“Feed Me Seymour” – The Little Shop Of Horrors🎃🌷

 

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A funny thing happened at my 6-month dental check-up. Sitting in the dentist’s chair a lightbulb came on and the idea for this post hit me square in the mouth, “The Little Shop of Horrors”(1960)!

 

People are probably more familiar with the 1986 musical version directed by Frank Oz and starring Steve Martin (demented dentist), Rick Moranis, (Seymour) Ellen Greene (Audrey), Tichina Arnold, and Tisha Campbell (as the urchins).

 

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The 1986 film is a remake of the hit Broadway stage production which was a remake of the 1960 movie. (Phew, that took the long way around)

I had the fantastic experience of performing in a stage production as one of the street urchins. Chiffon, Crystal, and Ronette are fashioned after girl groups from the 1960’s. It was one of my favorite shows and roles in my community theater career.

The original 1960 film was a  black comedy horror film directed by Detroit-born (my hometown) and celebrated B-movie legend, Roger Corman and written by Charles B. Griffith. The film is a farce about an inadequate florist’s assistant (Jonathan Haze) who cultivates a plant that feeds on human flesh and blood.

The film stars Jonathan Haze (Seymour), Jackie Joseph (Audrey), Mel Welles (Mr. Mushnick), and Dick Miller, all of whom had worked for Corman on previous films. Produced under the title “The Passionate People Eater”. It was a lot creepier and darker than either the 1986 film or Broadway production.

The film’s concept is thought to be based on a 1932 story called “Green Thoughts”, by John Collier, about a man-eating plant. However, author Dennis McDougal in Jack Nicholson‘s biography suggests that Griffith may have been influenced by Arthur C. Clarke’s sci-fi short story ‘The Reluctant Orchid’. (Wikipedia)

The film became the basis for the horror comedy and Off-Broadway rock musical, Little Shop of Horrors (1982). By composer Alan Menken and writer Howard Ashman, the production was notably made into the 1986 feature film.

Trivia:

  • The film also garnered attention as a movie that was made into a Broadway production; it’s usually the other way around.

  • Writer, Charles B. Griffith, was the voice of Audrey 2 in 1960 film.

  • Levi Stubbs (lead singer of The Four Tops-Motown group) was the voice of Audrey II in 1986 movie.

  • Ellen Greene played Audrey in the Off-Broadway Production.

  • The gleefully masochistic dental patient, originally played by Jack Nicholson, is not in the musical but is in the 1986 film, played by Bill Murray.

 

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Off-Broadway Production of “Little Shop of Horrors” 1982 with Ellen Greene immediately right of Audrey 2

A young Jack Nicholson‘s small role as the masochistic dental patient in the 1960 film was a hysterical standout. At the time of filming, Jack Nicholson had appeared in two films and had worked with Roger Corman as the lead in “The Cry Baby Killer”.

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Roger Corman

According to Nicholson, “I went into the shoot knowing I had to be very quirky because Roger originally hadn’t wanted me. In other words, I couldn’t play it straight. So I just did a lot of weird shit that I thought would make it funny.”

Even though this was only his third film you could see that his talent was something quite special.

Because I’m a big-time musical theater lover, my affinity is for the 1986 film. The musical numbers were fabulous, the performances outstanding, and the memories lasting.

I loved performing the opening “Urchin” musical number “Little Shop of Horrors” which was also from the Off-Broadway stage production:

The film, directed by Frank Oz (Muppets), differs only slightly from the stage play. The title song is expanded to include an additional verse to allow for more opening credits. The song “Ya Never Know” was re-written into a calypso-style song called “Some Fun Now”, although some of the lyrics were retained.

 

Four other songs (“Closed for Renovation”, “Mushnik and Son”, “Now (It’s Just the Gas)”, as well as “Call Back in the Morning”) were cut from the original production score. An original song was written by Ashman and Menken, “Mean Green Mother from Outer Space”, was created for the film.

For a fun and dark Halloween double feature, I highly recommend checking out “The Little Shop of Horrors” (1960) and the remake, “Little Shop of Horrors” (1986). A little something for everyone.

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Happy Halloween!

Truth at its Finest – The Great Dictator (1940)

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Charlie Chaplin is one of the greatest filmmakers in motion picture history. Robert Downey, Jr. brilliantly portrayed his tremendous talent and career in the 1992 film “Chaplin”. I’ve always loved Chaplin not just because of his comedic gifts but like myself, he stood firm in the belief that art is political. A position which caused him to be kicked out of the United States for “subversive” beliefs.

 

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Sir Charles SpencerCharlieChaplin, (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame during the era of silent film. Chaplin became a worldwide icon through his screen persona “the Tramp” and is considered one of the most important figures in the history of the film industry.

 

His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. (Wikipedia)

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Charlie Chaplin

Probably the most prophetic film of his extraordinary career was “The Great Dictator” (1940). Chaplin’s final speech resonates at the core of what it means to be human today just as it did over 75 years ago. Written by Chaplin, it emphasizes just how vital it is to know your history because those who don’t are doomed to repeat it.

 

Created in direct opposition to Hitler’s reign of terror, Chaplin warns of the devastation of giving up our humanity and implores us to love each other.

The Great Dictator is the 1940 American political satire comedy-drama film written, directed, produced, scored by and starring Charlie Chaplin. Charlie Chaplin was unique because he was the only Hollywood filmmaker to continue to make silent films well into the period of sound films, this was Chaplin’s first true sound film.

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This scene is so beautiful in its simplicity and elegance; while at the same time mocking the hubris of Hitler, the genocide, antisemitic dictator.

Language similar to a candidate running for President in 2016. Same delusional dream.

Chaplin’s film is a scathing and controversial condemnation of Adolf Hitler, Benito Mussolini, fascism, antisemitism, and the Nazis. At the time the film was released, the United States hadn’t entered into World War II and the fight against Nazi Germany.

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After seeing this masterpiece, my respect and admiration for Chaplin grew even more. He spoke up when others wouldn’t. That’s the kind of morality and integrity that seems to be sorely lacking in today’s politics.

Chaplin was so talented, and for even more contrast, played both leading roles: a ruthless fascist dictator, and a persecuted Jewish barber.

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Charlie Chaplin as Adenoid Hynkel (Hitler) and the Jewish Barber

The Great Dictator was popular with audiences, becoming Chaplin’s most commercially successful film. Modern critics have also praised it as a historically significant film and an important work of satire. (Wikipedia)

The Great Dictator was nominated for five Academy Awards – Outstanding Production, Best Actor, Best Writing (Original Screenplay), Best Supporting Actor for Jack Oakie, and Best Music (Original Score).

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In his 1964 autobiography, Chaplin stated that he could not have made the film if he had known about the true extent of the horrors of the Nazi concentration camps at the time. (Wikipedia)

 

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At the end of his life, Chaplin was finally awarded the respect and accolades befitting of his expansive career and achievements. This is Sir Charles accepting his honorary Academy Award in 1972. I watched this presentation and cried with admiration the entire time.

 

Thank you, Charlie.💖

 

Jammin’ at the Movies 2 – Music that Makes the Movies🎶🎬😎

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Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

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As I started writing “Jammin’ at the Movies – Music that Makes the Movies” I realized there were far too many films to note in one post, so these are a few others that make my list of movie soundtracks that are synonymous with the film itself.

“Pulp Fiction”, “Forrest Gump”, and “Saturday Night Fever” are true American classics and so are their soundtracks!

 

Let me know some of your most notable in the comments!

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The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

 

Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at any time.

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

Quentin Tarantino

Quentin Tarantino

“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)

 

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“Pulp Fiction” (1994), “Forrest Gump” (1994), and “Saturday Night Fever” (1977) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

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Pulp Fiction

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“Pulp Fiction”(1994) is the coolest film and soundtrack ever. QuentinTarantino (Oscar for Best Original Screenplay) certainly had his finger on the pulse of the vital connection music plays in conveying the attitude of this movie and put together the perfect soundtrack to complement the mood.

First of all, I would love to hang at Jack Rabbit Slims. I love all things 60’s and between the cars and the celebrity impersonators, how fun! Second, this is how you dance cool. I remember all the back in the day dances like the twist, the jerk, and the batman.

The album reached No. 21 on the Billboard 200, while Urge Overkill’s cover of the Neil Diamond song “Girl, You’ll Be a Woman Soon” peaked at No. 59 on the Billboard Hot 100.

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Billboard chalked up MCA’s compilation to identifying the market niche: “Pulp Fiction…successfully spoke to those attuned to the hip, stylized nature of those particular films.” The eclectic “mix-and-match strategy” is true to the film.

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“In some cases, like Pulp Fiction and Reservoir Dogs, which were not geared toward any specific demographic, the soundtracks were still very focused albums,” said Kathy Nelson, senior VP/general manager at MCA Soundtracks. “In both cases, the body of work — both the music and the film — has a specific personality.” (Wikipedia)

Trivia – revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co-stars Samuel L. Jackson and Uma Thurman.

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Forrest Gump

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Academy Award-winning film “Forrest Gump” (1994) starring Tom Hanks and based on the 1986 novel of the same name by Winston Groom, will always have a special place in my heart. The genuine spirit and remarkable journey of Forrest make you root for him.

The time setting of the ’60’s was perfect with the politics of the day and the Vietnam War being the volatile flashpoint of the decade.

The 32-song soundtrack from the film was released on July 6, 1994, and re-creates the angst of a generation and is perfect for fusing the film with the troubled times.

With the exception of a lengthy suite from Alan Silvestri’s score, all the songs are previously released; the soundtrack includes songs from Fleetwood Mac, Creedence Clearwater Revival, Lynyrd Skynyrd, The Byrds, The Doors, The Mamas & the Papas, The Simon & Garfunkel, and Buffalo Springfield among others.

 

 

Music producer Joel Sill reflected on compiling the soundtrack: “We wanted to have very recognizable material that would pinpoint time periods, yet we didn’t want to interfere with what was happening cinematically.”

 

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The soundtrack reached a peak of number 2 on the Billboard album chart and went on to sell twelve million copies and is one of the top-selling albums in the United States. (Wikipedia)

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Saturday Night Fever

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The mother of all movie soundtracks, Saturday Night Fever: The Original Movie Sound Track skyrocketed The Bee Gees  and their music to the top of the charts with their timeless love ballads and energizing disco hits like the title song, “Staying Alive”.

From the 1977 hit film starring John Travolta, the album was certified 15× Platinum for shipments of over 15 million copies. The album stayed atop the album charts for 24 straight weeks from January-July 1978 and stayed on Billboards album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. 1.

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Maurice, Barry, Robin Gibb – The Bee Gees

The brothers wrote the songs “virtually in a single weekend” at Château d’Hérouville studio in France. Barry Gibb remembered the reaction when Producer Robert Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

“They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they’d brought with them.” The album has been added to the National Recording Registry in the Library of Congress for being culturally significant. (Wikipedia)

Even more, than the incredible music, John Travolta blew me away with his club-worthy dance moves. Who knew the kid from the television show “Welcome Back Kotter” could bust a move!

Trivia – John Travolta’s mother Helen and sister Ann both appeared in minor roles in the beginning of the film. Travolta’s sister is the pizzeria waitress who serves him the pizza slices (and delivers the first dialogue), and his mother plays the woman to whom he sells the can of paint (after being late).

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If you haven’t already, check out these rockin’ flicks. Perfect for a musical binge-worthy night!

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“Assume the Crash Position”, It’s Airplane!🛫

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The disaster genre has been around long before “The Master of Disaster” Irwin Allen came on the scene in the 1970’s when the genre came into particular prominence with the release of high-profile films such as Airport (1970), followed in quick succession by Irwin Allen’s “The Poseidon Adventure (1972), Earthquake (1974) and another Allen hit, “The Towering Inferno” in (1974).

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These films often feature large casts of actors and multiple plotlines, focusing on the characters’ attempts to avert, escape or cope with the disaster and its aftermath.

Disaster themes are almost as old as the film medium itself. One of the earliest was Fire! (1901) made by James Williamson of England. The silent film portrayed a burning house and the firemen who arrive to quench the flames and rescue the inhabitants.

Screenshot from the film "Fire!" (1901)

Screenshot from the silent film “Fire!” (1901)

Inspired by the end of World War II and the beginning of the Atomic Age, science fiction films of the 1950s, including When Worlds Collide (1953), The War of the Worlds (1953) and Godzilla, King of the Monsters! (1956), routinely used world disasters as plot elements.

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Additional precursors to the popular disaster films of the 1970s include The High and the Mighty (1954), starring John Wayne and Robert Stack as pilots of a crippled airplane attempting to cross the ocean; Zero Hour! (1957), written by Arthur Hailey (who also penned the 1968 novel Airport) about an airplane crew that succumbs to food poisoning.

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“Zero Hour!” (1957)

And this is where David and Jerry Zucker and Jim Abrahams enter the picture. Being influenced by the 1957 disaster film, Zero Hour! the 3 writers crafted ideas for a script as they described the movie as a “perfectly classically structured film” according to Jerry Zucker. Abrahams later described Zero Hour! as “the serious version of Airplane!“. It was the first film script the trio wrote and completed around 1975. The film was originally called The Late Show. (Wikipedia)

In 1980 this classic and definitive homage to the disaster genre was released, “Airplane!”

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Airplane! (titled Flying High! in Australia, New Zealand, South Africa, Japan and the Philippines) is the brilliant satirical parody directed and written by the incredible team of David and Jerry Zucker, Jim Abrahams, (abbreviated ZAZ) and produced by Jon Davison.

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Plot: How do you handle a pilotless airplane full of crazy, food poisoned passengers, one ex-fighter pilot (and the would-be hero) with a drinking problem and a frisky auto-pilot named Otto? These are some of the random problems kinda solved in this totally off the wall, mayhem inspired comedy.

This clip of classic scenes says it all about the madness I love, “Airplane!”

This slap-stick classic stars Robert Hays and Julie Hagerty. It also features,(in their comedic debut), Leslie Nielsen, Robert Stack, Lloyd Bridges, Peter Graves, and Kareem Abdul-Jabbar.

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Lloyd Bridges, Robert Stack

The stars, Robert Stack, Lloyd Bridges and Leslie Nielsen had long established careers as dramatic, action characters before “Airplane!” They were hired because the Zucker Brothers wanted to cast the film against type although Leslie Nielsen insisted that he had always been cast against type. He originally wanted to play comedy.

Leslie Nielsen

Leslie Nielsen

Leslie Nielsen’s line (in response to Hays’ question ‘surely you can’t be serious’), “I am serious. And don’t call me Shirley,” was 79th on AFI’s list of the best 100 movie quotes. (Wikipedia)

The superstar cameo of the film was Barbara Billingsley. (The Beaver’s reserved mom, June Cleaver, on the 1950’s tv classic “Leave it to Beaver”) Cast against type as well, she makes an appearance as, “Jive Lady”, a woman who announces she speaks jive (slang) and can translate for two black passengers whom no one could quite understand. Miss June don’t play. 😎 Hilarious! Thanks, June.🤗✊🏽

Barbara Billingsley

Barbara Billingsley

“Airplane!” received universal acclaim from critics and is widely regarded as one of the best films of 1980. Although, before its release, the directors had been apprehensive due to a mediocre response at one of the pre-screenings. But the film earned its entire budget of about $3.5 million in its first weekend of release. Overall, it earned more than $83 million in box office gross for $40 million in rentals, making it the fourth highest-grossing film of 1980.

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Otto, Julie Hagerty, Robert Hays

Based on 58 reviews, compiled retrospectively, Rotten Tomatoes gives the film a score of 97% judging it “Certified Fresh.” The consensus on the site reads “Though unabashedly juvenile and silly, Airplane! is nevertheless an uproarious spoof comedy full of quotable lines and slapstick gags that endure to this day.” (Wikipedia)

 

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The film is recognized by American Film Institute in these lists:

  • 2000: AFI’s 100 Years…100 Laughs – #10

  • 2005: AFI’s 100 Years…100 Movie Quotes:

The film’s creators received the Writers Guild of America Award for Best Adapted Comedy, and nominations for the Golden Globe Award for Best Motion Picture – Musical or Comedy and a BAFTA Award for Best Screenplay.

 

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In 2010, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

 

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If you’re ever feeling stressed, and or depressed, just pop this little gem in the DVD player and laugh your ass off!

 

“Hail, Hail Freedonia” – Try the Duck Soup!

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Duck Soup (1933)

I was first introduced to the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) in one of my favorite classes at The University of Michigan – Cinema. It was more like an afternoon of fun at the movies since in our lecture all we did was analyze and critique classic films.

(top to bottom) Chico, Harpo, Groucho, and Zeppo 1931

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The Marx Brothers laugh riot film, “Duck Soup”, has to go down as one of the best and most hilarious political films of the century! Pure anarchy reigned as the idiocy of war was laid bare and Rufus T. Firefly’s (Groucho Marx) rapid-fire one-liners were pure genius.

Enter Rufus T.

On days we screened The Marx Brothers films, the lecture hall seemed a little bit fuller. I was also guilty of padding the room since I would tell my boyfriend what movie we were reviewing and the Marx Brothers quickly became his and my favorites. “Whatever it is, I’m against it.” Groucho in (“Horse Feathers”1932)

Directed by Leo McCarey and written by Bert Kalmar and Harry Ruby, the film was first released theatrically by Paramount Pictures on November 17, 1933. The storyline of “Duck Soup” involves the wealthy Mrs. Teasdale (Margaret Dumont) insisting that Rufus T. Firefly (Groucho) be appointed the leader of the small, bankrupt country of Freedonia before she will continue to provide their much-needed financial aid. (Wikipedia)

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Groucho, Margaret Dumont, Louis Calhern, and Raquel Torres

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Meanwhile, neighboring country Sylvania is attempting to annex Freedonia. Sylvanian ambassador Trentino (Louis Calhern) tries to instigate a revolution while attempting to woo Mrs. Teasdale. To further tip the scale in his favor, he also tries to dig up dirt on Firefly by sending in bumbling spies Chicolini (Chico) and Pinky (Harpo).

I adore Harpo (Arthur Duer Marx born Adolph Marx; November 23, 1888 – September 28, 1964), he is totally off the wall with his facial expressions and his manic pantomime sight gags! Harpo actually played the harp (hence his nickname) and there was usually a scene in the Marx Brothers movies that featured Harpo playing a beautiful piece on the harp.

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Harpo playing the harp.

Margaret Dumont is often described as not getting the Brothers humor. In fact, she did. In a 1940 interview, Dumont said, “Scriptwriters build up to a laugh, but they don’t allow any pause for it. That’s where I come in. I ad lib—it doesn’t matter what I say—just to kill a few seconds so you can enjoy the gag”.

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Personally, I don’t know how she could keep a straight face working with Groucho.

Margaret Dumont would typically portray the rich widow that Groucho was always trying to dupe. He could simultaneously insult and make advances towards her. It was fabulous to watch since his wit and timing were impeccable.

Julius Henry Marx (October 2, 1890 – August 19, 1977)

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Premiering during The Depression, “Duck Soup” was not initially received as well as their previous films. However, critical opinion has evolved and the film has since achieved the status of a classic. “Duck Soup is now widely considered by critics to be a masterpiece of comedy and the Marx Brothers’ finest film. (Wikipedia)

In 1990 the United States Library of Congress deemed Duck Soup “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry.

Chico and Zeppo round out the troupe. Chico was known for being the crafty con artist (who was usually teamed with Harpo) and for his broken Italian accent (although the Brothers were Jewish) and Zeppo, who always played the straight man. (This was also Zeppo’s last film with his brothers)

In the famous “mirror scene,” Pinky, dressed as Firefly, pretends to be Firefly’s reflection in a missing mirror, matching his every move—including absurd ones that begin out of sight—to near perfection. In one particularly surreal moment, the two men swap positions, and thus the idea of which is a reflection of the other. Eventually, and to their misfortune, Chicolini, also disguised as Firefly, enters the frame and collides with both of them.

Mirror Scene

Mirror Scene

Although its appearance in Duck Soup is the best-known instance, the concept of the mirror scene did not originate in this film. Max Linder included it in Seven Years Bad Luck (1921), where a man’s servants have accidentally broken a mirror and attempt to hide the fact by imitating his actions in the mirror’s frame. Charlie Chaplin used a similar joke in The Floorwalker (1916), though it did not involve a mirror. (Wikipedia)

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“Just Wait ‘Til I Get Through With It” parodies the ridiculous state of politics and sounds all too familiar.

I admit to being a political junkie and the Marx Brothers humor and point of view ring true in how ludicrous and corrupt the political system is. We know it’s a racket, the Brothers know it’s a racket and they have no compunction with sticking that fact right in your face.

Bravo!

If you’re interested in binge watching The Marx Brothers, Universal Home Video has released Duck Soup on DVD, unrestored but uncut, as part of a six-disc box set The Marx Brothers: Silver Screen Collection, which includes the Brothers’ other Paramount films, The Cocoanuts, Animal Crackers, Monkey Business, and Horse Feathers. Definitely worthy of the buy.

 

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Happy Viewing!

 

Puttin’ on the Ritz with Young Frankenstein!

Twentieth Century Fox Presents

A special event in cinemas nationwide

Wednesday, October 5, 2016

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Young Frankenstein (1974)

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Special Fathom Feature:

Seeing this black-and-white masterpiece on the big screen with an audience is a rarity in itself, but to make this screening a truly one-of-a-kind experience, writer, and director Mel Brooks will introduce the film live from the 20th Century Fox Lot in Hollywood, CA.

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Mel Brooks “Young Frankenstein”

As I’ve written about before, “Young Frankenstein” is one of my all-time favorite films! Mel Brooks’ genius is on full display as he accurately fuses every Frankenstein film into one of the most hilarious ever produced.

In 2003, it was deemed “culturally, historically or aesthetically significant” by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry. On its 40th anniversary, Brooks considered it by far his finest (though not his funniest) film as a writer-director. (Wikipedia)

The original “Frankenstein” is no longer a horror film to me since watching Mel’s take on this Universal Classic. There are so many scenes and moments from Brook’s movie that I couldn’t possibly pinpoint one. This is a reel of some of the best moments.

Young Frankenstein brings together Brooks’s inimitable style with a cast of comedy legends, including Gene Wilder as Federick Fronkensteen, Marty Feldman as shifty humpback Igor, Teri Garr as the hay-rolling lab assistant Inga, the brilliant Madeleine Kahn as Dr. Frankenstein’s high-strung fiancée Elizabeth, Peter Boyle as the kind-hearted monster, an uncredited Gene Hackman as the blind man who befriends him, and Cloris Leachman as Frau Blücher!

“Frau Blücher”

“Young Frankenstein” is a 1974 American black comedy film directed by Mel Brooks and starring Gene Wilder as the title character, a descendant of the infamous Dr. Victor Frankenstein. The supporting cast includes Teri Garr, Cloris Leachman, Marty Feldman, Peter Boyle, Madeline Kahn, Kenneth MarsRichard Haydn and Gene Hackman. The screenplay was written by Wilder and Brooks. (Wikipedia)

Check out the doctor and Frankie, Jr. “Puttin’ on the Ritz!”

Join in the fun as the young neurosurgeon (Wilder), inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. Young Frankenstein believes that the work of his grandfather is to put it in his words, “do do”, but when he discovers the book where the mad doctor describes his reanimation experiment, the light bulb comes on as he exclaims – “It could work!”.

“Dr. Frederick Frankenstein”

The film is an affectionate parody of the classic horror film genre, in particular, the various film adaptations of Mary Shelley‘s novel Frankenstein produced by Universal in the 1930s.

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Most of the lab equipment used as props was created by Kenneth Strickfaden for the 1931 film Frankenstein. To help evoke the atmosphere of the earlier films, Brooks shot the picture entirely in black-and-white, a rarity in the 1970s, and employed 1930s’ style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a period score by Brooks’ longtime composer John Morris. (Wikipedia)

If you’ve never experienced this Mel Brooks’ gem, make sure to check out this one-night special event! And, if you’re a fan like I am, this is a great opportunity to quote your favorite lines and re-enjoy this classic on the big screen!

Extras: Behind the scenes of the Making of “Young Frankenstein”.

Tickets available online here.  You can also, check with your local theater for showtimes and tickets.

 

Don’t miss this incredible opportunity to see the classic film on the big screen!

Fathom Events

 

 

My Top 3 Picks for Brilliant Movie Endings!

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The Usual Suspects

Psycho

Seven

Spoiler Alert! 

*As a matter of principal, I never reveal movie endings. So, please don’t divulge these.

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Number 3

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Seven (1995)

Okay, I’m a firm believer that not being shown everything can sometimes be more powerful than exposing it. We didn’t need to see the contents of the box at the end of the movie because the tension and reaction from both Morgan Freeman and Brad Pitt were palpable. Wow!

This outstanding, psychological thriller was directed by David Fincher and stars Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and Kevin Spacey. It was nominated for Best Film Editing at the 68th Academy Awards but lost out to Apollo 13.

The entire movie was one of those peek through your fingers experiences. Just when you thought you’d seen it all, the next shot was more horrific than the first. What a roller coaster ride!

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Number 2

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Psycho (1960)

Believe it or not, I saw this Hitchcock classic in the theater when it first came out. I was 5-years-old and I’m still a little paranoid going into the bathroom!

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Starring Anthony Perkins, and Janet Leigh, this classic horror-thriller is pure genius and a prime example why Alfred Hitchcock is the “Master of Suspense.” You believe he’s telling one story and suddenly everything is flipped on its ear. Who kills off the lead 1/3 way through the film and gets you to feel sympathetic toward the killer? I still can only watch Psycho during the daytime.

Initially, Hitch was not supported in the making of this little gem to the chagrin of “The Master.” Theater-goer lines were wrapped around the block hyped by a “No Admittance” policy after the start of the movie.

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The ending shot still haunts me and remains an amazing ending to one disturbing flick!

 

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My number 1 choice for brilliant movie endings is without a doubt!

 

The Usual Suspects (1995)

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The name Keyser Söze will forever be synonymous with one of the greatest cons ever perpetrated in cinema history.

This crime thriller masterpiece was directed by Bryan Singer and written by Christopher McQuarrie. It stars Kevin Spacey, Gabriel Byrne, Benicio del Toro, Kevin Pollak, Chazz Palminteri, and Stephen Baldwin.

Kevin Spacey’s portrayal of Roger “Verbal” Kint is compelling and flawless! He’s placed in numerous “best villain” lists over the years, including AFI’s 100 Years…100 Heroes & Villains. Spacey won the Academy Award for Best Supporting Actor, turning him from a character actor into a star.

I have so many favorite scenes, it’s hard to pick just one. However, besides the ending, this rates. I crack up just thinking about it, so posting this was a hilarious endeavor!

One of the best parts of watching this film has got to be re-watching it to look back at all the elements of this fantastic set-up!

Love it, Love it, Love it!!

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These are just a few of the myriad of essential movies to ponder.

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Let me know some of your favorites in the comments.

 

 

“God bless us, everyone.” Quotable Closing Lines

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I can appreciate there are those who don’t like Top 10 lists but I tend to enjoy them because of getting to find out the favorites of fellow film lovers. Also, reminiscing about my best-loved movies that perhaps I haven’t thought about for a while.

 

 

Closing lines can serve as punctuation, the cherry on top. They can also, wrap up the film. One-liners that recall the movie all over again. Often times these are the quotes we remember most and become representative of the movie’s theme.

There are way too many movies to choose from so these are just a sampling that made this particular list. I love the Top 2 but as I was watching so many other films came to mind.

Please, let me know in the comments some of your best quotes. I’m looking forward to reading them.

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Spoiler Alert: I make it a point to never reveal a film’s ending because it’s a matter of courtesy. Don’t spoil the movie!

 

Although not closing, a few choice quotes:

Charlie Chaplin – The Great Dictator (1940)

Peter Lorre – Maltese Falcon (1941)

 

Colin Clive -Frankenstein (1931)

 

Wallace Shawn – Princess Bride (1987)

 

Paul Reubens- Pee-Wee’s Big Adventure (1985)

 

Clevon Little – Blazing Saddles (1974)

Dr. Strangelove or Lovin’ da Bomb! – Ugh😈

TCM Big Screen Classics Presents

Fathom Events, Turner Classic Movies, and Sony Pictures Entertainment present on the big screen the Stanley Kubrick classic:

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Bursting into cinemas nationwide for a special two-day event Sunday, September 18 and Wednesday, September 21.

With exclusive commentary from Turner Classic Movies host Ben Mankiewicz that helps decipher the many layers of satire in Stanley Kubrick’s masterpiece.

 

Peter Sellers is at his over the top best with his performance as nutcase Dr. Strangelove.(and a few other characters) A wheelchair-bound nuclear scientist with bizarre ideas about man’s future. The entire war room scene totally represents the lunacy of nuclear war.

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Columbia Pictures agreed to finance the film if Peter Sellers played at least four major roles. The condition stemmed from the studio’s opinion that much of the success of Kubrick’s previous film Lolita (1962) was based on Sellers’s performance in which his single character assumes a number of identities.

Peter Sellers as – President Merkin Muffley, Dr. Strangelove, and Captain Lionel Mandrake

Sellers is said to have improvised much of his dialogue, with Kubrick incorporating the ad-libs into the written screenplay so the improvised lines became part of the official screenplay.

Dr. Strangelove is a 1964 political satire black comedy film that satirizes the Cold War fears of a nuclear conflict between the USSR and the USA. The film was directed, produced, and co-written by Stanley Kubrick, stars Peter Sellers and George C. Scott, and features Sterling Hayden, Keenan Wynn, and Slim Pickens. The film is loosely based on Peter George‘s thriller novel Red Alert. (Wikipedia)

 

Awards and honors

The film was nominated for four Academy Awards and also seven BAFTA Awards, of which it won four.

Kubrick won two awards for best director, from the New York Film Critics Circle and the Italian National Syndicate of Film Journalists, and was nominated for one by the Directors Guild of America.

In 1989 the United States Library of Congress included it in the first group of films selected for preservation in the National Film Registry. It was listed as number three on AFI’s 100 Years…100 Laughs list.

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Ye Ha! Slim Pickens as Aircraft commander Major T. J. “King” Kong riding the bomb down.

Check with your local theater for showtimes or click here to buy tickets online.

 

 

The ultimate road trip movie!

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Thelma and Louise (1991)

25th Anniversary

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Sunday, August 21 and Wednesday, August 24

What do you get when you pair a bored housewife and a straight-laced waitress at a coffee shop who are best friends sick of what they’ve settled for in a moment of spontaneity deciding to escape the tedium of their everyday lives?

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Fathom Events, Metro-Goldwyn-Mayer, and Park Circus invite you to celebrate the 25th Anniversary of Thelma & Louise when it returns to select cinemas nationwide for a special two-day event on Sunday, August 21 and Wednesday, August 24 – 2:00 p.m. and 7:00 p.m. (local time)

Featuring a special introduction from film critic Ben Lyons talking about the legacy of Thelma & Louise and why, after 25 years, it is still considered the ultimate road trip movie.

Thelma & Louise is a 1991 American road film directed by Ridley Scott and written by Callie Khouri. It’s a story about best friends taking control of their lives and accepting the consequences; changing the outcome of the two-day vacation intended to take a break from their dreary lives.

When you think about it, Thelma (Susan Sarandon) and Louise (Geena Davis) invented the selfie. Susan Sarandon explained she thought her character would be the type to keep a record of their travels, so she improvised the moment. And what about Brad Pitt? What a way to make a splash on the movie scene!

Simon says everybody down on the floor!

Although power hasn’t really changed in Hollywood, Thelma and Louise was a very empowering female liberation film. I never give away endings but at the time I felt wow, finally a real kickass conclusion versus the candy coated type we usually get.

The film became a critical and commercial success, receiving six Academy Award nominations and winning one for Best Original Screenplay for Khouri. Scott was nominated for Best Director, and both Sarandon and Davis were nominated for Best Actress.

At its release, the movie stirred controversy. At the intersection of several genres, it is now considered a classic, influenced other films and artistic works, and became a landmark of feminist film. (Wikipedia)

It’s a perfect movie for an ultimate girl’s night out so grab your friends and don’t miss seeing this classic on the big screen!

 

For tickets: Thelma and Louise

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