Jammin’ at the Movies 2 – Music that Makes the Movies🎶🎬😎

Posted by donnamarie on October 11, 2016

Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

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As I started writing “Jammin’ at the Movies – Music that Makes the Movies” I realized there were far too many films to note in one post, so these are a few others that make my list of movie soundtracks that are synonymous with the film itself.

“Pulp Fiction”, “Forrest Gump”, and “Saturday Night Fever” are true American classics and so are their soundtracks!

Let me know some of your most notable in the comments!

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The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at any time.

“Psycho” 1960

“Jaws” 1974

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

Quentin Tarantino

“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)

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“Pulp Fiction” (1994), “Forrest Gump” (1994), and “Saturday Night Fever” (1977) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

Pulp Fiction

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“Pulp Fiction”(1994) is the coolest film and soundtrack ever. QuentinTarantino (Oscar for Best Original Screenplay) certainly had his finger on the pulse of the vital connection music plays in conveying the attitude of this movie and put together the perfect soundtrack to complement the mood.

First of all, I would love to hang at Jack Rabbit Slims. I love all things 60’s and between the cars and the celebrity impersonators, how fun! Second, this is how you dance cool. I remember all the back in the day dances like the twist, the jerk, and the batman.

The album reached No. 21 on the Billboard 200, while Urge Overkill’s cover of the Neil Diamond song “Girl, You’ll Be a Woman Soon” peaked at No. 59 on the Billboard Hot 100.

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Billboard chalked up MCA’s compilation to identifying the market niche: “Pulp Fiction…successfully spoke to those attuned to the hip, stylized nature of those particular films.” The eclectic “mix-and-match strategy” is true to the film.

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“In some cases, like Pulp Fiction and Reservoir Dogs, which were not geared toward any specific demographic, the soundtracks were still very focused albums,” said Kathy Nelson, senior VP/general manager at MCA Soundtracks. “In both cases, the body of work — both the music and the film — has a specific personality.” (Wikipedia)

Trivia – revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co-stars Samuel L. Jackson and Uma Thurman.

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Forrest Gump

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Academy Award-winning film “Forrest Gump” (1994) starring Tom Hanks and based on the 1986 novel of the same name by Winston Groom, will always have a special place in my heart. The genuine spirit and remarkable journey of Forrest make you root for him.

The time setting of the ’60’s was perfect with the politics of the day and the Vietnam War being the volatile flashpoint of the decade.

The 32-song soundtrack from the film was released on July 6, 1994, and re-creates the angst of a generation and is perfect for fusing the film with the troubled times.

With the exception of a lengthy suite from Alan Silvestri’s score, all the songs are previously released; the soundtrack includes songs from Fleetwood Mac, Creedence Clearwater Revival, Lynyrd Skynyrd, The Byrds, The Doors, The Mamas & the Papas, The Simon & Garfunkel, and Buffalo Springfield among others.

Music producer Joel Sill reflected on compiling the soundtrack: “We wanted to have very recognizable material that would pinpoint time periods, yet we didn’t want to interfere with what was happening cinematically.”

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The soundtrack reached a peak of number 2 on the Billboard album chart and went on to sell twelve million copies and is one of the top-selling albums in the United States. (Wikipedia)

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Saturday Night Fever

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The mother of all movie soundtracks, Saturday Night Fever: The Original Movie Sound Track skyrocketed The Bee Gees and their music to the top of the charts with their timeless love ballads and energizing disco hits like the title song, “Staying Alive”.

From the 1977 hit film starring John Travolta, the album was certified 15× Platinum for shipments of over 15 million copies. The album stayed atop the album charts for 24 straight weeks from January-July 1978 and stayed on Billboard‘s album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. 1.

Maurice, Barry, Robin Gibb – The Bee Gees

The brothers wrote the songs “virtually in a single weekend” at Château d’Hérouville studio in France. Barry Gibb remembered the reaction when Producer Robert Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

“They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they’d brought with them.” The album has been added to the National Recording Registry in the Library of Congress for being culturally significant. (Wikipedia)

Even more, than the incredible music, John Travolta blew me away with his club-worthy dance moves. Who knew the kid from the television show “Welcome Back Kotter” could bust a move!

Trivia – John Travolta’s mother Helen and sister Ann both appeared in minor roles in the beginning of the film. Travolta’s sister is the pizzeria waitress who serves him the pizza slices (and delivers the first dialogue), and his mother plays the woman to whom he sells the can of paint (after being late).

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If you haven’t already, check out these rockin’ flicks. Perfect for a musical binge-worthy night!

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Jammin’- Music that Makes the Movies🎶🎬😎

Posted by donnamarie on September 20, 2016

Image result for movie soundtracks

Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

Image result for movie theater

The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at anytime.

“Psycho” 1960

“Jaws” 1974

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

Quentin Tarantino

“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)

Image result for quentin tarantino movies

“Purple Rain” (1984), “Guardians of the Galaxy” (2014), and “Almost Famous” (2000) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

Purple Rain (1984)

The music from “Purple Rain” has kept me groovin’ since it premiered. While rockin’ the theater, “I Would Die 4 You” also connected the events necessary to resolve the plot and “The Kid’s” conflicts, utilizing the flashback technique leading to the climactic ending scene. The album rocketed Prince to superstardom!

The soundtrack for the film was released on June 25, 1984, by Warner Bros. Records and to date, it has sold over 22 million copies worldwide, becoming the sixth best-selling soundtrack album of all time.

https://youtu.be/8wkLsYepPHo

“I Would Die 4 U”, “Baby I’m a Star” and “Purple Rain” were recorded live from a show on August 3, 1983, at the First Avenue club in Minneapolis, with overdubs and edits added later. This marked the first time Prince included live recordings on any release. The show was a benefit concert for the Minnesota Dance Theater and featured the first appearance of guitarist Wendy Melvoin in Prince’s band, The Revolution.

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Prince won two Grammy Awards in 1985 for Purple Rain, for Best Rock Vocal Performance by a Duo or Group and Best Album of Original Score Written for a Motion Picture or TV Special, and the album was nominated for Album of the Year. Prince won a third Grammy that year for Best R&B Song (songwriter) for Chaka Khan’s cover of “I Feel for You”. Purple Rain also won an Oscar for Best Original Song Score in 1985.

Guardians of the Galaxy (2014)

“Guardians of the Galaxy” is the 2014 film based on the Marvel Comics superhero team of the same name, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. Directed by James Gunn, the movie features the songs present on character Peter Quill’s (Chris Pratt) mixtape in the film.

The album was released by Hollywood Records on July 29, 2014, and reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart.

“Come and Get Your Love” by (Redbone) set the tone and mood of the film for me and is also a classic rock song from the 70’s. The film incorporated songs from the 1960s and 1970s, such as “Hooked on a Feeling” by Blue Swede, which, according to the film’s director, James Gunn, acts as a way for Quill to stay connected to the Earth, home, and family he lost.

Peter Quill (Chris Pratt)

In Guardians of the Galaxy, Peter Quill forms an uneasy alliance with a group of extraterrestrial misfits who are fleeing after stealing a powerful artifact.

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Drax, Gamora, Quill, Groot, and Rocket

I couldn’t help but fall in love with the sweetness of “I am Groot” and subsequently, jammin’ “Baby Groot”.

“Baby Groot”

Other hits from the soundtrack and my childhood include: “I Want You Back”, Jackson 5, “Oooh Child”, The 5 Stairsteps, and “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell which make for one kickin’ playlist!

Almost Famous (2000)

Almost Famous was written and directed by Cameron Crowe, and starred Billy Crudup, Kate Hudson and Patrick Fugit. It tells the fictional story of a teenage journalist William Miller (Patrick Fugit) writing for Rolling Stone magazine in the early 1970s while covering the fictitious rock band Stillwater, and his efforts to get his first cover story published. The film is semi-autobiographical, as Crowe himself was a teenage writer for Rolling Stone. (Wikipedia)

Cameron Crowe

Cameron Crowe Films

The film received four Oscar nominations, one of which led to an award to Crowe for his screenplay. It was also awarded the 2001 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. Roger Ebert hailed it the best film of the year, and also the 9th best film of the 2000s. It also won two Golden Globes, for Best Picture and Kate Hudson won Best Supporting Actress.

Patrick Fugit, Kate Hudson, Billy Crudup

This scene between William and his sister Anita takes me back to the days of vinyl and a time and way of appreciating music you cannot get from a cd. Music can change your life and for child prodigy William Miller (Patrick Fugit) it does.

Frances McDormand, as the mother, strictly controls and protects him and his older sister Anita by forbidding rock music and in her opinion, other unwelcome influences which drive Anita to leave home and become a flight attendant.

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I’ve always loved the song “America”. It’s just as poignant today as it was when it was first performed in 1968 by Simon and Garfunkel. The song was written by Paul Simon and concerns young lovers hitchhiking their way across the United States, in search of “America”, in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his girlfriend Kathy Chitty.

Paul Simon and Art Garfunkel

Director Cameron Crowe took a copy of the film to London for a special screening with Led Zeppelin members Jimmy Page and Robert Plant. After the screening, Led Zeppelin granted Crowe the right to use one of their songs on the soundtrack — the first time they had ever consented to this since allowing Crowe to use “Kashmir” in Fast Times at Ridgemont High. (Wikipedia)

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Zeppelin also gave Crowe rights to four of their other songs in the movie itself, although they did not grant him the rights to “Stairway to Heaven” for an intended scene (on the special “Bootleg” edition DVD, the scene is included as an extra, sans the song, where the viewer is instructed by a watermark to begin playing it). (Wikipedia)

Robert Plant (Led Zepplin) and Cameron Crowe

This classic soundtrack takes me back to some of the best memories of my high school days. Every time I watch this film I’m inundated with emotions and remember where I was when these songs were playing on the radio.

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Music has the power to cross time and space. I believe it’s our common bond. Even if you don’t speak the same language you can speak the same music.

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Labyrinth’s 30th Anniversary Celebration!💥 💥 💥

Posted by donnamarie on September 2, 2016

Sony Pictures Presents

Labyrinth 30th Anniversary

THE 1986 MUSICAL FANTASY RETURNS TO THE BIG SCREEN

Fathom Events and Sony Pictures invite you to celebrate the 30th Anniversary of Labyrinth when it returns to select cinemas nationwide for a special two-day event on Sunday, September 11 and Wednesday, September 14.

https://youtu.be/-e99s6U-0fE

Labyrinth tells the story of a fifteen-year-old girl, Sarah (Jennifer Connelly), who, in an immature and selfish moment, secretly wishes that her baby brother, Toby, would just disappear. Her wish comes true when goblins kidnap the boy forcing Sarah to solve a life-size labyrinth in order to rescue her baby brother from the castle of Jareth, the Goblin King (David Bowie).

Labyrinth is a 1986 American adventure musical fantasy film directed by Jim Henson, executive produced by George Lucas, and based upon conceptual designs by Brian Froud. With the exception of Bowie and Connelly, most of the significant characters in the film are played by puppets produced by Jim Henson’s Creature Shop. (Wikipedia)

First of all, Bowie! Second of all, Bowie! And third, oh, you get it. David Bowie was born for this role. His theatricality, magical voice, aura, all made him destined and a standout as the Goblin King.

I remember this film fondly as my children would act out the entire movie in our family room. I’m a big musical movie buff and I would always smile in delight as I secretly checked out the show.

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Featuring a cast of puppets, the story by Dennis Lee and Jim Henson, and a screenplay by Terry Jones, Labyrinth has all the myth and wonder of any childhood classic. As part of this event, the audience will be treated to a special introduction and get an exclusive all-new look behind the curtain at the making of this classic. (fathom events)

After Bowie’s death this year, someone posed the question, did David Bowie keep the Universe together? Seems the world went crazy with all the artists departing the planet. I don’t know, could be true. Well, anyway, make sure to check out Labyrinth’s 30th Anniversary screening! Starring the one and only, keeper of the Universe, David Bowie!

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Check your local theater for showtimes or purchase tickets online here.

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Let’s Get This Party Started!

Posted by donnamarie on August 10, 2016

The opening title sequence of a movie should invoke the tone of the film, grab your attention and create the anticipation of what’s to come. I recently did a post on most memorable film trailers and now I’m offering up some of the most memorable opening titles.

Vertigo (1958)

Alfred Hitchcock is the “master of suspense” for a myriad of reasons and this opening sequence created by Saul Bass, graphic designer, and Academy Award-winning filmmaker is an epic example of setting the tone and anticipation of what’s to come.

Hitchcock hints at the relationship between James Stewart and Kim Novak by opening on James Stewart’s name above Kim Novak’s lips transitioning into her eyes and the swirling sensation of vertigo. In addition, the beautifully haunting theme music of Bernard Herrmann perfectly sets the suspenseful mood of the film.

Casino Royale (2006)

It’s always dicey when you try to recast an iconic treasure like James Bond. Sean Connery was the only Bond I recognized (although Pierce Brosnan definitely held his own) so, when Daniel Craig was announced to fill Connery’s spot, I was definitely skeptical but quickly became a huge Daniel Craig fan. I think he did a great job of bringing just the right amount of attitude, style, and hotness necessary to carry on the franchise.

Casino Royale introduces James Bond before he holds his license to kill through his transition into his 007 status. The opening theme song by Chris Cornell (then-former lead singer of Soundgarden and former lead singer of Audioslave), adds the perfect punctuation with his title song – “You Know My Name!”

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One of the coolest, funniest, most irreverent sequences I think I’ve ever seen are the opening titles for one of my new favorite movies, “Deadpool” (2016).

https://youtu.be/DVMVWQIfT88

I call Deadpool the anti-Marvel film because its tone goes against the grain of a typical Marvel movie. Ryan Reynolds was hil-a-ri-ous! Although there was plenty of action, Reynold’s deadpan comedy changed the attitude of the film and was priceless. Talked friends into watching who aren’t Marvel fans and after it was over, loved it and said it was totally not what they expected. If you haven’t, give it a chance. I think you’ll enjoy it.

These are just of few of my favorites. Let me know in the comments those that make your list.

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Bernie Worrell R.I.P

Posted by donnamarie on June 25, 2016

Dr. George Bernard “Bernie” Worrell, Jr.

(April 19, 1944 – June 24, 2016)

Bernie Worrell, composer and keyboardist, lost his fight with lung cancer on Friday. He was 72. Worrell was one of the original funk masters performing with the “Parliament/Funkadelic” and the “Talking Heads”. (for which I will always remember his frenzied playing style)

Worrell was classically trained. Taking up the piano at age 3, he later studied at the Juilliard School and the New England Conservatory of Music.

Parliament/Funkadelic

Among the many P-Funk jams he co-wrote, played on, or co-produced were “Flash Light,” “Atomic Dog,” “Aqua Boogie,” and “Red Hot Mama”.

David Byrne (Talking Heads) and Bernie Worrell

David Byne of “The Talking Heads” remarked at a benefit concert for Worrell earlier this year – “He gives you the theology of funk. Bernie can take the music to a very cosmic place.”

Worrell released several solo albums, including “All the Woo in the World” and “Funk of Ages”. Presented by Prince, Bernie Worrell was inducted into the Rock and Roll Hall of Fame with other members of Parliament-Funkadelic in 1997.

In 2015, Worrell appeared in the movie Ricki and the Flash as the keyboard player in Meryl Streep’s band. The movie reunited Worrell with director Jonathan Demme, who had directed “Stop Making Sense”. (If you haven’t, I highly recommend checking out Stop Making Sense!)

Talking Heads – “Stop Making Sense”

During May 2016, the New England Conservatory of Music gave Worrell, who studied at the school until 1967, an honorary Doctor of Music degree.

The following video is – “Stranger: Bernie Worrell on Earth”. It is a documentary film about Worrell’s life, music and impact.

Favorite Actors Favorite Roles

Posted by donnamarie on May 26, 2016

I was thinking about actors who so embodied the role that you forgot the actual actor. The first that immediately came to mind was George Clooney in the Coen Brother’s Academy Award Nominated film –“Oh Brother, Where Art Thou?”

George Clooney

Normally my reaction to Clooney is, “wow, he’s so fine!” But, as Ulysses Everett McGill I didn’t ever think about the “fine” George Clooney but instead was mesmerized and cracking up with laughter at lines like “my hair”. Ulysses is a Dapper Dan hair pomade man. (totally obsessed with his hair)

I had no idea he was so freakin’ funny! Who knew? He usually plays fine, hot, strong characters but this time, he went all the way out the box with this incredible performance.

One of my favorite scenes is when he’s at a political benefit concert with his “band” the Soggy Bottom Boys and becomes engrossed in conversation trying to convince his ex-wife (Holly Hunter) to give him a second chance. Just when he is just about to reel her in, he hears the opening line to his (unbeknownst to him) hit song “Constant Sorrow”and without hesitation is back at the mike and crushing it. A man after my own heart. (I’m a community theater veteran:)

Produced, edited, and directed by Joel and Ethan Coen, and starring George Clooney, John Turturro, and Tim Blake Nelson, with John Goodman, Holly Hunter, and Charles Durning in supporting roles. Set in 1937 rural Mississippi during the Great Depression, the film’s story is a modern satire loosely based on Homer’s epic poem, Odyssey. The title of the film is a reference to the 1941 film Sullivan’s Travels, in which the protagonist (a director) wants to film a fictional book about the Great Depression called O Brother, Where Art Thou? (Wikipedia)

The film is brilliant and all the actor’s performances are remarkable! “Oh, Brother Where Art Thou” is a dark comedy whose themes touch on poverty, politics and racism. I give it – both thumbs way up.

OBrother

Louis “Thunder Thumbs” Johnson – R.I.P.

Posted by donnamarie on May 23, 2016

Just celebrated God’s favor of another birthday and the end of my chemotherapy treatments to the funky sounds of the Brothers Johnson’s bass thumping soundtracks. What very special memories of college they evoke.

I was truly blessed to be able to share this birthday with some of my very special friends from “back in the day” at the leader and the best – The University of Michigan!

This is a repost of the memorial of Louis Johnson from 1 year ago today. R.I.H.

I just celebrated a milestone birthday this past Thursday, May 21st but, while I was basking in my special day the news came out that renowned funk bassist and one of the grandfathers of slap bass playing Louis Johnson of The Brothers Johnson had passed that very day. We shared a common birth year and his death served as a stark reminder that tomorrow is not promised. An incredible talent gone way too soon.

Louis Johnson

(April 13, 1955 – May 21, 2015)

When we think about birthdays it’s usually about the celebration of the years lived and those memories, moments and for me, in particular, special films and music. In the 70’s and 80’s Louis and his brother George played the soundtrack of my life. Songs like: “Get the Funk Out Ma Face”, and “Ain’t We Funkin Now” were always at the top of my playlist.

Louis’ innovative bass slapping technique

Louis and his George got their start playing for Quincy Jones who later went on to produce the brothers debut LP Look Out for #1 in 1976. Over the next five years, the Brothers Johnson racked up three Number One hits on the R&B charts: 1976’s “I’ll Be Good to You,” their 1977 cover of singer-songwriter and soul musician Shuggie Otis’ “Strawberry Letter 23,”(featured in Quentin Tarantino’s film Jackie Brown) and 1980’s smash “Stomp!”

Louis garnered the nickname “Thunder Thumbs” as a nod to his innovative bass slapping technique. His signature sound was from the Music Man StingRay bass which Leo Fender especially made for him to first use and promote, and form his slapping technique.

Louis Johnson brought the “funk” to Michael Jackson’s hits “Billie Jean” and “Don’t Stop ‘Til You Get Enough”. He also appeared on “Off the Wall”,”Thriller and artists Paul McCartney, Stevie Wonder and Aretha Franklin tracks. The Brothers Johnson’s 1980 album Light Up the Night, featuring “This Had to Be” was co-written by Michael, featuring him on background vocals. The album rose to the top of the R&B charts.

Although the news of his passing saddens me, I’m grateful for the time we shared through his incredible musical performances. I honor his legacy and say – Thank you, Louis “Thunder Thumbs” Johnson for bringing the funk! You will be missed.

In Memorial

Thanks, Louis!

“Batman” 🎬 Small Screen to Big Screen

Posted by donnamarie on May 10, 2016

I’ve been a tv and movie junkie since I was a kid and the intersection of movies and television got me thinking about what tv shows successfully made the leap to the big screen. In my previous post, I celebrated the 50th Anniversary of “Batman”– the classic 60’s tv series. The eventual Warner Bros movie franchise that resulted made “Batman” one of the most accomplished superhero series to make that leap.

Catwoman, Riddler, Penguin, Joker

In 1989, Tim Burton set about the challenge of retooling the DC Comics superhero, “Batman” – this update veered away from the “campy” Adam West version and set in motion the money-making Warner Bros Batman films, most notably the “Dark Knight” trilogy.

I remember being in the grocery store when “Batman” (1989) premiered. Standing in line overhearing the chit chat, some people were truly upset that the Keaton movie was nothing like the tv series. They wanted the “pow” and “bam” of the William Dozier inception. I didn’t say anything but my husband is a comic book geek so I knew the real story and it was nothing like the “dynamic duo” of Adam West and Burt Ward. The 60’s classic was based on light-hearted portrayals and over the top villains. The real “Batman” is so far from campy it’s funny.

The film, directed by Tim Burton and produced by Jon Peters was based on the DC Comics character of the same name. It is the first installment of Warner Bros.’ initial Batman film series. It stars Michael Keaton as Bruce Wayne/Batman, alongside Jack Nicholson, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance. The plot is more closely aligned with the comic book as Batman, widely believed to be an urban legend goes to war with a rising criminal mastermind known as “the Joker” (Nicholson).

I felt Keaton brought a vulnerability to the role while focusing on the conflict within. I remember reading an article about Michael Keaton speaking to Jack Nicholson on how to approach the character. Jack being Jack told Keaton to let the mask do the work. Following Nicholson’s advice, Keaton played with his voice’s lower register so the character’s intensity was amplified.

Michael Keaton as Batman (1989)

Director Tim Burton did a tremendous job bringing the “Batman series” back to life. The atmospheric presence of Gotham City created the perfect backdrop for the conflict between “good” vs “evil”. Along with Nicholson providing the maniacal humor,”Batman” couldn’t help but be a hit!

Gotham City

“Batman” was one of the first films to spawn two soundtracks. One of them featured songs written by Prince while the other showcased Danny Elfman’s score. Both were extremely successful. Prince’s soundtrack album was No. 1 on the Billboard albums chart for six consecutive weeks. It has sold over eleven million copies worldwide.

Prince

Burton explained the theme, “the whole film and mythology of the character is a complete duel of the freaks. It’s a fight between two disturbed people”, adding that “The Joker is such a great character because there’s a complete freedom to him. Any character who operates on the outside of society and is deemed a freak and an outcast then has the freedom to do what they want… They are the darker sides of freedom. Insanity is in some scary way the most freedom you can have because you’re not bound by the laws of society”. (Wikipedia)

Jack Nicholson as the “Joker”

The tone and themes of the film were influenced in part by Frank Miller‘s The Dark Knight Returns. Batman was a critical and financial success, earning over $400 million in box office totals. It was the fifth-highest grossing film in history at the time of its release. The film received several Saturn Award nominations and a Golden Globe nomination and won an Academy Award.

The American Film Institute anointed Batman the 46th greatest movie hero and the Joker the 45th greatest movie villain on AFI’s 100 Years…100 Heroes and Villains. In 2008, Batman was selected by Empire magazine as number 458 of The 500 Greatest Movies of All Time.

batman1989press

“Batman” initiated the original Batman film series and spawned three sequels: Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997); the latter two of which were directed by Joel Schumacher instead of Burton, and replaced Keaton as Batman with Val Kilmer and George Clooney, respectively.

Adam West, Michael Keaton, Val Killmer, George Clooney and Christian Bale

Personally, I feel the franchise wasn’t fully formed until “Batman Begins” (2005) with Christian Bale as the “dark knight”. This and the subsequent sequels delved even deeper into the dark and intense storyline of Bruce Wayne and his inner demons.

Batman Begins (2005)

“Batman Begins“ was co-written and directed by Christopher Nolan and starred Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, and Morgan Freeman. The film reboots the Batman film series, telling the origin story of the title character (Bale), from his, alter ego Bruce Wayne’s initial fear of bats, the death of his parents, and his journey to become Batman. (Wikipedia)

The film was nominated for an Academy Award for Best Cinematography and three BAFTA awards. It is followed by The Dark Knight (2008) and The Dark Knight Rises (2012) in a continual story-arc, which has later been referred to as The Dark Knight Trilogy. Many consider “Batman Begins” to be one of the best superhero films of its decade.

The Dark Knight in 2008 and The Dark Knight Rises in 2012 (with Bale reprising his role in both films) earned over $1 billion worldwide, making “Batman” the second film franchise (and to date one of only five) to have two of its films earn more than $1 billion worldwide.

Well, I’m totally into this franchise and never miss a new installment in the series. Christian Bale is the man, he’s managed to capture Batman’s intensity with such vigor that the deeper he plunges, the deeper the journey we take with him.

Our Prince is Gone – 1958-2016

Posted by donnamarie on April 21, 2016

princepassing

Ever since Prince came on the scene his music has been such a vital part of my life. His passing is a tremendous loss personally and his enormous talent leaves a hole in our collective souls.

As the memories flood my mind I flashback to Prince and Morris Day with The Time performing at Hill Auditorium on the campus of my alma mater – The University of Michigan. This was 1978 before Prince was PRINCE. I can still see the audience swaying, fully in tune with Prince’s dynamic energy and saw a sea change, realizing this was the last time I would intimately see this badass, revolutionary genius. Now, PRINCE would belong to the world.

Prince Rogers Nelson (June 7, 1958 – April 21, 2016)

Long Live Rock Movies! 😎🎸

Posted by donnamarie on April 13, 2016

“School of Rock” (2003)

Let’s start with our substitute teacher, Mr. Schneebly – what kid hasn’t wished for a sub like him? No grades, being part of a kick butt rock band, defying parents, breaking the rules. Good, right?

Jack Black’s character Dewey Finn is the forever loser and quintessential wanna be rock star, but when he steals his roommate’s identity as a substitute teacher, (Mr, Schneebly) he discovers he has a class of very musically talented 5th-grade students. So, Dewey decides to turn his class into a rock band to potentially win the Battle of the Bands and $20,000. I won’t spoil whether the kids win or don’t win the battle but as a result of the contest they gain self-confidence and continue to play rock in an after school program coached by Dewey. Long live Rock!

This film totally tapped into my inner rocker!

“The Commitments” (1991)

What happens when a group of white working class Dubliners forms a soul band? A rousing film with some great music inspired by legendary artists, Otis Redding, Aretha Franklin and Wilson Pickett.

The band nails the soul of the greats by immersing themselves 24/7 in classic soul standards:

“In the Midnight Hour” – Wilson Pickett
“Try a Little Tenderness” – Otis Redding
“I Never Loved a Man” – Aretha Franklin
Whether on buses, hanging up laundry or in music store windows, they were feeling the soul. In the words of Félim Gormley (Dean Fay- Saxophone), “I’m black and I’m proud!”

I’m so glad the movie was authentic with the cast singing on the soundtrack. (The actors were cast for their musical abilities.) Lead singer (Andrew Strong “Deco”) was nuts but the standout talent of the band.

The Commitments was voted best Irish film of all time in a 2005 poll sponsored by Jameson Irish Whiskey and launched a generation of Irish musicians and actors.

“This is Spinal Tap” (1984)

OMG, the funniest, dead on satire of a rock metal band ever!

Classic in every sense of the word, Director/Writer Rob Reiner’s masterpiece was also written and scored by the stars:

Rob Reiner – (Marty D. Bergi) – Mokumentarian

Spinal Tap

Christopher Guest – (Nigel Tufnel)

Michael McKean- (David St. Hubbins)

Harry Shearer – (Derek Smalls)

This mockumentary feels so real that some moviegoers thought they were an actual group!

The “Stonehenge” number during the Smell the Glove tour is priceless. Due to a mix up with size dimensions, the Stonehenge replica for their epic song is 18 inches instead of 18 feet tall. The little people performers in the number were taller. And Derek Smalls getting stuck in the stage prop egg is hilarious!

In 2002, This Is Spinal Tap was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and was selected for preservation by the United States National Film Registry.

Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

As I started writing “Jammin’ at the Movies – Music that Makes the Movies” I realized there were far too many films to note in one post, so these are a few others that make my list of movie soundtracks that are synonymous with the film itself.

“Pulp Fiction”, “Forrest Gump”, and “Saturday Night Fever” are true American classics and so are their soundtracks!

Let me know some of your most notable in the comments!

The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

“Pulp Fiction” (1994), “Forrest Gump” (1994), and “Saturday Night Fever” (1977) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

“Pulp Fiction”(1994) is the coolest film and soundtrack ever. QuentinTarantino (Oscar for Best Original Screenplay) certainly had his finger on the pulse of the vital connection music plays in conveying the attitude of this movie and put together the perfect soundtrack to complement the mood.

First of all, I would love to hang at Jack Rabbit Slims. I love all things 60’s and between the cars and the celebrity impersonators, how fun! Second, this is how you dance cool. I remember all the back in the day dances like the twist, the jerk, and the batman.

The album reached No. 21 on the Billboard 200, while Urge Overkill’s cover of the Neil Diamond song “Girl, You’ll Be a Woman Soon” peaked at No. 59 on the Billboard Hot 100.

Billboard chalked up MCA’s compilation to identifying the market niche: “Pulp Fiction…successfully spoke to those attuned to the hip, stylized nature of those particular films.” The eclectic “mix-and-match strategy” is true to the film.

Trivia – revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co-stars Samuel L. Jackson and Uma Thurman.

Academy Award-winning film “Forrest Gump” (1994) starring Tom Hanks and based on the 1986 novel of the same name by Winston Groom, will always have a special place in my heart. The genuine spirit and remarkable journey of Forrest make you root for him.

The time setting of the ’60’s was perfect with the politics of the day and the Vietnam War being the volatile flashpoint of the decade.

The 32-song soundtrack from the film was released on July 6, 1994, and re-creates the angst of a generation and is perfect for fusing the film with the troubled times.

Music producer Joel Sill reflected on compiling the soundtrack: “We wanted to have very recognizable material that would pinpoint time periods, yet we didn’t want to interfere with what was happening cinematically.”

The soundtrack reached a peak of number 2 on the Billboard album chart and went on to sell twelve million copies and is one of the top-selling albums in the United States. (Wikipedia)

The mother of all movie soundtracks, Saturday Night Fever: The Original Movie Sound Track skyrocketed The Bee Gees and their music to the top of the charts with their timeless love ballads and energizing disco hits like the title song, “Staying Alive”.

The brothers wrote the songs “virtually in a single weekend” at Château d’Hérouville studio in France. Barry Gibb remembered the reaction when Producer Robert Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

“They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they’d brought with them.” The album has been added to the National Recording Registry in the Library of Congress for being culturally significant. (Wikipedia)

Even more, than the incredible music, John Travolta blew me away with his club-worthy dance moves. Who knew the kid from the television show “Welcome Back Kotter” could bust a move!

If you haven’t already, check out these rockin’ flicks. Perfect for a musical binge-worthy night!

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Movie Soundtracks

What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?

The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.

The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).

In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:

“Purple Rain” (1984), “Guardians of the Galaxy” (2014), and “Almost Famous” (2000) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.

The soundtrack for the film was released on June 25, 1984, by Warner Bros. Records and to date, it has sold over 22 million copies worldwide, becoming the sixth best-selling soundtrack album of all time.

The album was released by Hollywood Records on July 29, 2014, and reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart.

In Guardians of the Galaxy, Peter Quill forms an uneasy alliance with a group of extraterrestrial misfits who are fleeing after stealing a powerful artifact.

I couldn’t help but fall in love with the sweetness of “I am Groot” and subsequently, jammin’ “Baby Groot”.

Other hits from the soundtrack and my childhood include: “I Want You Back”, Jackson 5, “Oooh Child”, The 5 Stairsteps, and “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell which make for one kickin’ playlist!

This scene between William and his sister Anita takes me back to the days of vinyl and a time and way of appreciating music you cannot get from a cd. Music can change your life and for child prodigy William Miller (Patrick Fugit) it does.

Frances McDormand, as the mother, strictly controls and protects him and his older sister Anita by forbidding rock music and in her opinion, other unwelcome influences which drive Anita to leave home and become a flight attendant.

This classic soundtrack takes me back to some of the best memories of my high school days. Every time I watch this film I’m inundated with emotions and remember where I was when these songs were playing on the radio.

◊◊◊

Music has the power to cross time and space. I believe it’s our common bond. Even if you don’t speak the same language you can speak the same music.

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Sony Pictures Presents

THE 1986 MUSICAL FANTASY RETURNS TO THE BIG SCREEN

Fathom Events and Sony Pictures invite you to celebrate the 30th Anniversary of Labyrinth when it returns to select cinemas nationwide for a special two-day event on Sunday, September 11 and Wednesday, September 14.

First of all, Bowie! Second of all, Bowie! And third, oh, you get it. David Bowie was born for this role. His theatricality, magical voice, aura, all made him destined and a standout as the Goblin King.

I remember this film fondly as my children would act out the entire movie in our family room. I’m a big musical movie buff and I would always smile in delight as I secretly checked out the show.

Check your local theater for showtimes or purchase tickets online here.

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The opening title sequence of a movie should invoke the tone of the film, grab your attention and create the anticipation of what’s to come. I recently did a post on most memorable film trailers and now I’m offering up some of the most memorable opening titles.

Vertigo (1958)

Alfred Hitchcock is the “master of suspense” for a myriad of reasons and this opening sequence created by Saul Bass, graphic designer, and Academy Award-winning filmmaker is an epic example of setting the tone and anticipation of what’s to come.

Casino Royale (2006)

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One of the coolest, funniest, most irreverent sequences I think I’ve ever seen are the opening titles for one of my new favorite movies, “Deadpool” (2016).

These are just of few of my favorites. Let me know in the comments those that make your list.

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(April 19, 1944 – June 24, 2016)

Bernie Worrell, composer and keyboardist, lost his fight with lung cancer on Friday. He was 72. Worrell was one of the original funk masters performing with the “Parliament/Funkadelic” and the “Talking Heads”. (for which I will always remember his frenzied playing style)

Worrell was classically trained. Taking up the piano at age 3, he later studied at the Juilliard School and the New England Conservatory of Music.

Among the many P-Funk jams he co-wrote, played on, or co-produced were “Flash Light,” “Atomic Dog,” “Aqua Boogie,” and “Red Hot Mama”.

David Byne of “The Talking Heads” remarked at a benefit concert for Worrell earlier this year – “He gives you the theology of funk. Bernie can take the music to a very cosmic place.”

Worrell released several solo albums, including “All the Woo in the World” and “Funk of Ages”. Presented by Prince, Bernie Worrell was inducted into the Rock and Roll Hall of Fame with other members of Parliament-Funkadelic in 1997.

In 2015, Worrell appeared in the movie Ricki and the Flash as the keyboard player in Meryl Streep’s band. The movie reunited Worrell with director Jonathan Demme, who had directed “Stop Making Sense”. (If you haven’t, I highly recommend checking out Stop Making Sense!)

During May 2016, the New England Conservatory of Music gave Worrell, who studied at the school until 1967, an honorary Doctor of Music degree.

The following video is – “Stranger: Bernie Worrell on Earth”. It is a documentary film about Worrell’s life, music and impact.

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I was thinking about actors who so embodied the role that you forgot the actual actor. The first that immediately came to mind was George Clooney in the Coen Brother’s Academy Award Nominated film –“Oh Brother, Where Art Thou?”

I had no idea he was so freakin’ funny! Who knew? He usually plays fine, hot, strong characters but this time, he went all the way out the box with this incredible performance.

The film is brilliant and all the actor’s performances are remarkable! “Oh, Brother Where Art Thou” is a dark comedy whose themes touch on poverty, politics and racism. I give it – both thumbs way up.

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Just celebrated God’s favor of another birthday and the end of my chemotherapy treatments to the funky sounds of the Brothers Johnson’s bass thumping soundtracks. What very special memories of college they evoke.

I was truly blessed to be able to share this birthday with some of my very special friends from “back in the day” at the leader and the best – The University of Michigan!

This is a repost of the memorial of Louis Johnson from 1 year ago today. R.I.H.

Louis garnered the nickname “Thunder Thumbs” as a nod to his innovative bass slapping technique. His signature sound was from the Music Man StingRay bass which Leo Fender especially made for him to first use and promote, and form his slapping technique.

Although the news of his passing saddens me, I’m grateful for the time we shared through his incredible musical performances. I honor his legacy and say – Thank you, Louis “Thunder Thumbs” Johnson for bringing the funk! You will be missed.

In Memorial

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In 1989, Tim Burton set about the challenge of retooling the DC Comics superhero, “Batman” – this update veered away from the “campy” Adam West version and set in motion the money-making Warner Bros Batman films, most notably the “Dark Knight” trilogy.