The plot revolves around Lawrence Talbot-The Wolfman (Lon Chaney, Jr.) making an urgent call from London to a Florida railway station where Chick Young (Bud Abbott) and Wilbur Grey (Lou Costello) work as baggage clerks. Wilbur answers the phone, and Talbot tries to impart to him the danger of a shipment due to arrive for the “McDougal House Of Horrors”, a local wax museum, which purportedly contains the actual bodies of Count Dracula (Béla Lugosi) and the Frankenstein Monster (Glenn Strange).

Bud and Lou at work

However, before he is able to warn Wilbur, a full moon rises, and Talbot transforms into The Werewolf. Wilbur, thinking the call is a prank, hangs up and continues on with his work day. Later that night, Chick and Wilbur arrive at McDougal’s “House Of Horrors”, open the first crate and find a coffin with “Dracula” inscribed on the front.

When Chick leaves to retrieve the second crate, Wilbur witnesses Dracula awaken and he tries to get Chick’s attention. However, when Chick returns with the second crate, Dracula hides just in time to go unnoticed. Dracula hypnotizes Wilbur and re-animates Frankenstein’s Monster. The plot thickens as Dracula intends to transplant Wilbur’s brain into the Frankenstein Monster. What could possibly go wrong?

The film is peppered with classic Abbott and Costello humor. In a discussion whether Costello would share an extra female admirer of his:

Chick Young: You know the old saying? Everything comes in threes. Now suppose a third girl should fall in love with you?

Wilbur Grey: What’s her name?

Chick Young: We’ll say her name is Mary.

Wilbur Grey: Is she pretty?

Chick Young: Beautiful!

Wilbur Grey: Naturally, she’d have to be.

Chick Young: Now you have Mary, you have Joan, and you have Sandra. So, to prove to you that I’m your pal, your bosom friend, I’ll take one of the girls off your hands.

Wilbur Grey: Chick, you’re what I call a real pal… you take Mary.

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Trivia:

  • The film was originally intended to be titled The Brain of Frankenstein, but its name was changed prior to the filming schedule, which ran from February 5 through March 20, 1948.

  • During filming, Glenn Strange found Costello so funny he would often break up laughing, requiring many retakes (this is readily apparent in the scene where Costello sits on the Monster’s lap).

  • Boris Karloff refused to actually see this film, although he did help promote the film and can be seen in several publicity photos, including one where he is buying a ticket. Karloff appeared with the duo the next year in Abbott and Costello Meet the Killer, Boris Karloff, and in 1953 in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde.

  • During the scene in the laboratory where the Monster comes after Chick and Wilbur after throwing Sandra through the window, Glenn Strange stepped on a camera cable, causing the camera to fall and break some bones in his foot. Lon Chaney, Jr., who was not working that day and who had previously played the Monster in The Ghost of Frankenstein, took over the role of the Monster for that scene as well as the scene where the monster is throwing barrels and crates at Wilbur and Chick while they are trying to escape in a rowboat at the pier.

  • This was the only time Béla Lugosi reprised the role he had created in Dracula (1931). He had previously portrayed vampires in Mark of the Vampire (1935), The Return of the Vampire (1943) and would do so again in Mother Riley Meets the Vampire (1952) (and made a gag cameo as Dracula in a 1933 Hollywood on Parade short), but this was the only other time he played Dracula as a sustained role on film.

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Abbott and Costello were a comedy double act during the early Classical Hollywood era of American cinema. The team was composed of William “Bud” Abbott and Lou Costello whose work in vaudeville and on stage, radio, film and television made them the most popular comedy team during the 1940s and early 1950s. Their patter routine “Who’s on First?” is one of the best-known comedy routines of all time and set the framework for many of their best-known comedy bits. (Wikipedia)

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Bud Abbott and Lou Costello

In 2001, the United States Library of Congress deemed “Abbott and Costello Meet Frankenstein”culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry, and in September 2007, Readers Digest selected the movie as one of the top 100 funniest films of all time. The film is number 56th on the list of the “American Film Institute’s 100 Funniest American Movies”. (Wikipedia)

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“Abbott and Costello Meet Frankenstein” is a playful romp through the Universal Horror franchise and a great family movie to add to your Halloween viewing list.

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Truth at its Finest – The Great Dictator (1940)

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Charlie Chaplin is one of the greatest filmmakers in motion picture history. Robert Downey, Jr. brilliantly portrayed his tremendous talent and career in the 1992 film “Chaplin”. I’ve always loved Chaplin not just because of his comedic gifts but like myself, he stood firm in the belief that art is political. A position which caused him to be kicked out of the United States for “subversive” beliefs.

 

charlie-chaplin

Sir Charles SpencerCharlieChaplin, (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame during the era of silent film. Chaplin became a worldwide icon through his screen persona “the Tramp” and is considered one of the most important figures in the history of the film industry.

 

His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. (Wikipedia)

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Charlie Chaplin

Probably the most prophetic film of his extraordinary career was “The Great Dictator” (1940). Chaplin’s final speech resonates at the core of what it means to be human today just as it did over 75 years ago. Written by Chaplin, it emphasizes just how vital it is to know your history because those who don’t are doomed to repeat it.

 

Created in direct opposition to Hitler’s reign of terror, Chaplin warns of the devastation of giving up our humanity and implores us to love each other.

The Great Dictator is the 1940 American political satire comedy-drama film written, directed, produced, scored by and starring Charlie Chaplin. Charlie Chaplin was unique because he was the only Hollywood filmmaker to continue to make silent films well into the period of sound films, this was Chaplin’s first true sound film.

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This scene is so beautiful in its simplicity and elegance; while at the same time mocking the hubris of Hitler, the genocide, antisemitic dictator.

Language similar to a candidate running for President in 2016. Same delusional dream.

Chaplin’s film is a scathing and controversial condemnation of Adolf Hitler, Benito Mussolini, fascism, antisemitism, and the Nazis. At the time the film was released, the United States hadn’t entered into World War II and the fight against Nazi Germany.

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After seeing this masterpiece, my respect and admiration for Chaplin grew even more. He spoke up when others wouldn’t. That’s the kind of morality and integrity that seems to be sorely lacking in today’s politics.

Chaplin was so talented, and for even more contrast, played both leading roles: a ruthless fascist dictator, and a persecuted Jewish barber.

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Charlie Chaplin as Adenoid Hynkel (Hitler) and the Jewish Barber

The Great Dictator was popular with audiences, becoming Chaplin’s most commercially successful film. Modern critics have also praised it as a historically significant film and an important work of satire. (Wikipedia)

The Great Dictator was nominated for five Academy Awards – Outstanding Production, Best Actor, Best Writing (Original Screenplay), Best Supporting Actor for Jack Oakie, and Best Music (Original Score).

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In his 1964 autobiography, Chaplin stated that he could not have made the film if he had known about the true extent of the horrors of the Nazi concentration camps at the time. (Wikipedia)

 

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At the end of his life, Chaplin was finally awarded the respect and accolades befitting of his expansive career and achievements. This is Sir Charles accepting his honorary Academy Award in 1972. I watched this presentation and cried with admiration the entire time.

 

Thank you, Charlie.💖

 

Shampoo💇💆😎

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Shampoo (1975)

I may be dating myself, what am I saying, I KNOW I’m dating myself but there was a time back in the day when Warren Beatty (Bonnie & Clyde, Splendor in the Grass) was the finest dude, not just in Hollywood but dare I say the planet!

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Warren Beatty and Natalie Wood

Beatty was gracing the covers of celebrity magazines back in the ’50’s, long before the current crop of “world’s sexiest man” covers and was dating star Natalie Wood (“Miracle on 34th” Street, “Rebel Without a Cause“) and other beautiful ingenues making women swoon with envy.

The “fine” phases of Warren Beatty

young and hot Warren Beatty

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“Shampoo” hot and sexy Beatty

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“Shampoo” (1975) is the story of George Roundy (Warren Beatty) the womanizing hairdresser who realizes too late that his life of philandering has cost him the love of his life. George’s case is that “he can’t help it, they smell so good.”

The film stars Warren Beatty, Julie Christie, and Goldie Hawn (Kate Hudson’s mom), with Lee Grant, Jack Warden, Tony Bill and in an early film appearance, Carrie Fisher. The movie is set on Election Day 1968, the day Richard Nixon was first elected as President of the United States, and was released soon after the Watergate scandal had reached its conclusion.

warren beatty shampoo

Goldie Hawn, Nixon, Warren Beatty

The political atmosphere provides a source of dramatic irony, since the audience, but not the characters, are aware of the direction the Nixon presidency would eventually take. However, the main theme of the film is not presidential politics but sexual politics; it is renowned for its sharp satire of late-1960s sexual and social mores. (Wikipedia)

I almost didn’t publish this post because of recent disturbing events going on right now in politics but thought no, this film isn’t about committing assault, it’s about facing your viewpoint of morality and realizing how callously you’ve been living your life.

When I first thought about posting this it was based on the politics of the ’60’s then ironically found myself in mid-sentence realizing that the controversies of the Nixon era have nothing on the despicable state of politics today.

warren beatty shampoo

Goldie Hawn, Julie Christie, Tony Bill, Warren Beatty

But I digress, I loved “Shampoo” because of one – watching fine Warren Beatty and two – the ending. You have to pay the piper and take responsibility for your actions. George represented a lot of guys who thought doing as many women as possible was cool and made them all that but, the truth is, what goes around, comes around.

“Shampoo” was Carrie Fisher’s first film and won Lee Grant the Academy Award for Best Supporting Actress. The film was directed by the brilliant Hal Ashby. (Harold and Maude 1971)

Other Academy nominations were:

Robert Towne (“Chinatown”) and Warren Beatty – Best Writing, Original Screenplay

  • Best Motion Picture (Musical or Comedy)

  • Best Motion Picture Actor (Musical or Comedy) – Warren Beatty

  • Best Motion Picture Actress (Musical or Comedy) – Julie Christie & Goldie Hawn

The lead character, George Roundy, is reportedly based on several actual hairdressers, including Jay Sebring and film producer Jon Peters, who is a former hairdresser. Sebring was brutally murdered by the Charles Manson family in 1969. According to the 2010 book Star: How Warren Beatty Seduced America by Peter Biskind, the screenwriter Towne based the character on Beverly Hills hairdresser Gene Shacove. (Wikipedia)

 

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Jay Sebring

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Jon Peters

The film had little critical praise but commercially, “Shampoo” was a great success. Produced on a budget of $4 million, the film grossed $49,407,734 domestically and $60 million at the worldwide box office. It was the fourth most successful film of 1975 by box office takings, beaten only by Jaws, One Flew Over the Cuckoo’s Nest, and The Rocky Horror Picture Show. (Wikipedia)

I had no idea that the year after its release there was a blaxploitation send-up, Black Shampoo.

Trivia: Warren Beatty is actress, author Shirley Maclaine’s brother.

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Now

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Shirley MacLaine and Warren Beatty

Henry Warren Beatty (born March 30, 1937) has been nominated for fourteen Academy Awards – four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981).

Beatty is the first and only person to have been twice nominated for acting in, directing, writing,and producing the same film – first with Heaven Can Wait (1978), which was co-written by Elaine May and co-directed by Buck Henry, and again with Reds, which he co-wrote with Trevor Griffiths.

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In 1999, he was awarded the Academy’s highest honor, the Irving G. Thalberg Award. Beatty has been nominated for eighteen Golden Globe Awards, winning six, including the Golden Globe Cecil B. DeMille Award, with which he was honored in 2007.

Among his Golden Globe-nominated films are, Splendor in the Grass (1961), Bonnie and Clyde (1967), Shampoo (1975), Dick Tracy (1990), Bugsy (1991), and Bulworth (1998). (Wikipedia)

Warren Beatty’s Political Honors:

Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, the Phillip Burton Public Service Award from the Foundation for Taxpayer and Consumer Rights, and the Spirit of Hollywood Award from the Associates for Breast and Prostate Cancer Studies.

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Beatty was a founding board member of the Center for National Policy, a founding member of the Progressive Majority, a member of the Council on Foreign Relations, has served as the Campaign Chair for the Permanent Charities Committee, and has participated in the World Economic Forum in Davos, Switzerland.

He served on the Board of Trustees at the Scripps Research Institute and the Board of Directors of the Motion Picture and Television Fund Foundation. He was named Honorary Chairman of the Stella Adler Studio of Acting in 2004. (Wikipedia)

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Looks like Warren Beatty has been more than just “fine”. Over his career, he’s been accomplished both in Hollywood and the political arena.