Without Lying Down – Women of the Golden Age!🎬

The Early Visionaries of American Film

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A long time ago in a galaxy far, far away…Women were the driving force behind Hollywood and the movies. Today we pay homage to the women who broke the glass ceiling and wrote and directed the films that gave birth to the “Golden Age” of cinema and the motion picture industry.  Unfortunately, when the men realized the gold mine films were becoming, the women faded away thanks to the Hollywood studio system. Well, as the saying goes, “that’s the way they do you.”

 

Frances Marion 1918

Frances Marion 1918

 

Frances Marion was a trailblazer. becoming one of the most powerful screenwriters of the 20th century. With a career that spanned decades, she became the first female to win an Academy Award for Best Adapted Screenplay in 1930 for the prison life film The Big House, starring Robert Montgomery, Wallace Beery and Chester Morris.

Marion’s research included visiting San Quentin to experience the atmosphere and lingo of the inmates. The movie gave audiences their first taste of hearing prison doors slam shut, tin cups clanking on mess-hall tables and prisoners’ feet shuffling down corridors.

 

 

Adding to her accolades, Frances received the Academy Award for Best Story for The Champ in 1932. The tearjerker chronicled the relationship between a washed out boxer (Wallace Beery) and his young son (Jackie Cooper). Marion was credited with writing 300 scripts and producing over 130 films.

 

 

Born Marion Benson Owens (November 18, 1888) in San Francisco, California, she worked as a journalist and served overseas as a combat correspondent during World War I. On her return home in 1910, she moved to Los Angeles and was hired as a writing assistant and actress by “Lois Weber Productions”, a film company owned and operated by another pioneer female film director Lois Weber.

 

Lois Weber

Lois Weber – Film Director

Frances was quite beautiful and could have continued as an actress but preferred to work behind the camera. She learned screenwriting from Lois Weber and went on to become the highest paid screenwriter, woman or man. Hollywood moguls competed for her stories and stars of the day Mary Pickford, Lillian Gish, Greta Garbo and Rudolph Valentino brought her characters to life on the screen.

From 1919 – 1939 her star was ascendant, born at the right place and the right time, honing her craft during one of the most liberating eras for women in film.

 

 

When Marion met Mary Pickford (actress, producer, screenwriter) they became best friends with Marion writing screen adaptations of Rebecca of Sunnybrook Farm and The Poor Little Rich Girl for Pickford. As a result of the commercial success of “The Poor Little Rich Girl” in 1917 Marion was signed as Pickford’s “exclusive writer” at the salary of $50,000 a year, an unprecedented arrangement for that time.

Pickford was the celebrated “America’s Sweetheart” and in 1919 together with her swashbuckler actor husband Douglas Fairbanks, Sr., director D.W. Griffith (Birth of a Nation) and “The Tramp” Charlie Chaplin established “United Artists” pictures.

These four were the leading figures in early Hollywood and this was their stand for independence against the powerful studio system. Mary Pickford was also  one of the original 36 founders of the Academy of Motion Picture Arts and Sciences.

 

In 1921, Frances Marion directed a film for the first time with Just Around the Corner. That same year, she directed her friend Mary Pickford in one of her own scripts entitled The Love Light. Their relationship was more than just writer and star, they were collaborators and the friendship between Pickford and Marion lasted more than 50 years.

Married four times, Frances Marion had two children with third husband, actor Fred Thomson. This was her longest marriage, lasting from 1919 until Thomson’s sudden and tragic death from a Tetanus infection in 1928. Frances’ great friend Mary Pickford had introduced them. Frances said it was love at first sight.

 

Fred Thomson and Frances Marion

Fred Thomson and Frances Marion

For many years she was under contract to MGM Studios, but, independently wealthy, left Hollywood in 1946 to devote more time to writing stage plays and novels. Frances Marion published a memoir Off With Their Heads: A Serio-Comic Tale of Hollywood in 1972.

Frances died on May 12, 1973 leaving a legacy of innovation, independence and inspiration for future aspiring female writers. The documentary, Frances Marion: Without Lying Down,” is an insightful profile of her life and achievements in Hollywood.

 

Without Lying Down

Mary Pickford and Frances Marion

 

Narrated by “Pulp Fiction” actress Uma Thurman and Oscar-winner Kathy Bates, who gives voice to the screenwriter’s own words taken from her letters, diaries. and memoirs. The documentary also features footage from more than twenty of Marion’s movies, with commentary by silent film historian Kevin Brownlow, and film critic Leonard Maltin.

Available for purchase at Amazon.com, I highly recommend checking it out!

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“I’ve spent my life searching for a man to look up to without lying down.” Frances Marion

 

It would take more than 60 years before women were once again present in meaningful numbers at every level of film production.

 

 

 

 

 

“Dancing and Singing at the Movies” 💃🏽🎶

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It seems every time someone asks the question “What’s your favorite? (fill in the blank film) that’s what happens to me…BLANK; there are just too many.  So, I decided to prep for the next occasion.

With the new film “La La Land” starring Ryan Gosling and Emma Stone being touted as this generation’s “Singing in the Rain”, I decided to start with the Musicals genre. These are some of my favorites that also made AFI’s list of the Top 5 Musicals of all time!

 

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Can you name yours?  Let’s share.

# FILM YEAR STUDIO
1 SINGIN’ IN THE RAIN 1952 MGM
2 WEST SIDE STORY 1961 United Artists
3 WIZARD OF OZ, THE 1939 MGM
4 SOUND OF MUSIC, THE 1965 Twentieth Century-Fox
5 CABARET 1972 Allied Artists

 

Some of my favorite quotes!

 

Singin’ in the Rain (1952)

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Lina:  [with a voice to peel paint]  And I cayn’t stand’im.    Holy crap! This line makes the movie for me!!

 

This celebrated musical-comedy was directed and choreographed by Gene Kelly and Stanley Donen. Starring Kelly, Donald O’Connor, and Debbie Reynolds, it offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to “talkies.” (Wikipedia)

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West Side Story (1961)

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[singing]

Bernardo:  “I’d like to go back to San Juan.”

Anita:  “I know a boat you can get on!”

Ha!  Bernardo, you do you, cause I’m gonna do me!

 

Ah, the Sharks and the Jets who turn a knife fight into the coolest, choreographed ballet I’ve ever seen. I also have a particular fondness for this film having performed in a community theater stage production.

Jets

Jets

A musical romantic drama directed by Robert Wise and Jerome Robbins, the film is an adaptation of the 1957 Broadway musical of the same name, which in turn was inspired by William Shakespeare’s play Romeo and Juliet. It stars Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris.

Nominated for 11 Academy Awards and winning 10, including Best Picture (as well as a special award for Robbins), “West Side Story” is the record-holder for the most wins for a movie musical. (Wikipedia)

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The Wizard of Oz (1939)

 

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Cowardly Lion:  ” Alright I’ll go in there for Dorothy. Wicked Witch or no Wicked Witch, guards or no guards, I’ll tear them apart. I may not come out alive, but I’m going in there. There’s only one thing I want you fellows to do.”

Tin WoodsmanScarecrow:  “What’s that?”

Cowardly Lion:  “Talk me out of it!”

 Oh, Lion – you just gotta love him!

Produced by Metro-Goldwyn-Mayer, “The Wizard of Oz” is the most well-known and commercially successful adaptation based on the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum. The classic stars Judy Garland as Dorothy Gale. The co-stars include Ray Bolger (The Scarecrow), Jack Haley (The Tin Man), Bert Lahr (The Cowardly Lion), Frank Morgan, Billie Burke, and Margaret Hamilton (The Wicked Witch of the West), with Charley Grapewin, Terry the dog (billed as Toto), and the Singer Midgets as the Munchkins.

Notable for its use of Technicolor, fantasy storytelling, musical score, and unusual characters, over the years, it has become an icon of American popular culture. It was nominated for six Academy Awards, including Best Picture, but lost to “Gone with the Wind”. It did win in two other categories, including Best Original Song for “Over the Rainbow” and Best Original Score by Herbert Stothart. (Wikipedia)

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The Sound of Music (1965)

 

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Maria:  “When the Lord closes a door, somewhere He opens a window.”

 Without a doubt, Maria!  Amen!

 

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This song by Christina Perri  “A Thousand Years” isn’t from the film but I felt it perfectly reflected the relationship between Maria and the Captain.

“The Sound of Music” was produced and directed by Robert Wise, and starred Julie Andrews and Christopher Plummer. An adaptation of the 1959 Broadway musical The Sound of Music, composed by Richard Rodgers with lyrics by Oscar Hammerstein II it was based on the memoir The Story of the Trapp Family Singers by Maria von Trapp.

 

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Cabaret (1972)

 

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Sally:  ” I’m going to be a great film star! That is if booze and sex don’t get me first.”

This is a very prophetic quote considering the fate of many a would-be star.

 

This stylish, socially conscious musical drama was directed by the legendary choreographer Bob Fosse and stars Liza Minnelli, Michael York. and Joel Grey. The setting is Berlin in 1931 with the Nazis’ violent rise serving as a powerful, ever-present undercurrent in the film.

Liza Minnelli won the Best Actress Award for her portrayal of the flamboyant, cabaret performer, Sally Bowles, with the film also garnering Academy Awards for Best Supporting Actor (Joel Grey), Best Cinematography, Best Art Direction, Best Sound, Best Original Song Score and Adaptation, and Best Film Editing. It holds the record for most Oscars earned by a film not honored for Best Picture. “The Godfather” took the prize. (Wikipedia)

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Chicago (2002)

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Although the stylized, Jazz Age hit “Chicago”(2002) didn’t make the AFI Top 5, (#12), I couldn’t omit this sizzling number, Cell Block Tango. “He had it comin'”☺☺

 

A film version of Chicago was to have been the next project for Bob Fosse, who had directed and choreographed the original 1975 Broadway production but he died before realizing his vision.

Fosse’s distinctive jazz choreography style is evident throughout and he is thanked in the credits. The movie explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. (Wikipedia)

 

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Catherine Zeta-Jones, Richard Gere, Renée Zellweger

 

Starring Catherine Zeta-Jones, Renée Zellweger, and Richard Gere, “Chicago” centers on Velma Kelly (Zeta-Jones) and Roxie Hart (Zellweger), two murderesses who find themselves in jail together awaiting trial in 1920s Chicago.

Queen Latifah

Queen Latifah “Mama”

For her part, the multi-talented rapper, actress, producer, Queen Latifah’s role as Matron “Mama” Morton earned her a nomination for Best Supporting Actress. The movie was the winner of six Academy Awards in 2003, including Best Picture. The film was the first musical to win Best Picture since Oliver! in 1968.

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There are definitely a lot more for the list so please, let me know some of your picks in the comments!

 

I Am Spartacus – Celebrating Living Legend Kirk Douglas

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Kirk Douglas’s personality has always been larger than life; with an incredible presence and life that has spanned these 100 years.

Kirk Douglas (born Issur Danielovitch; December 9, 1916) is an American actor, producer, director, and author. He is one of the last survivors of Hollywood’s Golden Age.

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Young Kirk Douglas

After an impoverished childhood with immigrant parents and six sisters, he had his film debut in “The Strange Love of Martha Ivers” (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s and 1960s, known for serious dramas, including westerns and war movies. (Wikipedia)

 

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During a 64-year acting career, he has appeared in more than 90 movies and in 1960 (through his production company – Bryna Productions) helped end the Hollywood Blacklist by hiring blacklisted writer Dalton Trumbo to write “Spartacus” (1960) with an official on-screen credit. I gained a lot of respect for Douglas when I learned of this decision.

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Kirk Douglas as Spartacus

Screenwriter Dalton Trumbo was blacklisted at the time as one of the Hollywood Ten. The ten writers and directors who were cited for contempt of Congress and blacklisted after refusing to answer questions about their alleged involvement with the Communist Party.

Douglas publicly announced that Trumbo was the screenwriter of Spartacus, and President-elect John F. Kennedy crossed American Legion picket lines to view the film, helping to end blacklisting. The author of the novel on which it is based, Howard Fast, was also blacklisted, and originally had to self-publish it. (Wikipedia)

 

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The film became the biggest moneymaker in Universal Studios’ history until it was surpassed by Airport (1970).

This scene from “Spartacus” is very apropos; rebels standing up for Spartacus the way Douglas stood up for Dalton Trumbo.

 

I love this cinematic moment reflecting the truth that when we stand together, we are a mighty force!

Douglas’s image as a tough guy and international star were established in his eighth film, “Champion” (1949) after producer Stanley Kramer chose him to play a selfish boxer. He received his first Academy Award nomination and the film earned six nominations in all. Variety magazine called it “a stark, realistic study of the boxing rackets.” (Wikipedia)

 

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From that film on, Kirk decided that to succeed as a star, he needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles.

Douglas’early films include Young Man with a Horn (1950), playing opposite Lauren Bacall and Doris Day; Ace in the Hole opposite Jan Sterling (1951); and Detective Story (1951). He received a second Oscar nomination for his dramatic role in The Bad and the Beautiful (1952), opposite Lana Turner, and his third nomination for portraying Vincent van Gogh in Lust for Life (1956). (Wikipedia)

 

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As an actor and philanthropist, Douglas has received three Academy Award nominations, an Oscar for Lifetime Achievement, and the Presidential Medal of Freedom. As an author, he has written ten novels and memoirs. Currently, he is No. 17 on the American Film Institute’s list of the greatest male screen legends of classic Hollywood cinema, and the highest-ranked living person on the list.

 

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Wife Anne and Kirk Douglas

A birthday gala was held for Douglas in the Sunset Room at the Beverly Hills Hotel on December 9th. In keeping with his larger than life persona, he entered the celebration with the theme from “Rocky” blaring over the speakers.

 

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Son, Michael Douglas kicked off the proceedings, saying that it’s not just about age, but about the life he’s lived and what he’s accomplished.

 

Kirk Douglas, seated left, holds hands with his wife Anne Douglas, seated right, as they pose with family members, their son Michael, standing second left with his wife Catherine Zeta-Jones, and their children, Carys Zeta Jones, left, and son Dylan

Kirk Douglas, seated left, holds hands with his wife Anne Douglas, seated right, as they pose with family members, their son Michael, standing second left with his wife Catherine Zeta-Jones, and their children, Carys Zeta-Jones, left, and son Dylan CREDIT:CHRIS PIZZELLO/INVISION/AP 

 

As clips from Douglas’ films played in the background, fun and poignant stories were shared about the legend from Don Rickles, Steven Spielberg, friends, and family.

“My wife Anne and I always use these happy occasions to give presents to the institutions we support through our foundation,” he wrote. “Giving is a selfish act, I maintain because it makes you feel so good. I am always asked for advice on living a long and healthy life. I don’t have any. I do believe, however, that we have a purpose for being here. I was spared after a helicopter crash and a stroke to do more good in the world before I leave it.” Kirk Douglas

 

Happy 100th Birthday, Kirk!

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Gratitude and Miracles🙏🏽

 

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Today marks the start of the holiday season, but it doesn’t officially kick off for me until I’ve watched the Thanksgiving Day Parade and one of my favorite holiday films, Miracle on 34th Street (1947).

 

 

Until I see Santa arrive at the end of the parade there can be no Christmas Tree, tinsel, ornaments or stockings. This has been a tradition of mine since I was a kid. Without a doubt, Edmund Gwenn is Santa Claus. No matter what other films he’s made, each character turns into Kris Kringle. (he won the Academy Award for Best Supporting Actor) Gwenn played a cockney assassin in Hitchcock’s Foreign Correspondent in 1940, but all I could scream was “Santa, don’t throw that man off the ledge!”

 

Edmund Gwenn

Miracle Kris

(September 26, 1877 – September 6, 1959)

Natalie Wood was precious as Susan, the precocious daughter of Maureen O’Hara (Doris) who doesn’t believe in fairy tales and attends a “progressive” school. Natalie Wood had an illustrious career until her death in 1981. She was able to make the transition from child star to ingenue starring opposite James Dean in Rebel Without a Cause (1955) and Warren Beatty in Splendor in the Grass (1961). Known as a loving, giving person, as well as a star, she’s always had a special place in my heart.

Natalie Wood

Miracle on i believe

(July 20, 1938 – November 29, 1981)

miracle DorisDoris is cynical as a result of a bitter divorce so she’s raising her daughter to be practical and sensible. None of this believing in fairy tales and Santa crap. All was going well until Doris – the parade coordinator asks Kris to replace the drunken Santa originally set for the Macy’s Thanksgiving Parade. Kris is a big hit and becomes Macy’s official Santa resulting in a personal relationship with Doris and Susan.

Maureen O’Hara (August 17, 1920 – October 24, 2015 )

 

Kris is an immediate influence teaching Susan it’s okay to pretend after she tells him the other kids don’t play with her because she won’t join in their game and act like a zoo animal.

The production took flack from the Catholic League of Decency because how dare you depict a divorced woman with a successful career and a young child as a “normal family.” Yep, 1940’s mentality and morality were hard at work.

 

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Susan learning to act like a monkey!

Just as Doris is learning to have more faith in life and Susan is embracing imagination, Kris’s sanity is questioned and a legal battle ensues to prove that not only is he sane but the one and only Santa Claus. Fred (John Payne) who is Kris’s lawyer and Doris’s boyfriend, understands the importance of the spirit of Santa especially in the lives of Susan and Doris.

John Payne (on left)

(May 23, 1912 – December 6, 1989)

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🎅🏻🎅🏻🎅🏻🎅🏻🎅🏻

Kris is exonerated and Christmas day has arrived. Susan has asked for a very special present and is disappointed at the Christmas party to see it isn’t under the tree. Doris, in a refreshing change of heart, tells Susan she must have faith.

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But, Santa Claus moves in mysterious ways and in the end teaches them both the true value of faith and miracles.

 

💞💞💞💞💞💞💞💞💞

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Here’s to Faith and Miracles!

Remembering The Man From U.N.C.L.E. – Robert Vaughn

 

 

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Robert Francis Vaughn (November 22, 1932 – November 11, 2016)

Robert Vaughn was a cool, and debonair symbol of the 1960’s and will forever live on as the suave secret agent, Napoleon Solo. The iconic international spy tasked with saving the world on a weekly basis lost his battle with Acute Leukemia and died on Friday, November 11, 2016, in Danbury, Connecticut. He was 83.

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Legacy of Robert Vaughn

Vaughn’s first film appearance was as an uncredited extra in “The Ten Commandments” (1956), playing a golden calf idolater also visible in a scene in a chariot behind that of Yul Brynner. His first credited movie role came the following year in the Western Hell’s Crossroads (1957), in which he played Bob Ford, the murderer of outlaw Jesse James.

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Robert Vaughn, Paul Newman “The Young Philadelphians”

Robert Vaughn’s first notable appearance was his role as a man accused of murder in “The Young Philadelphians” (1959) staring Paul Newman and for which Vaughn received a nomination for both the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. In his next role, he would portray the insecure gunman Lee in the Old West-style remake of Akira Kurosawa’s 1954 Japanese masterpiece Seven Samurai, “The Magnificent Seven” (1960). (Wikipedia)

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When The Man From U.N.C.L.E. ended, Vaughn landed a major role playing Chalmers, an ambitious California politician in the mega box office hit Bullitt (1968) starring and produced by screen legend, Steve McQueen; Vaughn was nominated for a BAFTA Award for Best Supporting Actor for this role.

 

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In 1978 he won a best supporting actor Emmy for his performance as a White House chief of staff in the miniseries “Washington: Behind Closed Doors.” (New York Times)

However, the role he is most remembered and loved is Napoleon Solo, the dashing international spy for U.N.C.L.E. (United Network Command for Law Enforcement) Together with his laid back partner Illya Kuryakin (David McCallum), the enigmatic Russian spy, he battled T.H.R.U.S.H. (Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity), a super secret organization intent on achieving world domination.

From 1964 to 1968, in the thick of the Cold War, millions of Americas tuned in weekly to check out the wit and cool of the unlikely duo (American and Russian) as they foiled the various diabolical schemes of the colorful T.H.R.U.S.H. villains.

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Robert Vaughn (Napoleon Solo) and David McCallum (Illya Kuryakin)

The show was an obvious parody of Ian Fleming’s James Bond films and Mr. Fleming actually served as an advisor, which probably lent more authenticity to the characters and storylines. He is also widely credited with coining the name Napoleon Solo.

 

 

Robert Francis Vaughn was born on Nov. 22, 1932, in New York City into a theatrically inclined household. His father, Gerald Walter Vaughn, was heard on radio series like “Gangbusters” and “Crime Doctor,” and his mother, the former Marcella Gaudel, appeared in a 1931 Broadway production of “Dracula.” The couple divorced when Mr. Vaughn was an infant and he moved with his mother to Minneapolis, where he was partly reared by grandparents.

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He was encouraged by his mother to pursue acting, starting with having him (at the age of 5) learn the soliloquy, “To Be or Not to Be..” from Hamlet. In 1952 he headed to Hollywood studying theater arts at Los Angeles City College during the day while pursuing bit-parts.

Earning a master’s degree in theater, he received a Ph.D. in communications from the University of Southern California in 1970. In 1972, he published his dissertation as the book Only Victims: A Study of Show Business Blacklisting. (Wikipedia)

He was known for hanging out at local Hollywood hot spots with the likes of Bette Davis and dated (a legend in her own right) actress Natalie Wood. After graduating from college in 1956, Mr. Vaughn signed with Columbia Pictures for $15,000 a role. However, his career was put on hold after he was drafted into the Army serving 18 months.

robert-vaughn-natalie-woodRobert Vaughn and Natalie Wood

Mr. Vaughn continued to work as an actor into his 80s. He appeared on the British television series “Hustle” from 2004 to 2012 and on another British show, “Coronation Street,” in 2012. He was seen on an episode of “Law & Order: Special Victims Unit” last year.

robert vaughn family

Caitlin Vaughn, wife Linda Staab, and son Cassidy

Robert Vaughn is survived by wife, actress Linda Staab, whom he married in 1974 and a daughter, Caitlin Vaughn; a son, Cassidy; and two grandchildren.

He will always be a fond reminder of my childhood and the swinging ’60s. Those days are gone, but Napoleon Solo will forever live on.

R.I.P.

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“You’re gonna need a bigger boat.” Memorable Film Monologues🎬

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I love quoting from my favorite movies. It’s like a secret language that only you and those who love that particular film can understand. The joy is one line can transport you back to that moment in time and creates an instant connection with fellow film lovers.

Image result for movie quotesOn a recent trip to visit family, watching the Michigan game and sharing stories, as usual, my cousin quipped, “the sheriff is near..” and we all broke out laughing visualizing the scene with Clevon Little from “Blazing Saddles”.

So, taking the secret language idea a little further, I decided to showcase some of my favorite monologues from some of my favorite films.

 

Caddyshack – Bill Murray “Cinderella Story”

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Bill Murray was in rare form in this classic 1980 sports-comedy hit. Directed by Harold Ramis and written by Brian Doyle-Murray, Ramis and Douglas Kenney, it stars Michael O’Keefe, Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray.

This was Ramis’ first feature film and was a major boost to Dangerfield’s film career; previously, he was known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (17th-highest of the year).

Caddyshack has garnered a large cult following and has been hailed by media outlets, such as Time and ESPN, as one of the funniest sports movies of all time. As of 2010, Caddyshack has been televised on the Golf Channel as one of its “Movies That Make the Cut.” (Wikipedia)

 

Caddyshack

Chevy Chase, Bill Murray, Rodney Dangerfield, Ted Knight

In 2000, Caddyshack was placed at number 71 on the American Film Institute’s (AFI) list of the 100 funniest American films. In 2005, a line from the movie was chosen by AFI for their list of the top 100 movie quotes from U.S. films.

‘”Cinderella story. Outta nowhere. A former greenskeeper, now, about to become the Masters champion. It looks like a

mirac…

…It’s in the hole! It’s in the hole! It’s in the hole!”

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Bill Murray

On October 23, 2016, Bill Murray was the recipient of The Kennedy Center Mark Twain Prize for American Humor. From the stage of The John F. Kennedy Center, a star-studded lineup saluted the achievements of this brilliant comedic trailblazer.

 

“Young Frankenstein” (1974) Gene Wilder “Hello Handsome”

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There is no doubt that Gene Wilder was a brilliant writer and one of the funniest actors of our time. His role as Victor Frankenstein is a standout. His timing is perfect and this monologue is priceless.

“Young Frankenstein” is the 1974 American horror comedy film directed by Mel Brooks and starring Gene Wilder as the title character, a descendant of the infamous Dr. Victor Frankenstein. The supporting cast includes Teri Garr, Cloris Leachman, Marty Feldman, Peter Boyle, Madeline Kahn, Kenneth Mars, Richard Haydn and Gene Hackman. The screenplay was written by Wilder and Brooks.

 

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Mel Brooks, Kenneth Mars, Marty Feldman, Gene Wilder, Teri Garr

The film is an affectionate parody of the classic horror film genre, in particular, the various film adaptations of Mary Shelley’s novel Frankenstein produced by Universal in the 1930s.

Brooks adapted the film into a musical of the same name which premiered in Seattle at the Paramount Theatre and ran from August 7 to September 1, 2007. The musical opened on Broadway at the Foxwoods Theatre (then the Hilton Theatre) on November 8, 2007, and closed on January 4, 2009.

 

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It was nominated for three Tony Awards and starred Tony winner Roger Bart, two-time Tony winner Sutton Foster, Tony & Olivier winner Shuler Hensley, two-time Emmy winner Megan Mullally (Will & Grace), three-time Tony nominee Christopher Fitzgerald, and two-time Tony & Emmy winner Andrea Martin (Saturday Night Live veteran).

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Megan Mullally

A critical favorite and box office smash, Young Frankenstein ranks No. 28 on Total Film magazine’s readers’ “List of the 50 Greatest Comedy Films of All Time”, No. 56 on Bravo TV’s list of the “100 Funniest Movies”, and No. 13 on the American Film Institute’s list of the 100 funniest American movies.

 

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In 2003, it was deemed “culturally, historically or aesthetically significant” by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry. On its 40th anniversary, Brooks considered it by far his finest (though not his funniest) film as a writer-director.

 

Jaws (1975) – Quint’s story of the Indianapolis

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I still find myself holding my breath listening to Quint’s (Robert Shaw) story. His vivid recount of his nightmare of the death with his shipmates is absolutely riveting! Wow, one of the most frightening scenes in the film.

Jaws is the 1975 American thriller film directed by Steven Spielberg and based on Peter Benchley‘s 1974 novel of the same name. The film stars Roy Scheider as police chief Martin Brody, Robert Shaw as shark hunter Quint, and Richard Dreyfuss as oceanographer Matt Hooper. (Wikipedia)

Now considered one of the greatest films ever made, Jaws was the prototypical summer blockbuster, with its release regarded as a watershed moment in motion picture history.

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Robert Shaw, Roy Scheider, Richard Dreyfuss

Jaws became the highest-grossing film of all time until the release of Star Wars (1977). It won several awards for its soundtrack and editing. In 2001, Jaws was selected by the Library of Congress for preservation in the United States National Film Registry, being deemed “culturally, historically, or aesthetically significant”. (Wikipedia)

This classic won three Academy Awards for Best Film Editing, Best Original Dramatic Score, and Best Sound (Robert Hoyt, Roger Heman, Earl Madery and John Carter). It was also nominated for Best Picture, losing to One Flew Over the Cuckoo’s Nest.

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Spielberg greatly resented the fact that he was not nominated for Best Director. Along with the Oscar, John Williams’s score won the Grammy Award, the BAFTA Award for Best Film Music, and the Golden Globe Award. To her Academy Award, Verna Fields added the American Cinema Editors’ Eddie Award for Best Edited Feature Film.

 

Pulp Fiction (1994) – Samuel L. Jackson – Ezekiel 25: 17

This is the scene that not only features the memorable monologue but, introspection of just what it means. This reflection made the speech even more impactful for me. Stop and think about it.

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Pulp Fiction is the 1994 American neo-noir crime black comedy film written and directed by Quentin Tarantino, from a story by Tarantino and Roger Avary. Tarantino’s second feature film, it is iconic for its eclectic dialogue, ironic mix of humor and violence, nonlinear storyline, and a host of cinematic allusions and pop culture references.

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Uma Thurman, John Travolta

The film was nominated for seven Oscars, including Best Picture; Tarantino and Avary won for Best Original Screenplay. It was also awarded the Palme d’Or at the 1994 Cannes Film Festival. A major critical and commercial success, it revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co-stars Samuel L. Jackson and Uma Thurman. (Wikipedia)

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John Travolta, Samuel L. Jackson

The music is as much a character in the movie as the actors. No film score was composed for Pulp Fiction; Quentin Tarantino instead used an eclectic assortment of surf music, rock and roll, soul, and pop songs.

Dick Dale’s rendition of “Misirlou” plays during the opening credits. Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: “To me, it sounds like rock and roll spaghetti Western music.” (Wikipedia)

 

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The soundtrack album, Music from the Motion Picture Pulp Fiction, was released along with the film in 1994. The album peaked on the Billboard 200 chart at number 21. The single, Urge Overkill’s cover of the Neil Diamond song “Girl, You’ll Be a Woman Soon”, reached number 59.

The film has been called a “terminally hip postmodern collage” and in 2013, selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. (Wikipedia)

 

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These are some of my top classic movie moments. In the Comments, let me know some of yours!

 

What Fourth Estate? – “Network” 1976📺

The Fourth Estate

The fourth estate is a term that positions the press as the fourth branch of government and one that is important to a functioning democracy.

The First Amendment to the Constitution “frees” the press but carries with it a responsibility to be the people’s watchdog.

 

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Network 1976

Originally this film was going to be part of a favorite monologues piece. However, after watching Howard Beale’s (Peter Finch) speech on the state of the world, I felt the need to turn it into a full blown post on its own.

This prophetic monologue is incredible! It could very well have been given today. His truth and passion still hit hard. Politically, I feel this way most days.

Network film

“Network” is a 1976 American satirical black comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet, about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch, and Robert Duvall.

When I saw this movie at its premiere I thought it was pinpoint accurate as a representation of the industry and the direction it was going. Today’s corporate media has even surpassed the foretold death of true journalism that “Network” showcased.

Entertainment television was the news style of the film and parrots the absurdity of what passes for the Fourth Estate today.

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As a journalism student in the ’70s, I’ve been outraged over time witnessing the demise and bastardization of the reason for journalism, to begin with. The news is supposed to inform the public of what is going on in Washington and globally. It’s supposed to be impartial, probing and take seriously the consequences of misleading and misinforming the American people of information needed to make informed decisions on our public servants and events.

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I often think of the Watergate scandal and how very differently it would have emerged in today’s news environment. Bob Woodward and Carl Bernstein from the Washington Post represented the best of journalism and the importance of separating news from entertainment; digging deep and not letting up until all the facts had been revealed.

Chilling commentary and viewpoint from the Corporate Chairman (Ned Beatty)

Allegedly, part of the inspiration for Chayefsky’s script came from the on-air suicide of television news reporter Christine Chubbuck in Sarasota, Florida two years earlier. The anchorwoman was suffering from depression and battles with her editors, and unable to keep going, she shot herself on camera as stunned viewers watched on July 15, 1974. Chayefsky used the incident to set up his film’s focal point. As he would say later in an interview, “Television will do anything for a rating… anything!”

 

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However, Dave Itzkoff’s book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies disputes this, asserting that Chayefsky actually began writing “Network” months before Chubbuck’s death and already planned for Howard Beale to vow to kill himself on air; Chubbuck’s suicide was an eerie parallel. (Wikipedia)

Whatever the order of events, Paddy Chayefsky’s intuition and writing are inspired! Words we should never take lightly and always remember.

 

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In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has “set an enduring standard for U.S. American entertainment”. (Wikipedia)

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In 2006, the two Writers Guilds of America voted Chayefsky’s script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.

 

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Frederick George Peter Ingle Finch

( September 28,  1916 – January 14, 1977)

peter finch

The role of Howard Beale earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes. He was the first person to win a posthumous Academy Award in an acting category.

Although Finch didn’t live to receive the Academy Award for Best Actor, his performance as Howard Beale will never leave the memories of those who witnessed it.

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So, in honor of Howard Beale let’s all get up off our chairs, go to the window and yell – “I’m mad as hell and I’m not going to take this anymore!”

And, after you’re done, make sure you stay up and go out and VOTE!

 

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Truth at its Finest – The Great Dictator (1940)

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Charlie Chaplin is one of the greatest filmmakers in motion picture history. Robert Downey, Jr. brilliantly portrayed his tremendous talent and career in the 1992 film “Chaplin”. I’ve always loved Chaplin not just because of his comedic gifts but like myself, he stood firm in the belief that art is political. A position which caused him to be kicked out of the United States for “subversive” beliefs.

 

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Sir Charles SpencerCharlieChaplin, (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame during the era of silent film. Chaplin became a worldwide icon through his screen persona “the Tramp” and is considered one of the most important figures in the history of the film industry.

 

His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. (Wikipedia)

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Charlie Chaplin

Probably the most prophetic film of his extraordinary career was “The Great Dictator” (1940). Chaplin’s final speech resonates at the core of what it means to be human today just as it did over 75 years ago. Written by Chaplin, it emphasizes just how vital it is to know your history because those who don’t are doomed to repeat it.

 

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Created in direct opposition to Hitler’s reign of terror, Chaplin warns of the devastation of giving up our humanity and implores us to love each other.

The Great Dictator is the 1940 American political satire comedy-drama film written, directed, produced, scored by and starring Charlie Chaplin. Charlie Chaplin was unique because he was the only Hollywood filmmaker to continue to make silent films well into the period of sound films, this was Chaplin’s first true sound film.

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This scene is so beautiful in its simplicity and elegance; while at the same time mocking the hubris of Hitler, the genocide, antisemitic dictator.

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Language similar to a candidate running for President in 2016. Same delusional dream.

Chaplin’s film is a scathing and controversial condemnation of Adolf Hitler, Benito Mussolini, fascism, antisemitism, and the Nazis. At the time the film was released, the United States hadn’t entered into World War II and the fight against Nazi Germany.

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After seeing this masterpiece, my respect and admiration for Chaplin grew even more. He spoke up when others wouldn’t. That’s the kind of morality and integrity that seems to be sorely lacking in today’s politics.

Chaplin was so talented, and for even more contrast, played both leading roles: a ruthless fascist dictator, and a persecuted Jewish barber.

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Charlie Chaplin as Adenoid Hynkel (Hitler) and the Jewish Barber

The Great Dictator was popular with audiences, becoming Chaplin’s most commercially successful film. Modern critics have also praised it as a historically significant film and an important work of satire. (Wikipedia)

The Great Dictator was nominated for five Academy Awards – Outstanding Production, Best Actor, Best Writing (Original Screenplay), Best Supporting Actor for Jack Oakie, and Best Music (Original Score).

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In his 1964 autobiography, Chaplin stated that he could not have made the film if he had known about the true extent of the horrors of the Nazi concentration camps at the time. (Wikipedia)

 

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At the end of his life, Chaplin was finally awarded the respect and accolades befitting of his expansive career and achievements. This is Sir Charles accepting his honorary Academy Award in 1972. I watched this presentation and cried with admiration the entire time.

 

Thank you, Charlie.💖

 

Jammin’ at the Movies 2 – Music that Makes the Movies🎶🎬😎

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Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

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As I started writing “Jammin’ at the Movies – Music that Makes the Movies” I realized there were far too many films to note in one post, so these are a few others that make my list of movie soundtracks that are synonymous with the film itself.

“Pulp Fiction”, “Forrest Gump”, and “Saturday Night Fever” are true American classics and so are their soundtracks!

 

Let me know some of your most notable in the comments!

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The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

 

Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at any time.

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

Quentin Tarantino

Quentin Tarantino

“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)

 

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“Pulp Fiction” (1994), “Forrest Gump” (1994), and “Saturday Night Fever” (1977) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

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Pulp Fiction

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“Pulp Fiction”(1994) is the coolest film and soundtrack ever. QuentinTarantino (Oscar for Best Original Screenplay) certainly had his finger on the pulse of the vital connection music plays in conveying the attitude of this movie and put together the perfect soundtrack to complement the mood.

First of all, I would love to hang at Jack Rabbit Slims. I love all things 60’s and between the cars and the celebrity impersonators, how fun! Second, this is how you dance cool. I remember all the back in the day dances like the twist, the jerk, and the batman.

The album reached No. 21 on the Billboard 200, while Urge Overkill’s cover of the Neil Diamond song “Girl, You’ll Be a Woman Soon” peaked at No. 59 on the Billboard Hot 100.

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Billboard chalked up MCA’s compilation to identifying the market niche: “Pulp Fiction…successfully spoke to those attuned to the hip, stylized nature of those particular films.” The eclectic “mix-and-match strategy” is true to the film.

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“In some cases, like Pulp Fiction and Reservoir Dogs, which were not geared toward any specific demographic, the soundtracks were still very focused albums,” said Kathy Nelson, senior VP/general manager at MCA Soundtracks. “In both cases, the body of work — both the music and the film — has a specific personality.” (Wikipedia)

Trivia – revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co-stars Samuel L. Jackson and Uma Thurman.

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Forrest Gump

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Academy Award-winning film “Forrest Gump” (1994) starring Tom Hanks and based on the 1986 novel of the same name by Winston Groom, will always have a special place in my heart. The genuine spirit and remarkable journey of Forrest make you root for him.

The time setting of the ’60’s was perfect with the politics of the day and the Vietnam War being the volatile flashpoint of the decade.

The 32-song soundtrack from the film was released on July 6, 1994, and re-creates the angst of a generation and is perfect for fusing the film with the troubled times.

With the exception of a lengthy suite from Alan Silvestri’s score, all the songs are previously released; the soundtrack includes songs from Fleetwood Mac, Creedence Clearwater Revival, Lynyrd Skynyrd, The Byrds, The Doors, The Mamas & the Papas, The Simon & Garfunkel, and Buffalo Springfield among others.

 

 

Music producer Joel Sill reflected on compiling the soundtrack: “We wanted to have very recognizable material that would pinpoint time periods, yet we didn’t want to interfere with what was happening cinematically.”

 

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The soundtrack reached a peak of number 2 on the Billboard album chart and went on to sell twelve million copies and is one of the top-selling albums in the United States. (Wikipedia)

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Saturday Night Fever

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The mother of all movie soundtracks, Saturday Night Fever: The Original Movie Sound Track skyrocketed The Bee Gees  and their music to the top of the charts with their timeless love ballads and energizing disco hits like the title song, “Staying Alive”.

From the 1977 hit film starring John Travolta, the album was certified 15× Platinum for shipments of over 15 million copies. The album stayed atop the album charts for 24 straight weeks from January-July 1978 and stayed on Billboards album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. 1.

The Bee Gees

Maurice, Barry, Robin Gibb – The Bee Gees

The brothers wrote the songs “virtually in a single weekend” at Château d’Hérouville studio in France. Barry Gibb remembered the reaction when Producer Robert Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

“They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they’d brought with them.” The album has been added to the National Recording Registry in the Library of Congress for being culturally significant. (Wikipedia)

Even more, than the incredible music, John Travolta blew me away with his club-worthy dance moves. Who knew the kid from the television show “Welcome Back Kotter” could bust a move!

Trivia – John Travolta’s mother Helen and sister Ann both appeared in minor roles in the beginning of the film. Travolta’s sister is the pizzeria waitress who serves him the pizza slices (and delivers the first dialogue), and his mother plays the woman to whom he sells the can of paint (after being late).

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If you haven’t already, check out these rockin’ flicks. Perfect for a musical binge-worthy night!

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Jammin’- Music that Makes the Movies🎶🎬😎

Image result for movie soundtracks

Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

 

Image result for movie theater

 

The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

 

Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at anytime.

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

Quentin Tarantino

Quentin Tarantino

“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)

 

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“Purple Rain” (1984), “Guardians of the Galaxy” (2014), and “Almost Famous” (2000) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

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Purple Rain (1984)

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The music from “Purple Rain” has kept me groovin’ since it premiered. While rockin’ the theater, “I Would Die 4 You” also connected the events necessary to resolve the plot and “The Kid’s” conflicts, utilizing the flashback technique leading to the climactic ending scene. The album rocketed Prince to superstardom!

The soundtrack for the film was released on June 25, 1984, by Warner Bros. Records and to date, it has sold over 22 million copies worldwide, becoming the sixth best-selling soundtrack album of all time.

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“I Would Die 4 U”, “Baby I’m a Star” and “Purple Rain” were recorded live from a show on August 3, 1983, at the First Avenue club in Minneapolis, with overdubs and edits added later. This marked the first time Prince included live recordings on any release. The show was a benefit concert for the Minnesota Dance Theater and featured the first appearance of guitarist Wendy Melvoin in Prince’s band, The Revolution.

 

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Prince won two Grammy Awards in 1985 for Purple Rain, for Best Rock Vocal Performance by a Duo or Group and Best Album of Original Score Written for a Motion Picture or TV Special, and the album was nominated for Album of the Year. Prince won a third Grammy that year for Best R&B Song (songwriter) for Chaka Khan’s cover of “I Feel for You”. Purple Rain also won an Oscar for Best Original Song Score in 1985.

 

Guardians of the Galaxy (2014)

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“Guardians of the Galaxy” is the 2014 film based on the Marvel Comics superhero team of the same name, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. Directed by James Gunn, the movie features the songs present on character Peter Quill’s (Chris Pratt) mixtape in the film.

The album was released by Hollywood Records on July 29, 2014, and reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart.

“Come and Get Your Love” by (Redbone) set the tone and mood of the film for me and is also a classic rock song from the 70’s. The film incorporated songs from the 1960s and 1970s, such as “Hooked on a Feeling” by Blue Swede, which, according to the film’s director, James Gunn, acts as a way for Quill to stay connected to the Earth, home, and family he lost.

Peter Quill (Chris Pratt)

Peter Quill (Chris Pratt)

In Guardians of the Galaxy, Peter Quill forms an uneasy alliance with a group of extraterrestrial misfits who are fleeing after stealing a powerful artifact.

 

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Drax, Gamora, Quill, Groot, and Rocket

 

I couldn’t help but fall in love with the sweetness of “I am Groot” and subsequently, jammin’ “Baby Groot”.

“Baby Groot”

Other hits from the soundtrack and my childhood include: “I Want You Back”, Jackson 5, “Oooh Child”, The 5 Stairsteps, and “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell which make for one kickin’ playlist!

 

Almost Famous (2000)

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Almost Famous was written and directed by Cameron Crowe, and starred Billy Crudup, Kate Hudson and Patrick Fugit. It tells the fictional story of a teenage journalist William Miller (Patrick Fugit) writing for Rolling Stone magazine in the early 1970s while covering the fictitious rock band Stillwater, and his efforts to get his first cover story published. The film is semi-autobiographical, as Crowe himself was a teenage writer for Rolling Stone. (Wikipedia)

 

The film received four Oscar nominations, one of which led to an award to Crowe for his screenplay. It was also awarded the 2001 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. Roger Ebert hailed it the best film of the year, and also the 9th best film of the 2000s. It also won two Golden Globes, for Best Picture and Kate Hudson won Best Supporting Actress.

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Patrick Fugit, Kate Hudson, Billy Crudup

This scene between William and his sister Anita takes me back to the days of vinyl and a time and way of appreciating music you cannot get from a cd. Music can change your life and for child prodigy William Miller (Patrick Fugit) it does.

Frances McDormand, as the mother, strictly controls and protects him and his older sister Anita by forbidding rock music and in her opinion, other unwelcome influences which drive Anita to leave home and become a flight attendant.

 

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I’ve always loved the song “America”. It’s just as poignant today as it was when it was first performed in 1968 by Simon and Garfunkel. The song was written by Paul Simon and concerns young lovers hitchhiking their way across the United States, in search of “America”, in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his girlfriend Kathy Chitty.

 

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Paul Simon and Art Garfunkel

Director Cameron Crowe took a copy of the film to London for a special screening with Led Zeppelin members Jimmy Page and Robert Plant. After the screening, Led Zeppelin granted Crowe the right to use one of their songs on the soundtrack — the first time they had ever consented to this since allowing Crowe to use “Kashmir” in Fast Times at Ridgemont High. (Wikipedia)

 

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Zeppelin also gave Crowe rights to four of their other songs in the movie itself, although they did not grant him the rights to “Stairway to Heaven” for an intended scene (on the special “Bootleg” edition DVD, the scene is included as an extra, sans the song, where the viewer is instructed by a watermark to begin playing it). (Wikipedia)

 

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Robert Plant (Led Zepplin) and Cameron Crowe

This classic soundtrack takes me back to some of the best memories of my high school days. Every time I watch this film I’m inundated with emotions and remember where I was when these songs were playing on the radio.

 

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Music has the power to cross time and space. I believe it’s our common bond. Even if you don’t speak the same language you can speak the same music.

 

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