Thank You, President Obama!
For your grace, dignity, and service to this country. What a blessing to have been a part of your remarkable Presidency.
God bless you and your beautiful family.
Forever 44!
Category Archives: Politics
The Resistance! ✌🏽
National Resist Day
January 19, 2017
“Never be afraid to do what’s right…” Dr. Martin Luther King, Jr.
On this day of resistance, I pledge to be a Resistor to intolerance, racism, and bigotry. I will never be afraid to stand up for what’s right; fighting for justice and humanity.
This video is my statement and commitment to “stay woke”, raising my voice and speaking out against tyranny.
✌🏽
“When injustice becomes law, resistance becomes duty.”
Thomas Jefferson
Selma – The Struggle Continues…
Honoring the legacy of Dr. Martin Luther King, Jr.
January 15, 1929 – April 4, 1968
Selma is a 2014 American historical drama film directed by Ava DuVernay and written by Paul Webb. It is based on the 1965 Selma to Montgomery voting rights marches led by James Bevel, Hosea Williams, Martin Luther King, Jr., and John Lewis. The film stars actors David Oyelowo as King, Tom Wilkinson as President Lyndon B. Johnson, Tim Roth as George Wallace, Carmen Ejogo as Coretta Scott King, and rapper and actor Common as Bevel.
At first, I was skeptical on how this history would be portrayed. I didn’t want a melodrama about Bloody Sunday and those on the front lines of the Civil Rights Movement. But, Director, Ava DuVernay did an incredible job and for me, the film should be included as part of the historical record.
Selma was a turning point in the Civil Rights Movement. In your living room. In your face. The first march took place on March 7, 1965, organized locally by SCLC Director of Direct Action James Bevel, who was directing SCLC’s Selma Voting Rights Movement. State troopers and county posse men attacked the unarmed marchers with billy clubs and tear gas after they passed over the county line, and the event became known as Bloody Sunday. Law enforcement beat activist Amelia Boynton unconscious, and the media publicized worldwide a picture of her lying wounded on the bridge.
Selma had four Golden Globe Award nominations, including Best Motion Picture – Drama, Best Director, and Best Actor, and won for Best Original Song. It was also nominated for Best Picture and won Best Original Song at the 87th Academy Awards.
Whether you know the history or just learning, I consider the film Selma essential viewing for a pivotal moment in the Civil Rights Movement. A Movement which we must always remember and never forget as …
The Struggle Continues.
Resistance!
R. I. H.
The City in the Sky 🎆 Metropolis (1927)
As a film student at The University of Michigan, I was exposed to the masters of cinema – Chaplin, Murnau, Kubrick, Lang, etc. There, we were challenged to critique and look beyond the surface to the underlying themes. “Metropolis” is supreme in incorporating intriguing layers of sub-texture and sub-plots.
Moloch Machine – (Power for the City)
Austrian director Fritz Lang’s German Expressionistic masterpiece helped to develop the science-fiction genre, with innovative imagery from cinematographer Karl Freund, art design by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht and set design by Edgar Ulmer.(set designer for The Phantom of the Opera) It was the last of Lang’s silent films. (Filmsite Movie Review)
Friedrich Christian Anton “Fritz” Lang (December 5, 1890 – August 2, 1976)
“Metropolis” was not just some sci-fi flick from the silent era, it’s a visually-compelling, allegory set in the dystopic, 21st-century city of Metropolis and represents a brilliant critique of the repercussions of man vs. machine and the brutality of the never-ending class struggle.
Establishing the tone of the film, this statement is presented following the opening credits.
THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!
“Metropolis” took over 2 years to complete at ten times the budget for the usual Hollywood production of the time and influenced visuals associated with classic films such as; Chaplin’s war against the machines in Modern Times (1936), the mechanical hand of Dr. Strangelove in Stanley Kubrick’s Dr. Strangelove, Or: (1964), the resemblance between the Maria robot and the droid C-3PO in George Lucas’ Star Wars (1977) trilogy of films, and scenes of Los Angeles in Ridley Scott’s Blade Runner (1982) to name just a few.
Blade Runner
Modern Times
Dr. Strangelove
C 3-PO Star Wars
This symbolic tale was written by Lang’s wife Thea Von Harbou (from her own novel). Her vision detailed a self-indulgent, futuristic, industrial world built of skyscrapers and bridges incorporating the Art Deco style of the 20s for the 2026 city of Metropolis.
An ultra elite, 1% privileged class of powerful industrialists is juxtaposed with a subterranean environment of the nameless, oppressed and exploited drone-like slave labor class.
Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder (Gustav Fröhlich), the wealthy son of the city’s ruler, and Maria (Brigitte Helm), a poor worker, to overcome the vast gulf separating the classes of their city.
Brigitte Helm – Maria
Gustav Frohlich – Freder
Filming took place in 1925 at a cost of approximately five million Reichsmarks. The art direction draws influence from Bauhaus, Cubist, and Futurist design. (Wikipedia)
Fritz Lang directing the workers
As with all great films, “Metropolis” was influenced by the historical events occurring during its time. Centered around the developing Industrial Revolution and depressed economic times, the film also incorporates the rise of fascism in a pre-Hitler Weimar Republic Germany following World War I.
Another influence of the movie’s themes was the rise of the American labor movement and unions during the 1920s due to oppressive working conditions. “Metropolis”, like the Progressive, investigative journalists of the day, took on corrupt politicians and the establishment in an effort to make people aware of the contrast of poverty with the upper-crust classes of the opulent Roaring 20s.
I’m a steadfast believer that understanding history is empowering. “Metropolis” tackles the rise of immigration into the US and exploitation of workers at the beginning of the 20th century along with Capitalists exploiting labor. It deals with the conversation of doing what’s right versus greed and the power of modern science.
The creation of the evil android Maria (Bridgitte Helm) was an abuse of science but that same knowledge powered the city in the sky and could have been used to enrich the lives of the subterranean slaves.
Describing these themes and comparisons in “Metropolis” is like writing a piece for The Nation magazine today. The similarities are frightening like George Orwell’s “1984” or H.G. Well’s “The Time Machine”. It’s incredible to think that a film I critiqued back in the 70’s which was made in the 20’s is actually unfolding in the year 2016; only 10 years away from the 2026 Art Deco Metropolis city in the sky.
Does art imitate life or life imitate art? I’m not sure, but in our “reality” tv driven news programming, a low information population and the “I don’t believe in science” faction, we might as well be living in the dystopian world of “Metropolis”.
Lest we forget.
THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!
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This is a restored version of “Metropolis”
If you’ve never seen it, I highly recommend this viewing experience. But, lasting 2 1/2 hours, prepare to settle in with an extra large bag of popcorn.
“Hair” A Time for Peace and Love ❤✌🏼
Hair: The American Tribal Love-Rock Musical with a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot is a product of the hippie counterculture and sexual revolution of the late 1960s. Several of its songs became anthems of the anti-Vietnam War peace movement.
Gimme head with hair
Long beautiful hair
Shining, gleaming,
Streaming, flaxen, waxen
Give me down to there hair
Shoulder length or longer
Here baby, there mama
Everywhere daddy daddy
Hair, hair, hair, hair, hair, hair, hair
Flow it, show it
Long as God can grow it
My hair!
The musical’s profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of “rock musical”, using a racially integrated cast, and inviting the audience onstage for a “Be-In” finale.
Controversial – Yes! Statement of the times – Yes! If I were doing a time capsule this is one of the films I would include. A snapshot of changing times and a declaration of pride in being who you are and standing up for what you believe.
Hair, the 1979 musical war comedy-drama film is an adaptation of the 1968 Broadway musical Hair: An American Tribal Love-Rock Musical.The film focuses on the lives of two young men in the Vietnam era against the backdrop of the hippie culture, race and class issues of the 1960’s.
Set in the late 1960s, Claude Hooper Bukowski (John Savage) is a naive Oklahoman sent off to see the sites of New York before beginning his enlistment in the US Army. On his arrival, he hooks up with a group of hippies lead by George Berger (Treat Williams) which results in his questioning everything he was brought up to believe.
John Savage (Claude), Treat Williams (George)
Claude has to decide whether to resist the draft as his new friends have done or to succumb to the pressures of his parents (and conservative America) to serve in Vietnam, compromising his pacifistic principles and risking his life.
The film was directed by Miloš Forman, who was nominated for a César Award for Best Foreign Film for his work. Cast members include Treat Williams, John Savage, Beverly D’Angelo, Nell Carter, and Charlotte Rae.
Dance scenes were choreographed by the legendary Twyla Tharp and performed by the Twyla Tharp Dance Foundation. The film was nominated for Golden Globe Awards for Best Motion Picture – Musical or Comedy and New Star of the Year in a Motion Picture (for Williams).
These are the social times and political issues I grew up with and I wear my hippie status with pride. The revolution for love, peace, and equality has been hard fought but what we’ve come to realize is that the struggle will always continue.
A group of women belonging to the Jeanette Rankin Brigade march in protest of the Vietnam War. Jeanette Rankin, the first female congress member, stands holding the banner at center (wearing eyeglasses). January 15, 1968 Washington, DC, USA
With the U.S. Capitol in the background, demonstrators march along Pennsylvania Avenue in an anti-Vietnam War protest in Washington, on Moratorium Day, November 15, 1969. (AP Photo)
I think we need to shake the world up again with this eternal message of peace and love. Yes, I’m a “liberal progressive” and I believe love is love, women’s rights are human rights and Black Lives Matter.
Just like in the 60’s these social and equality issues are still pressing. Every time there’s progress, there are those who want to take us back. We must acknowledge these forces and continue the fight for ALL of our rights.
PEACE AND LOVE
When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars
This is the dawning of the age of Aquarius
The age of Aquarius
Aquarius!
Aquarius!
The Struggle Continues…
What Fourth Estate? – “Network” 1976📺
The Fourth Estate
The fourth estate is a term that positions the press as the fourth branch of government and one that is important to a functioning democracy.
The First Amendment to the Constitution “frees” the press but carries with it a responsibility to be the people’s watchdog.
Network 1976
Originally this film was going to be part of a favorite monologues piece. However, after watching Howard Beale’s (Peter Finch) speech on the state of the world, I felt the need to turn it into a full blown post on its own.
This prophetic monologue is incredible! It could very well have been given today. His truth and passion still hit hard. Politically, I feel this way most days.
“Network” is a 1976 American satirical black comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet, about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch, and Robert Duvall.
When I saw this movie at its premiere I thought it was pinpoint accurate as a representation of the industry and the direction it was going. Today’s corporate media has even surpassed the foretold death of true journalism that “Network” showcased.
Entertainment television was the news style of the film and parrots the absurdity of what passes for the Fourth Estate today.
As a journalism student in the ’70s, I’ve been outraged over time witnessing the demise and bastardization of the reason for journalism, to begin with. The news is supposed to inform the public of what is going on in Washington and globally. It’s supposed to be impartial, probing and take seriously the consequences of misleading and misinforming the American people of information needed to make informed decisions on our public servants and events.
I often think of the Watergate scandal and how very differently it would have emerged in today’s news environment. Bob Woodward and Carl Bernstein from the Washington Post represented the best of journalism and the importance of separating news from entertainment; digging deep and not letting up until all the facts had been revealed.
Chilling commentary and viewpoint from the Corporate Chairman (Ned Beatty)
Allegedly, part of the inspiration for Chayefsky’s script came from the on-air suicide of television news reporter Christine Chubbuck in Sarasota, Florida two years earlier. The anchorwoman was suffering from depression and battles with her editors, and unable to keep going, she shot herself on camera as stunned viewers watched on July 15, 1974. Chayefsky used the incident to set up his film’s focal point. As he would say later in an interview, “Television will do anything for a rating… anything!”
However, Dave Itzkoff’s book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies disputes this, asserting that Chayefsky actually began writing “Network” months before Chubbuck’s death and already planned for Howard Beale to vow to kill himself on air; Chubbuck’s suicide was an eerie parallel. (Wikipedia)
Whatever the order of events, Paddy Chayefsky’s intuition and writing are inspired! Words we should never take lightly and always remember.
In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has “set an enduring standard for U.S. American entertainment”. (Wikipedia)
In 2006, the two Writers Guilds of America voted Chayefsky’s script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.
Frederick George Peter Ingle Finch
( September 28, 1916 – January 14, 1977)
The role of Howard Beale earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes. He was the first person to win a posthumous Academy Award in an acting category.
Although Finch didn’t live to receive the Academy Award for Best Actor, his performance as Howard Beale will never leave the memories of those who witnessed it.
So, in honor of Howard Beale let’s all get up off our chairs, go to the window and yell – “I’m mad as hell and I’m not going to take this anymore!”
And, after you’re done, make sure you stay up and go out and VOTE!
Truth at its Finest – The Great Dictator (1940)
Charlie Chaplin is one of the greatest filmmakers in motion picture history. Robert Downey, Jr. brilliantly portrayed his tremendous talent and career in the 1992 film “Chaplin”. I’ve always loved Chaplin not just because of his comedic gifts but like myself, he stood firm in the belief that art is political. A position which caused him to be kicked out of the United States for “subversive” beliefs.
Sir Charles Spencer “Charlie” Chaplin, (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame during the era of silent film. Chaplin became a worldwide icon through his screen persona “the Tramp” and is considered one of the most important figures in the history of the film industry.
His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. (Wikipedia)
Charlie Chaplin
Probably the most prophetic film of his extraordinary career was “The Great Dictator” (1940). Chaplin’s final speech resonates at the core of what it means to be human today just as it did over 75 years ago. Written by Chaplin, it emphasizes just how vital it is to know your history because those who don’t are doomed to repeat it.
Created in direct opposition to Hitler’s reign of terror, Chaplin warns of the devastation of giving up our humanity and implores us to love each other.
The Great Dictator is the 1940 American political satire comedy-drama film written, directed, produced, scored by and starring Charlie Chaplin. Charlie Chaplin was unique because he was the only Hollywood filmmaker to continue to make silent films well into the period of sound films, this was Chaplin’s first true sound film.
This scene is so beautiful in its simplicity and elegance; while at the same time mocking the hubris of Hitler, the genocide, antisemitic dictator.
Language similar to a candidate running for President in 2016. Same delusional dream.
Chaplin’s film is a scathing and controversial condemnation of Adolf Hitler, Benito Mussolini, fascism, antisemitism, and the Nazis. At the time the film was released, the United States hadn’t entered into World War II and the fight against Nazi Germany.
After seeing this masterpiece, my respect and admiration for Chaplin grew even more. He spoke up when others wouldn’t. That’s the kind of morality and integrity that seems to be sorely lacking in today’s politics.
Chaplin was so talented, and for even more contrast, played both leading roles: a ruthless fascist dictator, and a persecuted Jewish barber.
Charlie Chaplin as Adenoid Hynkel (Hitler) and the Jewish Barber
The Great Dictator was popular with audiences, becoming Chaplin’s most commercially successful film. Modern critics have also praised it as a historically significant film and an important work of satire. (Wikipedia)
The Great Dictator was nominated for five Academy Awards – Outstanding Production, Best Actor, Best Writing (Original Screenplay), Best Supporting Actor for Jack Oakie, and Best Music (Original Score).
In his 1964 autobiography, Chaplin stated that he could not have made the film if he had known about the true extent of the horrors of the Nazi concentration camps at the time. (Wikipedia)
At the end of his life, Chaplin was finally awarded the respect and accolades befitting of his expansive career and achievements. This is Sir Charles accepting his honorary Academy Award in 1972. I watched this presentation and cried with admiration the entire time.
Thank you, Charlie.💖
Shampoo💇💆😎
Shampoo (1975)
I may be dating myself, what am I saying, I KNOW I’m dating myself but there was a time back in the day when Warren Beatty (Bonnie & Clyde, Splendor in the Grass) was the finest dude, not just in Hollywood but dare I say the planet!
Warren Beatty and Natalie Wood
Beatty was gracing the covers of celebrity magazines back in the ’50’s, long before the current crop of “world’s sexiest man” covers and was dating star Natalie Wood (“Miracle on 34th” Street, “Rebel Without a Cause“) and other beautiful ingenues making women swoon with envy.
The “fine” phases of Warren Beatty
young and hot Warren Beatty
“Shampoo” hot and sexy Beatty
“Shampoo” (1975) is the story of George Roundy (Warren Beatty) the womanizing hairdresser who realizes too late that his life of philandering has cost him the love of his life. George’s case is that “he can’t help it, they smell so good.”
The film stars Warren Beatty, Julie Christie, and Goldie Hawn (Kate Hudson’s mom), with Lee Grant, Jack Warden, Tony Bill and in an early film appearance, Carrie Fisher. The movie is set on Election Day 1968, the day Richard Nixon was first elected as President of the United States, and was released soon after the Watergate scandal had reached its conclusion.
Goldie Hawn, Nixon, Warren Beatty
The political atmosphere provides a source of dramatic irony, since the audience, but not the characters, are aware of the direction the Nixon presidency would eventually take. However, the main theme of the film is not presidential politics but sexual politics; it is renowned for its sharp satire of late-1960s sexual and social mores. (Wikipedia)
I almost didn’t publish this post because of recent disturbing events going on right now in politics but thought no, this film isn’t about committing assault, it’s about facing your viewpoint of morality and realizing how callously you’ve been living your life.
When I first thought about posting this it was based on the politics of the ’60’s then ironically found myself in mid-sentence realizing that the controversies of the Nixon era have nothing on the despicable state of politics today.
Goldie Hawn, Julie Christie, Tony Bill, Warren Beatty
But I digress, I loved “Shampoo” because of one – watching fine Warren Beatty and two – the ending. You have to pay the piper and take responsibility for your actions. George represented a lot of guys who thought doing as many women as possible was cool and made them all that but, the truth is, what goes around, comes around.
“Shampoo” was Carrie Fisher’s first film and won Lee Grant the Academy Award for Best Supporting Actress. The film was directed by the brilliant Hal Ashby. (Harold and Maude 1971)
Other Academy nominations were:
Robert Towne (“Chinatown”) and Warren Beatty – Best Writing, Original Screenplay
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Best Motion Picture (Musical or Comedy)
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Best Motion Picture Actor (Musical or Comedy) – Warren Beatty
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Best Motion Picture Actress (Musical or Comedy) – Julie Christie & Goldie Hawn
The lead character, George Roundy, is reportedly based on several actual hairdressers, including Jay Sebring and film producer Jon Peters, who is a former hairdresser. Sebring was brutally murdered by the Charles Manson family in 1969. According to the 2010 book Star: How Warren Beatty Seduced America by Peter Biskind, the screenwriter Towne based the character on Beverly Hills hairdresser Gene Shacove. (Wikipedia)
Jay Sebring
Jon Peters
The film had little critical praise but commercially, “Shampoo” was a great success. Produced on a budget of $4 million, the film grossed $49,407,734 domestically and $60 million at the worldwide box office. It was the fourth most successful film of 1975 by box office takings, beaten only by Jaws, One Flew Over the Cuckoo’s Nest, and The Rocky Horror Picture Show. (Wikipedia)
I had no idea that the year after its release there was a blaxploitation send-up, Black Shampoo.
Trivia: Warren Beatty is actress, author Shirley Maclaine’s brother.
Now
Shirley MacLaine and Warren Beatty
Henry Warren Beatty (born March 30, 1937) has been nominated for fourteen Academy Awards – four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981).
Beatty is the first and only person to have been twice nominated for acting in, directing, writing,and producing the same film – first with Heaven Can Wait (1978), which was co-written by Elaine May and co-directed by Buck Henry, and again with Reds, which he co-wrote with Trevor Griffiths.
In 1999, he was awarded the Academy’s highest honor, the Irving G. Thalberg Award. Beatty has been nominated for eighteen Golden Globe Awards, winning six, including the Golden Globe Cecil B. DeMille Award, with which he was honored in 2007.
Among his Golden Globe-nominated films are, Splendor in the Grass (1961), Bonnie and Clyde (1967), Shampoo (1975), Dick Tracy (1990), Bugsy (1991), and Bulworth (1998). (Wikipedia)
Warren Beatty’s Political Honors:
Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, the Phillip Burton Public Service Award from the Foundation for Taxpayer and Consumer Rights, and the Spirit of Hollywood Award from the Associates for Breast and Prostate Cancer Studies.
Beatty was a founding board member of the Center for National Policy, a founding member of the Progressive Majority, a member of the Council on Foreign Relations, has served as the Campaign Chair for the Permanent Charities Committee, and has participated in the World Economic Forum in Davos, Switzerland.
He served on the Board of Trustees at the Scripps Research Institute and the Board of Directors of the Motion Picture and Television Fund Foundation. He was named Honorary Chairman of the Stella Adler Studio of Acting in 2004. (Wikipedia)
Looks like Warren Beatty has been more than just “fine”. Over his career, he’s been accomplished both in Hollywood and the political arena.
“Hail, Hail Freedonia” – Try the Duck Soup!
Duck Soup (1933)
I was first introduced to the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) in one of my favorite classes at The University of Michigan – Cinema. It was more like an afternoon of fun at the movies since in our lecture all we did was analyze and critique classic films.
(top to bottom) Chico, Harpo, Groucho, and Zeppo 1931
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The Marx Brothers laugh riot film, “Duck Soup”, has to go down as one of the best and most hilarious political films of the century! Pure anarchy reigned as the idiocy of war was laid bare and Rufus T. Firefly’s (Groucho Marx) rapid-fire one-liners were pure genius.
Enter Rufus T.
On days we screened The Marx Brothers films, the lecture hall seemed a little bit fuller. I was also guilty of padding the room since I would tell my boyfriend what movie we were reviewing and the Marx Brothers quickly became his and my favorites. “Whatever it is, I’m against it.” Groucho in (“Horse Feathers”1932)
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Directed by Leo McCarey and written by Bert Kalmar and Harry Ruby, the film was first released theatrically by Paramount Pictures on November 17, 1933. The storyline of “Duck Soup” involves the wealthy Mrs. Teasdale (Margaret Dumont) insisting that Rufus T. Firefly (Groucho) be appointed the leader of the small, bankrupt country of Freedonia before she will continue to provide their much-needed financial aid. (Wikipedia)
Groucho, Margaret Dumont, Louis Calhern, and Raquel Torres
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Meanwhile, neighboring country Sylvania is attempting to annex Freedonia. Sylvanian ambassador Trentino (Louis Calhern) tries to instigate a revolution while attempting to woo Mrs. Teasdale. To further tip the scale in his favor, he also tries to dig up dirt on Firefly by sending in bumbling spies Chicolini (Chico) and Pinky (Harpo).
I adore Harpo (Arthur Duer Marx born Adolph Marx; November 23, 1888 – September 28, 1964), he is totally off the wall with his facial expressions and his manic pantomime sight gags! Harpo actually played the harp (hence his nickname) and there was usually a scene in the Marx Brothers movies that featured Harpo playing a beautiful piece on the harp.
Harpo playing the harp.
Margaret Dumont is often described as not getting the Brothers humor. In fact, she did. In a 1940 interview, Dumont said, “Scriptwriters build up to a laugh, but they don’t allow any pause for it. That’s where I come in. I ad lib—it doesn’t matter what I say—just to kill a few seconds so you can enjoy the gag”.
Personally, I don’t know how she could keep a straight face working with Groucho.
Margaret Dumont would typically portray the rich widow that Groucho was always trying to dupe. He could simultaneously insult and make advances towards her. It was fabulous to watch since his wit and timing were impeccable.
Julius Henry Marx (October 2, 1890 – August 19, 1977)
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Premiering during The Depression, “Duck Soup” was not initially received as well as their previous films. However, critical opinion has evolved and the film has since achieved the status of a classic. “Duck Soup“ is now widely considered by critics to be a masterpiece of comedy and the Marx Brothers’ finest film. (Wikipedia)
In 1990 the United States Library of Congress deemed Duck Soup “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.
Chico and Zeppo round out the troupe. Chico was known for being the crafty con artist (who was usually teamed with Harpo) and for his broken Italian accent (although the Brothers were Jewish) and Zeppo, who always played the straight man. (This was also Zeppo’s last film with his brothers)
In the famous “mirror scene,” Pinky, dressed as Firefly, pretends to be Firefly’s reflection in a missing mirror, matching his every move—including absurd ones that begin out of sight—to near perfection. In one particularly surreal moment, the two men swap positions, and thus the idea of which is a reflection of the other. Eventually, and to their misfortune, Chicolini, also disguised as Firefly, enters the frame and collides with both of them.
Mirror Scene
Although its appearance in Duck Soup is the best-known instance, the concept of the mirror scene did not originate in this film. Max Linder included it in Seven Years Bad Luck (1921), where a man’s servants have accidentally broken a mirror and attempt to hide the fact by imitating his actions in the mirror’s frame. Charlie Chaplin used a similar joke in The Floorwalker (1916), though it did not involve a mirror. (Wikipedia)
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“Just Wait ‘Til I Get Through With It” parodies the ridiculous state of politics and sounds all too familiar.
I admit to being a political junkie and the Marx Brothers humor and point of view ring true in how ludicrous and corrupt the political system is. We know it’s a racket, the Brothers know it’s a racket and they have no compunction with sticking that fact right in your face.
Bravo!
If you’re interested in binge watching The Marx Brothers, Universal Home Video has released Duck Soup on DVD, unrestored but uncut, as part of a six-disc box set The Marx Brothers: Silver Screen Collection, which includes the Brothers’ other Paramount films, The Cocoanuts, Animal Crackers, Monkey Business, and Horse Feathers. Definitely worthy of the buy.
Happy Viewing!
“Beam Me Up Scotty” – 50th Anniversary of Star Trek!
Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.
I am an original Trekkie and very proud of it! I treasure my memories of sitting in anticipation on the floor in front of the tv on Friday nights, watching Kirk (William Shatner), Bones (DeForest Kelley), Spock (Leonard Nimoy), “Scotty”(James Doohan), Sulu (George Takei), Chekov (Walter Koenig ), Lieutenant Uhura (Nichelle Nichols) and the crew of the Starfleet starship USS Enterprise begin their adventure and “boldly going where no man has gone before.”(I was very pleased when they acknowledged the sexist nature of the tagline and changed it from no man to no one.)
Wow, what a statement! In 1966, an authentic representation of an international crew. Radical stuff which showed the brilliance and social awareness of creator, the late Gene Roddenberry.
(Introduction to pilot “The Cage”)
Jeffrey Hunter as Captain Pike was actually the first captain of the USS Enterprise in the original Star Trek pilot episode, “The Cage“. The original pilot was broadcast on September 8, 1966. Leonard Nimoy as Mr. Spock was on board by his captain’s side as well as Majel Barrett (Number One), who went on to portray Nurse Chapel, the recognizable voice of most onboard computer interfaces throughout the series and later become Roddenberry’s 2nd wife.
Star Trek Pilot “The Cage” – USS Enterprise Crew featuring Jeffrey Hunter
Set in the 23rd century, the series would evolve to follow the adventures of Captain James T. Kirk (William Shatner) and his crew who were charged with solving intergalactic conflicts without interfering in the planet’s culture. This vehicle was Roddenberry’s method of initiating dialogue around controversial human and sometimes not so human, issues such as racism, technology, war.
(Front to back – William Shatner (center) DeForrest Kelly (L) Leonard Nimoy (R) James Doohan (back L), Walter Koenig, Majel Barrett, Nichelle Nichols, George Takei)
I’ve always been of the mind that art is revolutionary. The great Renaissance masters like DaVinci, and Michelangelo, were considered subversives in their time. They had to hide their political messages inside their remarkable works to keep from being prosecuted. In his way, Gene Roddenberry could be considered a “Renaissance Man”.
(August 19, 1921 – October 24, 1991)
Roddenberry had a vision that we can co-exist in a multicultural, multinational world and, as an eleven-year-old black girl from the east side of Detroit, I was right there with him. I had the same dreams and beliefs for my future.
My favorite Star Trek episode would have to be “Space Seed” (Season 1, Episode 22) with Ricardo Montalbán as Khan Noonien Singh.
It was first broadcast on February 16, 1967. The storyline was written by Gene L. Coon and Carey Wilber, and directed by Marc Daniels. The plot explored the concept of Eugenics,”super-intelligence and the result of creating a group of “superpeople” (from Earth’s past) bred to conquer the world.
The subsequent 1982 film Star Trek II: The Wrath of Khan was a brilliant sequel to “Space Seed” as we find out what subsequently happened to Khan and his people on the planet to which Kirk banished them.
The film ratcheted up the intensity of the television episode proving to be a full-out sci-fi thriller which I give 2, very enthusiast, thumbs up!
The series was produced from September 1966–December 1967 by Norway Productions and Desilu Productions, and by Paramount Television from January 1968–June 1969. Star Trek aired on NBC from September 8, 1966, to June 3, 1969, and was actually seen first on September 6, 1966, on Canada’s CTVnetwork.
“Trouble with Tribbles”
Star Trek‘s Nielsen ratings while on NBC were low, and the network canceled the show after three seasons and 79 episodes. Several years later, the series became a bona fide hit in broadcast syndication, remaining so throughout the 1970s, achieving cult classic status and a developing influence on popular culture.
Starship Captains over the years – Captain James T. Kirk (William Shatner), Captain Jean-Luc Picard (Patrick Stewart), Captain Benjamin Sisko (Avery Brooks), Captain Kathryn Janeway (Kate Mulgrew)
Star Trek eventually spawned a franchise, consisting of five additional television series, thirteen feature films, numerous books, games, toys, and is now widely considered one of the most popular and influential television series of all time. (Wikipedia)
In Memoriam
Although we’ve lost some light over the years with the passing of those who loved, crafted and inspired us with Star Trek’s spirit, the sentiment lives on.
May they all rest in peace.
Leonard Nimoy
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