“Here ’tis, Mama’s Favorite 285 lbs of Jam, Jive and Everything!”ūüé∂

Fats suffer

Fats Waller 

(May 21, 1904 – December 15, 1943)

The title sums it up. “Jam, Jive and Everything!.” ¬†Thomas Wright “Fats” Waller is one of the most charming, talented and prolific artists to ever tickle the ivories of a¬†stride piano.

We share a birthday РMay 21st.  His last recording session was in Detroit, Michigan Рhome of my birth. I guess it was destiny that his music and spirit would come to bring me such joy!

What excites me about Fats?

When I was a kid and first saw the groundbreaking musical Stormy Weather (1943) I was familiar with its star Lena Horne because my father loved him some Miss Lena. But for me, the wonderful surprise of the film was Fats Waller.

Fats Waller and Lena Horne

When you see him you’re totally invested. ¬†His personality jumps off the screen. ¬†People talk about presence. ¬†Fats created “presence!”

Fats is credited with advancing the musical style – stride piano. ¬†Although known for his two most famous compositions: ¬†“Ain’t Misbehavin'” and “Honeysuckle Rose”, he penned many more uncredited hits such as “I Can’t Give You Anything but love, Baby” and “On the Sunny Side of the Street”.

Waller copyrighted over 400 songs and began his professional career as a pianist at the age of 15, working in cabarets and theaters.

His life and artistry became the Broadway musical revue “Ain’t Misbehavin‘ produced in 1978. ¬†(The show and star Nell Carter won Tony Awards.)

Aintmisbehavin

Recordings of Fats Waller were inducted into the¬†Grammy Hall of Fame¬†which is a special¬†Grammy Award¬†established in 1973 to honor recordings that are at least 25 years old and that have “qualitative or historical significance”.

 

Here ’tis, a tribute to Fats’ brilliance¬†and charm:

 

Fats Waller – Ain’t Misbehavin’ – Stormy Weather (1943)

 

This song cracks me up!

Fats Waller – Your Feet’s Too Big! (1936)

 

Fats Waller – Honeysuckle Rose (1929)

 

Thanks, Fats for the jam, jive, and everything!

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First All Black Film – Cabin in the Sky (1943)

Cabin in the Sky

Produced in 1943 at MGM by Arthur Freed and directed by Vincent Minnelli, “Cabin in the Sky” is the 1st all Black film produced by a major studio in Hollywood. “Happiness is a Thing Called Joe” was nominated for an Academy Award for Best Original Song and sung by the film’s star, Ethel Waters.

This musical take on Faust pits Little Joe (Eddie “Rochester” Anderson) against Luther Jr. (Lucifer’s baby boy). Enter temptress Georgia Brown (Lena Horne). Does Little Joe’s wife, Petunia (Ethel Waters) even stand a chance or will Joe be condemned to Hell?

 

 

“Cabin in the Sky”¬†in featuring an all-African American¬†cast was an unusual production for its time. In the 1940s, movie theaters in many cities, particularly in the southern¬†United States, refused to show films with prominent black performers, so MGM took a considerable financial risk by approving the film. (Wikipedia)

Some remember “Cabin in the Sky”¬†for its intelligent and witty script, which some claimed treated its characters and their race with a dignity rare in American films of the time. Others described¬†Cabin in the Sky’s racial politics as the same “old stereotypes of Negro caricatures”.

Cabin in the Sky

Ethel Waters, Kenneth Spencer, Eddie “Rochester” Anderson, Lena Horne, Rex Ingram

According to liner notes in the CD reissue of the film’s soundtrack, Freed and Minnelli sought input from black leaders before production began on the film.

When I first saw this film as a kid in the 60’s I was absolutely floored. This was during the civil rights era and I had no idea that in the 1940’s a major production company had taken on the issue of the lack of black representation in film. I understand the point about the stereotypical characterizations – Lena Horne, the aggressive, hypersexual black woman. Ethel Waters, the dutiful, prayerful housewife and “Rochester”, the buffoonish and no account lazy black man.

My feelings of the film are mixed because to some extent, it feeds into the political narrative that some black folks aren’t worthy of equality because they wouldn’t know what to do with it if they had it. But on the other hand, there was finally a film with all black faces, the most gifted entertainers of all-time – Cab Calloway, Lena Horne, Ethel Waters, Duke Ellington, Louis Armstrong and their stories. These characters weren’t just sprinkled in, they were integral to the plot and couldn’t be cut out in racist southern theaters.

As a black¬†woman, it both breaks my heart and angers me that we even needed to have this conversation, not only in the ’40’s but as an ongoing fight for all aspects of African-American representation on-screen.

 

 

After years of unavailability,¬†Warner Home Video¬†and Turner Entertainment released “Cabin in the Sky”¬†on DVD on January 10, 2006. I recommend checking it out with this backstory in mind. These legendary artists deserved to have worldwide exposure the same as their white counterparts of the day.

 

We’ve come along way, but the truth is we still have a long way to go.

 

Directed by Vincente Minnelli
Busby Berkeley¬†(“Shine” sequence, uncredited)
Produced by Arthur Freed
Albert Lewis
Written by Marc Connelly(uncredited)
Lynn Root (play)
Joseph Schrank
Based on Cabin in the Sky (play)
Starring Ethel Waters
Eddie “Rochester” Anderson
Lena Horne
Louis Armstrong
Music by Harold Arlen
Vernon Duke
George Bassman
Roger Edens
Cinematography Sidney Wagner
Editing by Harold F. Kress
Distributed by Metro-Goldwyn-Mayer
Release dates
  • April¬†9,¬†1943
Running time 98 minutes

 

 

It was the Jazz age. It was an age of Elegance and Violence.

¬†¬†“The Cotton Club” (1984)

Image result for cotton club movie

 

“The Cotton Club” is a 1984 American crime-drama film centered on a Harlem jazz club of the 1930s, the Cotton Club.

The film was co-written by Francis Ford Coppola with William Kennedy, directed by Francis Ford Coppola, and produced by Robert Evans. Choreographed by Henry LeTang, the movie starred Richard Gere, Gregory Hines, Diane Lane, and Lonette McKee. The supporting cast included Bob Hoskins, James Remar, Nicolas Cage, Allen Garfield, Laurence Fishburne, Gwen Verdon and Fred Gwynne.

Despite performing poorly at the box office, the film was nominated for several awards, including Golden Globes for Best Director and Best Picture (Drama) and Oscars for Best Art Direction (Richard Sylbert, George Gaines) and Film Editing. (Wikipedia)

 

 

I remember looking forward to screening this film. ¬†I understood the significance of The Cotton Club¬†during the Harlem¬†Renaissance¬†of the 20’s and 30’s and wanted the 1980’s audience to be curious about the history of the real club and incredible level of talent that appeared there between 1923 – 1940.

Some of the original performers at The Cotton Club included:

Lena Horne

Image result for cotton club movie

Duke Ellington

Duke Ellington

Duke Ellington

 

Image result for cotton club 1920

Count Basie, Billie Holiday,

Image result for billie holiday

Cab Calloway, The Nicholas Brothers

Image result for nicholas brothers

cotton club 1920

Cab Calloway

 

Among many others.

Image result for cotton club 1920

 

 

The movie is intense. Producer Robert Evans originally wanted to direct the project but later asked Coppola. ¬†There are definite similarities to “The Godfather” in the film due to its violent nature and also the fact that Mario Puzo (author of The Godfather) wrote the original story and screenplay.

Gangsters, racism and love, this film exposes them all.  I do, however, wish more of the movie focus was on The Cotton Club itself and the lives of those characters.

 

Image result for cotton club 1920

 

The story centers around the dangerous love affair of Dixie Dwyer (Richard Gere) and Vera Cicero (Diane Lane). ¬†She “belongs” to mobster Dutch Schultz (James Remar). ¬†Dutch is a straight up¬†psychopath¬† ¬†We also follow the budding romance between Sandman Williams (Gregory Hines) and Lila Rose Oliver (Lonette McKee). ¬†He wants to get married. ¬†She wants to be a “Star.” ¬†(She’s also hiding a secret about her “other life.”)

Watch and listen as Lonette McKee, also from the movie (“Sparkle”), delivers a taste of the film’s 1930’s Harlem.

The song: “Ill Wind (You’re Blowing Me No Good)” ¬†Composed by Harold Arlen, lyrics by Ted Koehler. ¬†It was written for their last show at The Cotton Club in 1934.

 

 

 

One of the most memorable scenes is between the real life and onscreen brothers РMaurice and Gregory Hines.  Clay (Maurice Hines) and Sandman (Gregory Hines) have had a major falling out and at this moment we get to share in their reunion.

 

Growing up, this old school tap dancing duo was compared to The Nicholas Brothers. Gregory Hines remarked in an interview that after seeing The Nicholas Brothers perform that “nobody was going to be the next Nicholas Brothers, least of all my brother and I.”

 

 

Explore the 1984 film but more importantly explore the controversial history of The Cotton Club and the entertainers and music that fueled the Jazz generation.

 

 

“Stormy Weather” – An African American Showcase ūüé• ūüé∂

¬†In honor of Black History Month, I’ll be featuring films either starring or representing African American themes.

My next film for the month is “Stormy Weather (1943). An¬†American musical film produced and released by 20th Century Fox. Considered one of the best Hollywood musicals with an all African-American cast, the other being MGM’s Cabin in the Sky. “Stormy Weather” is considered a brilliant showcase of some of the top African-American performers of the time, during an era when African-American actors and singers rarely appeared in lead roles in mainstream Hollywood productions, especially those of the musical genre.

Stormy Weather cast

This movie blew my mind! ¬†I saw it as a kid in the early sixties having no idea that there had ever been an all Black cast in a Hollywood production. Most of the premier entertainers of the 1940’s appeared in this tour de force that still stands as one of the best musicals of all time!

Classic Cab Calloway – “Zoot Suiting” it!

 

Directed by Andrew L. Stone
Produced by William LeBaron
Written by Jerry Horwin, Seymour B. Robinson (story)
H.S. Kraft (adaptation)
Starring Lena Horne
Bill Robinson
Cab Calloway
Katherine Dunham
Fats Waller
Fayard Nicholas
Harold Nicholas
Ada Brown
Dooley Wilson
Music by Harold Arlen
Cinematography Leon Shamroy
Editing by James B. Clark
Distributed by 20th Century Fox
Release dates
  • July¬†21,¬†1943
Running time 78 minutes
Country United States
Language English

Lena’s rendition of “Stormy Weather”, featuring ¬†African-American modern dance innovator Katherine Dunham and dancers.

Katherine Dunham and troupe’s “Stormy Weather” full dance sequence.

“Stormy Weather” was the 2nd all Black cast film made by a major studio in the 1940’s. “Cabin in the Sky” (1943) was the 1st, produced by MGM. Lena Horne starred in both and became famous for her rendition of “Stormy Weather” although Ethel Waters first performed the classic at The Cotton Club Nightclub in Harlem in 1933.

Ethel Waters was a famous blues, jazz, gospel vocalist and actress. ¬†Her best-known recordings include “Dinah”, “Stormy Weather”, “Taking a Chance on Love” and “Cabin in the Sky” (She also starred in the film) Let’s enjoy her interpretation of the classic tune by Arlen and Koehler:

The song was written by Harold Arlen and Ted Koehler who worked as music composers at the renowned Cotton Club from 1930-1934. They wrote many of the jazz revue songs that were performed at the club and are still classics today. Harold Arlen wrote the music and Ted Koehler the lyrics.

Awards

“Stormy Weather” was selected in 2001 to The Library of Congress National Film Registry.

 

Stormy Weather 1

Get ready to have your “mind blown”! ¬†This dance sequence by the Nicholas Brothers is unreal. ¬†Check it out. ¬†Holy crap!!

 

 

 

 

 

 

 

 

Happy Birthday, Ms. Lena Horne!

Lena Mary Calhoun Horne was a singer, dancer, actress, and activist whose 1957 live album entitled, Lena Horne at the Waldorf-Astoria, became the biggest-selling record by a female artist in the history of the RCA-Victor label. In 1958, this timeless beauty became the first African-American woman to be nominated for a Tony Award for “Best Actress in a Musical” (for her part in the “Calypso” musical Jamaica).

Lena Horne

Lena Horne

I’m proud to say that Lena and I are sisters of Delta Sigma Theta Sorority, Inc. which in the summer of 1980 sponsored a 2-month series of benefit concerts for Soror Horne. Sixty-three years old and intent on retiring from show business, these concerts were represented as Soror Horne’s farewell tour, although her retirement lasted less than a year.

In May 1981, her one-woman show, Lena Horne: The Lady and Her Music became an instant success garnering Horne a special Tony award, and two Grammy Awards for the cast recording. The 333-performance Broadway run closed on her 65th birthday, June 30, 1982.

 

Lena Horne: The Lady and Her Music

Lena Horne: The Lady and Her Music

 

In 1995, a “live” album capturing her Supper Club performance was released (winning a Grammy Award for Best Jazz Vocal Album). In 1998, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view.

 

In her personal life, Lena Horne married twice,¬†Louis Jordan Jones in January 1937 (divorced in 1944). There were 2 children from that union –¬†daughter, Gail (later known as Gail Lumet Buckley, a writer) and son, Edwin Jones (born February 7, 1940 ‚Äď September 12, 1970)¬†who died of kidney disease. Lena’s second husband,¬† Lennie Hayton, was Music Director and one of the premier musical conductors and arrangers at MGM. They married in December 1947 in Paris and separated in the early 1960’s but never divorced. Hayton died in 1971.

Lena’s grandchildren include screenwriter Jenny Lumet, daughter of Horne’s daughter Gail and husband filmmaker, Sidney Lumet.¬†Her other grandchildren include Gail’s other daughter, Amy Lumet, and her son’s three children, Thomas, William, and Lena. Horne also has a great-grandson,¬†actor Jake Cannavale.

Lena was an activist in the Civil Rights Movement. During World War II she refused to perform before segregated audiences and at The March on Washington, she performed and spoke in association with the NAACP, SNCC, and the National Association of Negro Women. Ms. Horne also worked with Eleanor Roosevelt to help pass anti-lynching laws. In 1983, she was awarded the Spingarn Medal for outstanding achievement from the NAACP.

 

From her beginnings at The Cotton Club at age sixteen through her appearances in films, television, and on Broadway, Lena Horne’s career spanned over 70 years. Back in 2012 there were¬†rumors about singer Alicia Keys portraying Lena in a biopic. Sounds interesting. What do you think? Guess we’ll just have to wait and see if it ever happens.

 

Lena Alicia 2

 

In honor of what would be Lena’s 98th birthday, I’m featuring her most notable film:

Lena Horne  June 30, 1917‚Äď May 9, 2010

Lena Horne
June 30, 1917‚Äď May 9, 2010

“Stormy Weather”¬†(1943) American musical film produced and released by 20th Century Fox

This movie blew my mind! ¬†I saw it as a kid in the early sixties having no idea that there had ever been an all Black cast in a Hollywood production. Most of the premier entertainers of the 1940’s appeared in this tour de force that still stands as one of the best musicals of all time!

 

Stormy Weather poster

Directed by Andrew L. Stone
Produced by William LeBaron
Written by Jerry Horwin, Seymour B. Robinson (story)
H.S. Kraft (adaptation)
Starring Lena Horne
Bill Robinson
Cab Calloway
Katherine Dunham
Fats Waller
Fayard Nicholas
Harold Nicholas
Ada Brown
Dooley Wilson
Music by Harold Arlen
Cinematography Leon Shamroy
Editing by James B. Clark
Distributed by 20th Century Fox
Release dates
  • July¬†21,¬†1943
Running time 78 minutes
Country United States
Language English

“Stormy Weather” was the 2nd all Black cast film made by a major studio in the 1940’s. “Cabin in the Sky” was the 1st, produced by MGM. Lena Horne starred in both and became famous for her rendition of “Stormy Weather” although Ethel Waters first performed the classic at The Cotton Club Nightclub in Harlem in 1933.

The song was written by Harold Arlen and Ted Koehler who worked as music composers at the renowned Cotton Club from 1930-1934. They wrote many of the jazz revue songs that were performed at the club and are still classics today. Harold Arlen wrote the music and Ted Koehler the lyrics.

Awards

“Stormy Weather” was selected in 2001 to The Library of Congress National Film Registry.

 

Stormy Weather 1

Get ready to have your “mind blown”! ¬†This dance sequence by the Nicholas Brothers is unreal. ¬†Check it out. ¬†Holy crap!!

 

Ethel Waters was a famous blues, jazz, gospel vocalist and actress. ¬†Her best-known recordings include “Dinah”, “Stormy Weather”, “Taking a Chance on Love” and “Cabin in the Sky” (She also starred in the film) Let’s enjoy her interpretation of the classic tune by Arlen and Koehler:

“Stormy Weather”

 

Happy Birthday, Ms. Lena!

Lena Horne 2

 

 

 

 

 

“Here ’tis, little Fats Waller. Mama’s favorite 285 lbs of jam, jive and everything!”

Fats suffer

  May 21, 1904 РDecember 15, 1943

Title sums it up. “Jam, Jive and Everything!.” ¬†Thomas Wright “Fats” Waller is one of the most charming, talented and prolific artists to ever tickle the ivories of a¬†stride piano.

We share a birthday РMay 21st.  His last recording session was in Detroit, Michigan Рhome of my birth. I guess it was destiny that his music and spirit would come to bring me such joy!

What excites me about Fats?

When I was a kid and first saw the ground breaking musical Stormy Weather (1943) I was familiar with its star Lena Horne because my father loved him some Miss Lena.  But for me, the wonderful surprise of the film was Fats Waller.

Fats Waller and Lena Horne

When you see him you’re totally invested. ¬†His personality jumps off the screen. ¬†People talk about presence. ¬†Fats created “presence!”

Fats is credited with advancing the musical style – stride piano. ¬†Although known for his two most famous compositions: ¬†“Ain’t Misbehavin'” and “Honeysuckle Rose”, he penned many more uncredited hits such as “I Can’t Give you Anything but love, Baby” and “On the Sunny Side of the Street”.

Waller copyrighted over 400 songs and began his professional career as a pianist at the age of 15, working in cabarets and theaters.

His life and artistry became the Broadway musical revue “Ain’t Misbehavin‘ produced in 1978. ¬†(The show and star Nell Carter won Tony Awards.)

Aintmisbehavin

Recordings of Fats Waller were inducted into the¬†Grammy Hall of Fame¬†which is a special¬†Grammy Award¬†established in 1973 to honour recordings that are at least 25 years old and that have “qualitative or historical significance”.

 

Here ’tis, a tribute to Fats’ brilliance¬†and charm:

 

Fats Waller – Ain’t Misbehavin’ – Stormy Weather (1943)

 

This song cracks me up!

Fats Waller – Your Feet’s Too Big! (1936)

 

Fats Waller – Honeysuckle Rose (1929)

 

Thanks Fats for the jam, jive and everything!

It was the Jazz age. It was an age of Elegance and Violence.

¬†¬†“The Cotton Club” (1984)

Cotton Club poster

Directed by Francis Ford Coppola
Produced by Robert Evans
Screenplay by William Kennedy
Francis Ford Coppola

I remember looking forward to screening this film. ¬†I understood the significance of The Cotton Club¬†during the Harlem¬†Renaissance¬†of the 20’s and 30’s and wanted the 1980’s audience to be curious about the history of the real club and incredible level of talent that appeared there between 1923 – 1940.

Some of the original performers at The Cotton Club included:

Among many others.

The movie is intense. Producer Robert Evans originally wanted to direct the project but later asked Coppola. ¬†There are definite similarities to “The Godfather” in the film due to it’s violent nature and also the fact that Mario Puzo (author of The Godfather) wrote the original story and screenplay.

Gangsters, racism and love, this film exposes them all.  I do, however, wish more of the movie focus was on The Cotton Club itself and the lives of those characters.

The story centers around the dangerous love affair of Dixie Dwyer (Richard Gere) and Vera Cicero (Diane Lane). ¬†She “belongs” to mobster Dutch Schultz (James Remar). ¬†Dutch is a straight up¬†psychopath¬† ¬†We also follow the budding romance between Sandman Williams (Gregory Hines) and Lila Rose Oliver (Lonette McKee). ¬†He wants to get married. ¬†She wants to be a “Star.” ¬†(She’s also hiding a secret about her other life.)

Watch and listen as Lonette McKee, also from the movie (“Sparkle”), delivers a taste of the film’s 1930’s Harlem.

The song: “Ill Wind (You’re Blowing Me No Good)” ¬†Composed by Harold Arlen, lyrics by Ted Koehler. ¬†It was written for their last show at The Cotton Club in 1934.

 

One of the most memorable scenes is between the real life and onscreen brothers – Maurice and Gregory Hines. ¬†Clay (Maurice Hines) and Sandman (Gregory Hines) have had a major falling out and at this moment we get to share their reunion. ¬†Growing up, this old school tap dancing duo was compared to The Nicholas Brothers. ¬†Gregory Hines remarked in an interview that after seeing The Nicholas Brothers perform that “nobody was going to be the next Nicholas Brothers, least of all my brother and I.”

 

Starring Richard Gere
Gregory Hines
Diane Lane
Lonette McKee
Music by John Barry

 

Explore the 1984 film but more importantly explore the controversial history of The Cotton Club and the entertainers and music that fueled the Jazz generation.