Happy Birthday, Ms. Lena Horne!

Lena Mary Calhoun Horne was a singer, dancer, actress, and activist whose 1957 live album entitled, Lena Horne at the Waldorf-Astoria, became the biggest-selling record by a female artist in the history of the RCA-Victor label. In 1958, this timeless beauty became the first African-American woman to be nominated for a Tony Award for “Best Actress in a Musical” (for her part in the “Calypso” musical Jamaica).

Lena Horne

Lena Horne

I’m proud to say that Lena and I are sisters of Delta Sigma Theta Sorority, Inc. which in the summer of 1980 sponsored a 2-month series of benefit concerts for Soror Horne. Sixty-three years old and intent on retiring from show business, these concerts were represented as Soror Horne’s farewell tour, although her retirement lasted less than a year.

In May 1981, her one-woman show, Lena Horne: The Lady and Her Music became an instant success garnering Horne a special Tony award, and two Grammy Awards for the cast recording. The 333-performance Broadway run closed on her 65th birthday, June 30, 1982.

 

Lena Horne: The Lady and Her Music

Lena Horne: The Lady and Her Music

 

In 1995, a “live” album capturing her Supper Club performance was released (winning a Grammy Award for Best Jazz Vocal Album). In 1998, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view.

 

In her personal life, Lena Horne married twice, Louis Jordan Jones in January 1937 (divorced in 1944). There were 2 children from that union – daughter, Gail (later known as Gail Lumet Buckley, a writer) and son, Edwin Jones (born February 7, 1940 – September 12, 1970) who died of kidney disease. Lena’s second husband,  Lennie Hayton, was Music Director and one of the premier musical conductors and arrangers at MGM. They married in December 1947 in Paris and separated in the early 1960’s but never divorced. Hayton died in 1971.

Lena’s grandchildren include screenwriter Jenny Lumet, daughter of Horne’s daughter Gail and husband filmmaker, Sidney Lumet. Her other grandchildren include Gail’s other daughter, Amy Lumet, and her son’s three children, Thomas, William, and Lena. Horne also has a great-grandson, actor Jake Cannavale.

Lena was an activist in the Civil Rights Movement. During World War II she refused to perform before segregated audiences and at The March on Washington, she performed and spoke in association with the NAACP, SNCC, and the National Association of Negro Women. Ms. Horne also worked with Eleanor Roosevelt to help pass anti-lynching laws. In 1983, she was awarded the Spingarn Medal for outstanding achievement from the NAACP.

 

From her beginnings at The Cotton Club at age sixteen through her appearances in films, television, and on Broadway, Lena Horne’s career spanned over 70 years. Back in 2012 there were rumors about singer Alicia Keys portraying Lena in a biopic. Sounds interesting. What do you think? Guess we’ll just have to wait and see if it ever happens.

 

Lena Alicia 2

 

In honor of what would be Lena’s 98th birthday, I’m featuring her most notable film:

Lena Horne  June 30, 1917– May 9, 2010

Lena Horne
June 30, 1917– May 9, 2010

“Stormy Weather” (1943) American musical film produced and released by 20th Century Fox

This movie blew my mind!  I saw it as a kid in the early sixties having no idea that there had ever been an all Black cast in a Hollywood production. Most of the premier entertainers of the 1940’s appeared in this tour de force that still stands as one of the best musicals of all time!

 

Stormy Weather poster

Directed by Andrew L. Stone
Produced by William LeBaron
Written by Jerry Horwin, Seymour B. Robinson (story)
H.S. Kraft (adaptation)
Starring Lena Horne
Bill Robinson
Cab Calloway
Katherine Dunham
Fats Waller
Fayard Nicholas
Harold Nicholas
Ada Brown
Dooley Wilson
Music by Harold Arlen
Cinematography Leon Shamroy
Editing by James B. Clark
Distributed by 20th Century Fox
Release dates
  • July 21, 1943
Running time 78 minutes
Country United States
Language English

“Stormy Weather” was the 2nd all Black cast film made by a major studio in the 1940’s. “Cabin in the Sky” was the 1st, produced by MGM. Lena Horne starred in both and became famous for her rendition of “Stormy Weather” although Ethel Waters first performed the classic at The Cotton Club Nightclub in Harlem in 1933.

The song was written by Harold Arlen and Ted Koehler who worked as music composers at the renowned Cotton Club from 1930-1934. They wrote many of the jazz revue songs that were performed at the club and are still classics today. Harold Arlen wrote the music and Ted Koehler the lyrics.

Awards

“Stormy Weather” was selected in 2001 to The Library of Congress National Film Registry.

 

Stormy Weather 1

Get ready to have your “mind blown”!  This dance sequence by the Nicholas Brothers is unreal.  Check it out.  Holy crap!!

 

Ethel Waters was a famous blues, jazz, gospel vocalist and actress.  Her best-known recordings include “Dinah”, “Stormy Weather”, “Taking a Chance on Love” and “Cabin in the Sky” (She also starred in the film) Let’s enjoy her interpretation of the classic tune by Arlen and Koehler:

“Stormy Weather”

 

Happy Birthday, Ms. Lena!

Lena Horne 2

 

 

 

 

 

Sparkle Forever! – Irene Cara

Irene1

Irene Cara

April 7, 1976, marked the film premiere of “Sparkle” and my introduction to the young, up and coming star, Irene Cara.   “Sparkle”  is the story of 3 sisters (Lonette McKee “Sister”, Dwan Smith “Delores”, and Irene Cara “Sparkle”) growing up in 1950’s Harlem. They become “Sister and the Sisters” girl group (formerly The Hearts) and we journey into their lives as their mother “Effie” (Mary Alice) struggles to raise the girls and reign in the “spirited” “Sister.”  Along with Styx (Phillip Michael Thomas) and Levi (Dorian Harewood) the girls face and deal with the trials and realities of  life.

I have 2 sisters and always wanted us to be a hot girl group.  (Unfortunately I was the only one who sang:(

Directed by: Sam O’Steen. Music: Curtis Mayfield.

sparkle-poster-artwork-dwan-smith-irene-cara-lonette-mc-kee

Lonette McKee, Irene Cara, Dwan Smith

 

Cara also went on to star in “Fame” 1980, the “movie that changed my life” and brought her superstardom.  Irene’s voice would later influence my own performances.   Young, beautiful and talented, she had it all!   Her voice cut through me like a knife.  I believed every word she sang and the lyrics seemed to sync up with the dreams I held in my heart.

Fame” You ain’t seen the best of me yet. Give me time I’ll make you forget the rest.”

Flashdance – “What a Feeling” started the clarion call to believe that “I can have it all.”  And in 1984 the song “Flashdance” won Irene Cara an Oscar for Best Music, Original Song.

 

What’s she doing now?

 From Stardom to seeming obscurity.

I hope this piece has introduced or reintroduced this accomplished artist back into our cultural landscape.

Irene Cara has won an Academy Award, 2 Grammy awards, Golden Globe and numerous other awards.

For me – Irene Cara’s star will Sparkle forever!

 

“Dance and Sing Get Up and Do Your Thing” – AFI’s Top 5 Musicals

musicals logo

 

It seems every time someone asks the question “What’s your favorite? (fill in the blank) that’s what happens to me…BLANK.  So, I decided to prep for the next occasion.  Here’s the American Film Institute’s list of the Top 5 Musicals of All time!  West Side Story and Cabaret have already made the list on my Songbird Oscar Winners post.  I think I got this!

Can you name yours?  Let’s share.

# FILM YEAR STUDIO
1 SINGIN’ IN THE RAIN 1952 MGM
2 WEST SIDE STORY 1961 United Artists
3 WIZARD OF OZ, THE 1939 MGM
4 SOUND OF MUSIC, THE 1965 Twentieth Century-Fox
5 CABARET 1972 Allied Artists

 

Some of my favorite quotes from the films!

Singing in the rain poster

Lina:  [with a voice to peel paint]  And I cayn’t stand’im.    Holy crap! This line makes the movie for me!!

 

 

 

West Side Poster

[singing]

Bernardo:  ” I’d like to go back to San Juan.”

Anita:  “I know a boat you can get on!”

 

Ha!  You do you, cause I’m gonna do me!

 

 

Wizard of Oz

Cowardly Lion:  ” Alright  I’ll go in there for Dorothy. Wicked Witch or no Wicked Witch, guards or no guards, I’ll tear them apart. I may not come out alive, but I’m going in there. There’s only one thing I want you fellows to do.”

Tin WoodsmanScarecrow:  “What’s that?”

Cowardly Lion:  “Talk me out of it!”

 

Oh Lion – you just gotta love him!

 

 

 

Sound of Music

 

Maria:  “When the Lord closes a door, somewhere He opens a window.”

 

Without a doubt!  Amen!

 

 

Cabaret poster

 

Sally:  ” I’m going to be a great film star! That is, if booze and sex don’t get me first.”

 

Quote is dead on.  What’s up Ms Liza?

 

 

 

 

80’s Classics Turn 30!

Goonies poster

Released June 7, 1985

Directed by Richard Donner. The screenplay was written by Chris Columbus from a story by executive producer Steven Spielberg.

Hard to believe but this year marks the 30th Anniversary of The Goonies and the “Truffle Shuffle”. I love this film! Buddies on a treasure hunt adventure to help their parents and save their neighborhood while along the way encountering pirates (one-eyed Willie), escaping from gangster family – the Fratelli’s and by the end forging a special friendship with the one-eyed, Baby Ruth eating, and ever lovable – Sloth. Sounds good to me! The Goonies got their nickname from the “Goon Docks” which is the neighborhood in which they live.

The movie was filmed in Astoria, Oregon which held a big four-day event that kicked off on Thursday, June 4th, running until Sunday, June 7th. Goonies fans were able to tour film locations, go to film screenings and even go on a treasure hunt. The actor who plays Chunk, Jeff Cohen, took part in the celebration signing autographs for fans on Friday at the Liberty Theater.

 

 

My favorite character is the klutzy Chunk. He has the best scenes and is absolutely hilarious. Getting into a little bit of everything he has lots of stories and confessions to share.

 

And what would the movie be without the theme song from Cyndi Lauper – The Goonies ‘R’ Good Enough:

The Goonies

Sean Astin as Michael “Mikey” Walsh

Corey Feldman as Clark “Mouth” Devereaux

Ke Huy Quan as Richard “Data” Wang

Josh Brolin as Brandon “Brand” Walsh

Jeff Cohen as Lawrence “Chunk” Cohen

Kerri Green as Andrea “Andy” Carmichael

Martha Plimpton as Stephanie “Stef” Steinbrenner

 

 

happy anniversary 30

 

The Breakfast Club

John Hughes films really have a knack for capturing the teenage angst and The Breakfast Club stands out as one of the best. The movie is engaging, funny and poignant and by the end you understand and care about each one of the characters. It may have been 30 years ago. but the themes still stand the test of time. We can all relate to the jungle called high school. For many it was the best of times and for others the worst of times.

 

breakfast-30th-banner

Anthony Michael Hall, Molly Ringwald, Ally Sheedy and Judd Nelson then and now.

Directed, written and produced by John Hughes, the coming of age storyline follows five teenagers, each a member of a different high school clique, who spend a Saturday in detention together and come to realize that they’ve bought into their respective stereotypes from peer pressure but are more complex than the labels they wear. They also deal with the pressures and expectations of their parents, teachers, and other authority figures. Critics consider it to be one of the great high school films as well as one of Hughes’ most memorable and recognizable works.

John Hughes

John Hughes

Starring Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy, it’s a bonafide classic and made 80’s icons of Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy. The “Brat Pack.”

 

The Breakfast Club quote

Breakfast Club Bowie quote

“Changes” – Opening verse of the 1985 film The Breakfast Club

Happy 30th Anniversary!

happy anniversary gold

Be sure to click this link to check out my post on The Breakfast Club Brat Pack.

 

 

 

 

 

 

”Fame” – Movie that changed my life

Fameposter

 

Seems Facebook  has started an – “on this day 1 year ago memory” feature on my timeline. I look at this as either an opportunity to relive warm memories or regret an overshare posting that will follow me for eternity. Fortunately, my 1 year ago memory is one of my warmest; my observations of the movie that most influenced my life. So, in keeping with the spirit of retrospection, here’s “Fame” – Movie That Changed My Life, originally posted June 6, 2014.

♥♥♥ ♥♥♥ ♥♥♥ ♥♥♥ ♥♥♥ ♥♥♥ ♥♥♥

I was reading an article about music that influenced the author’s life.  Since my thing is film, I started thinking about movies that affected my life.  My very first thought was right on.  “Fame” – Released May 16, 1980. Directed by Alan Parker.  Screenplay by Christopher Gore. (Lyric:…baby remember my name.”)

 

The film chronicles the lives of aspiring students attending a New York High School for the Performing Arts. We follow their journey from auditioning to acceptance, through graduation. It won 2 Oscars – Best Music, Original Song -“Fame” and Best Music, Original Score.

 

Coming out of the theater that night my life had changed with the realization that I must pursue my lifetime love of music and performing.  Honor my spirit!

From birth, I was an artist.  Growing up in Motown there was music a plenty.  Listening to Smoky Robinson, The Temptations, The Supremes, you get the idea, I could visualize the movie behind the song lyrics.  I can’t prove it, but I believe I came up with the idea for the music video.  Thanks for the credit MTV:)

I also loved to sing and knew the words to any and every song.  Old or new, it didn’t matter.  Yes, I was the girl with the hairbrush microphone pouring my heart out to Lulu’s “To Sir With Love.”  My friends and I even got together forming our own girls group.  Look out Diana Ross, there’s a new diva in town.

 

Throughout my school years, I found my way into choirs and in college I took an acting class or two. However, as an adult I never actually took the leap to being an actress and vocalist.  Never declared, “I’m a performer.”  Until I heard “I Sing The Body Electric.” 

I sing the body electric.

I celebrate the me yet to come.

I toast to my own reunion.

When I become one with the sun.

 

Having left Motown in 1985 for Chi-town, my moment had arrived.  Chicago is an incredible city and the theater scene is amazing! The local park district had a theater group so I dared myself to audition for the musical Pal Joey. I did, got cast, and, as they say, the rest is history.  From that moment on I was either in a play, auditioning for a play or in rehearsals for a play.

I’ve performed in pretty much every musical you can think of:  Bye, Bye Birdie, West Side Story, Little Shop of Horrors, Cabaret. (You get the idea)  I found my theater family and my voice.  I realized that performing was the missing piece of my soul, my essence.  And it all started on that spring evening in May 1980 with Fame.  “I’m gonna live forever. Baby remember my name!”

 

fame_title

 

Dedicated to Anne Meara

(September 20, 1929 – May 23, 2015)

Anne Meara 1975

(Played English teacher Elizabeth Sherwood – Fame 1980)

 

 

 

 

 

 

 

 

 

 

Pioneering Women Filmmakers

The Early Visionaries of American Film: A Series – Part 1

star wars galaxy

A long time ago in a galaxy far, far away…Women were the driving force behind Hollywood and the movies. This is the first part in a series paying homage to the women who broke the glass ceiling and wrote and directed the films that gave birth to the “Golden Age” of cinema and the motion picture industry.  Unfortunately, when the men realized the gold mine films were becoming, the women faded away thanks to the Hollywood studio system. Well, as the saying goes, “that’s the way they do you.”

 

Frances Marion 1918

Frances Marion 1918

 

Frances Marion was a trailblazer. becoming one of the most powerful screenwriters of the 20th century. With a career that spanned decades, she became the first female to win an Academy Award for Best Adapted Screenplay in 1930 for the prison life film The Big House, starring Robert Montgomery, Wallace Beery and Chester Morris. Her research included visiting San Quentin for the atmosphere and lingo of the inmates. The movie gave audiences their first experience of hearing prison doors slam shut, tin cups clanking on mess-hall tables and prisoners’ feet shuffling down corridors.

 

 

Frances also received the Academy Award for Best Story for The Champ in 1932. The tearjerker chronicled the relationship between a washed out boxer (Wallace Beery) and his young son (Jackie Cooper). Marion was credited with writing 300 scripts and producing over 130 films.

 

 

Born Marion Benson Owens (November 18, 1888) in San Francisco, California, she worked as a journalist and served overseas as a combat correspondent during World War I. On her return home in 1910, she moved to Los Angeles and was hired as a writing assistant, an actress by “Lois Weber Productions”, a film company owned and operated by pioneer female film director Lois Weber. (more on Lois Weber in Part 2 of the series)

 

Lois Weber

Lois Weber – Film Director

Frances was quite beautiful and could have been an actress but preferred to work behind the camera. She learned screenwriting from Lois Weber and went on to become the highest paid screenwriter, woman or man. Hollywood moguls competed for her stories and stars of the day Mary Pickford, Lilian Gish, Greta Garbo and Rudolph Valentino brought her characters to life on the screen. From 1919 – 1939 her star was ascendant, born at the right place and the right time, honing her craft during one of the most liberating eras for women in film.

 

 

When Marion met Mary Pickford (actress, producer, screenwriter) they became best friends with Marion writing screen adaptations of Rebecca of Sunnybrook Farm and The Poor Little Rich Girl for Pickford. As a result of the commercial success of “The Poor Little Rich Girl” in 1917 Marion was signed as Pickford’s “exclusive writer” at the salary of $50,000 a year, an unprecedented arrangement for that time.

Pickford was the celebrated “America’s Sweetheart” and in 1919 together with her swashbuckler actor husband Douglas Fairbanks, Sr., director D.W. Griffith (Birth of a Nation) and “The Tramp” Charlie Chaplin established “United Artists” pictures. These four were the leading figures in early Hollywood and this was their stand for independence against the powerful studio system. Mary was also  one of the original 36 founders of the Academy of Motion Picture Arts and Sciences.

 

In 1921, Frances Marion directed a film for the first time with Just Around the Corner. That same year, she directed her friend Mary Pickford in one of her own scripts entitled The Love Light. Their relationship was more than just writer and star, they were collaborators and the friendship between Pickford and Marion lasted more than 50 years.

Married four times, Frances Marion had two children with third husband, actor Fred Thomson. This was her longest marriage, lasting from 1919 until Thomson’s sudden and tragic death from a Tetanus infection in 1928. Frances’ great friend Mary Pickford had introduced them. Frances said it was love at first sight.

 

Fred Thomson and Frances Marion

Fred Thomson and Frances Marion

For many years she was under contract to MGM Studios, but, independently wealthy, she left Hollywood in 1946 to devote more time to writing stage plays and novels. Frances Marion published a memoir Off With Their Heads: A Serio-Comic Tale of Hollywood in 1972.

Frances died on May 12, 1973 leaving a legacy of innovation, independence and inspiration for future aspiring female writers. The documentary, Frances Marion: Without Lying Down,” is an insightful profile of her life and achievements in Hollywood.

 

Without Lying Down

Mary Pickford and Frances Marion

 

Narrated by “Pulp Fiction” actress Uma Thurman and Oscar-winner Kathy Bates, who gives voice to the screenwriter’s own words taken from her letters, diaries. and memoirs. The documentary also features footage from more than twenty of Marion’s movies, with commentary by silent film historian Kevin Brownlow, and film critic Leonard Maltin.

I was fortunate enough to catch it on Turner Classic Movies recently and great news, it will be replayed on June 10th at 6:00 am (est). It’s also available for purchase at Amazon.com. I highly recommend checking it out!

  frances marion lying

“I’ve spent my life searching for a man to look up to without lying down.” Frances Marion

 

It’ll take more than 60 years before women are once again present in meaningful numbers at every level of film production.

 

 

 

 

 

The “Brat Pack”

“Don’t You Forget About Me Breakfast Club”

The 2015 Billboard Music Awards reminded me it’s been 30 years since the premiere of Director John Hughes‘ “The Breakfast Club”. Molly Ringwald was on hand (she looked good) to reminisce and introduce the band Simple Minds (except not really – it was just the lead singer who wasn’t looking or singing so hot) performing “Don’t You Forget About Me” which coincidentally hit on the Billboard Top 100 – 30 years ago this week.

I did a post a few months back on the original “Rat Pack” –  Frank Sinatra, Dean Martin, and Sammy Davis, Jr. Not the same as the ultra cool “Pack” from the 60’s, this new generation was crowned by the media in the 80’s as the new “Pack” – The “Brat Pack.”

 

Brat Pack

 

 “The Brat” Members were:

Emilio Estevez, Ally Sheedy, Molly Ringwald, Judd Nelson, Anthony Michael Hall,

Rob Lowe, Demi Moore, and Andrew McCarthy

St. Elmo's Fire

St. Elmo’s Fire

Prerequisite to becoming a member of the “Pack” was being cast in either St. Elmo’s Fire or The Breakfast Club.

Breakfast

The Breakfast Club 1985

Directed and written by John Hughes, the coming of age storyline follows five teenagers, each a member of a different high school clique, who spend a Saturday in detention together and come to realize that they’ve bought into their respective stereotypes from peer pressure but are more complex than the labels they wear. They also deal with the pressures and expectations of their parents, teachers, and other authority figures. Critics consider it to be one of the great high school films as well as one of Hughes’ most memorable and recognizable works. Although I love The Breakfast Club, my heart will always belong to Hughes’ other classic – Sixteen Candles (1984). (but that’s another story)

 

Theatrical release poster

Theatrical release poster

The Breakfast Club made the “Brat Pack” icons of their generation and forever associated with the films that we still celebrate and reminisce with each viewing. Although it’s been 30 years the themes still hold true. I don’t think we’ll be forgetting anytime soon the connection and memories of those characters.

Director John Hughes had a knack for tapping into teen angst and connecting with his audience. Some of his other memorable classics include – Sixteen Candles (1984), Pretty in Pink (1986), Ferris Bueller’s Day Off (1986), and Home Alone (1990).

 

John Hughes

John Hughes

John Wilden Hughes, Jr. (February 18, 1950 – August 6, 2009) was honored at the 82nd Academy Awards (March 7, 2010), by Sheedy, Hall, Ringwald, and Nelson who all appeared in a tribute along with other actors who had worked with him including Jon Cryer (Pretty in Pink), Matthew Broderick (Ferris Bueller’s Day Off), and Macaulay Culkin (Home Alone).

 

A little Breakfast Club trivia:

So, tomorrow in honor of John Hughes and the anniversary of the film, I’m going to break out my Breakfast Club DVD and celebrate 30 years of loving this film and bonding forever with “The Pack”.

 

Josephine Baker – Beyond “Bronze Venus”

josephine baker tiger

Josephine Baker 1920’s

Josephine Baker is most celebrated as the “Bronze Venus” and her infamous “Banana Dance” in Paris c. 1927. However, the sum of her life is so much more! I was blown away by her boldness and sexual freedom, but it wasn’t until I saw the 1991 HBO movie starring Lynn Whitfield as Josephine Baker that I started doing research on her life. Whitfield won an Emmy Award for Outstanding Lead Actress in a Miniseries or a Special—becoming the first Black actress to win the award in this category which seems apropos since Josephine Baker was The Lady of firsts.

Lynn Whitfield - Josephine Baker Story 1991

Lynn Whitfield – Josephine Baker Story 1991

I’ve always been intrigued by Baker’s provocative reputation but had no idea of her involvement in the fight for justice, racial equality and the civil-rights movement.

Born  Freda Josephine McDonald in St. Louis, Missouri, (June 3, 1906 – April 12, 1975) she was an American-born French dancer, singer, and actress who came to be known in various circles as the “Black Pearl,” “Bronze Venus” and even the “Creole Goddess”. Her parents were Carrie McDonald and Vaudeville drummer Eddie Carson. Growing up poor she started working early cleaning homes and babysitting for wealthy white families.

josephine baker baby

Baby Josephine

Baker dropped out of school at the age of 13 and lived as a street child in the slums of St. Louis. Her street-corner dancing attracted attention from the Dixie Steppers which lead to her opportunity to appear in the groundbreaking and hugely successful Broadway revue Shuffle Along (1921). She performed as the last dancer in the chorus line, a position where, traditionally, the dancer performed in a comic manner, as if she were unable to remember the dance, until the encore, at which point she would perform it not only correctly but with additional complexity. Baker’s act set in motion the career which would make her an international star.

 

Josephine Baker_Charleston

Josephine Baker dancing the Charleston, 1926

 

Josephine traveled to Paris, France, for a new venture, and opened in “La Revue Nègre” on October 2, 1925, at the Théâtre des Champs-Élysées. Her erotic dancing and performing in next to nothing made her a sensation in Paris. The bohemian culture of interwar Paris embraced Baker’s skin color, allowing her to catapult to stardom. At the Folies Bergère, she performed the Danse Sauvage, wearing a costume consisting of a skirt made of a string of artificial bananas – voila! – a star is born.

 

 

Josephine Baker became the most successful and highest paid American entertainer working in France and the first Black woman to star in a major motion picture. Baker starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tam Tam (1935). She also starred in Fausse Alerte in 1940.

However, despite her acclaim in Europe, upon returning to New York in 1936  to star in the Ziegfeld Follies, she walked right back into good ole American racism. Audiences rejected the idea that a black woman could be so sophisticated and she was replaced by stripper Gypsy Rose Lee later in the run. Time magazine referred to her as a “Negro wench”. She returned to Europe heartbroken.

 

Josephine Baker and the French Resistance of World War II

Josephine returned to Paris in 1937, married a Jewish Frenchman, Jean Lion, and became a French citizen. In September 1939, when France declared war on Germany she was recruited by Deuxième Bureau, French military intelligence, as an “honorable correspondent”. Baker collected what information she could about German troop locations from officials she met at parties. She was awarded the Legion of Honor and given a Medal of Resistance for her work during World War II. She was also the first American woman to receive the Croix du Guerre, a notable French military honor.

josephine baker french 2

Josephine Baker Legion of Honor

 

 Josephine Baker and the Civil Rights Movement

Though based in France, Baker fought for American civil rights in the 1950’s and 1960’s. When she arrived in New York with her fourth husband French composer and conductor Jo Bouillon, they were refused reservations at 36 hotels because she was black. In 1951 when the famous New York Stork Club refused to serve Baker because she was black, she wrote letters to President Truman and enlisted the aid of the NAACP which focused a spotlight on the issues of inequality and racism in popular establishments.

 

josephine bakerstork-club-furor

Stork Club Controversy

 

Josephine Baker was one of the few female speakers at the March on Washington for Jobs and Freedom on August 28, 1963 introducing “Negro Women Fighters for Freedom”, including Rosa Parks, Martin Luther King, Jr. and Congressman John Lewis. The NAACP, National Association for the Advancement of Colored People, named May 20th Josephine Baker Day in her honor.

josephine_baker march on washington

Josephine Baker in French uniform – March on Washington 1963

“The Rainbow Tribe”

Long before Angelina Jolie and Brad Pitt’s multicultural family, there was Josephine Baker and her “Rainbow Tribe”. Josephine wanted to prove that “children of different ethnicities and religions could still be brothers.” Baker raised two daughters, French-born Marianne and Moroccan-born Stellina, and ten sons; Korean-born Jeannot (or Janot), Japanese-born Akio, Colombian-born Luis, Finnish-born Jari (now Jarry), French-born Jean-Claude and Noël, Israeli-born Moïse, Algerian-born Brahim, Ivorian-born Koffi, and Venezuelan-born Mara.

 

josephine-baker-children

Josephine Baker and “The Rainbow Tribe”

 

On April 12, 1975 we lost Josephine after she suffered a cerebral hemorrhage, she was 68 years old. She performed right up to her death, starring in a retrospective revue at the Bobino in Paris, Joséphine à Bobino 1975, celebrating her 50 years in show business.The opening night audience included Sophia Loren, Mick Jagger, Shirley Bassey, (best known for recording the theme song to the James Bond film Goldfinger (1964), Diana Ross, and Liza Minnelli.

20,000 people lined the streets of Paris to watch her funeral procession. She received a 21 gun salute, making her the first Black American female to be buried with military honors in France. Josephine Baker leaves behind a legacy of accomplishments including breaking color barriers and fighting for justice and equality around the world. I thank her for channeling her celebrity into championing the rights of all.

 

Celebration of Josephine’s Life and Legacy

Some Like it Hot! (1959)

Billy Wilder is one of my favorite directors because he’s not afraid to tackle controversial subject matters like alcoholism, adultery, and sexuality. His 1959 film Some Like it Hot is a fantastic example!  I love this film not only because it’s hilarious and Marilyn Monroe is at the height of her sexiness, but it addresses the issues of gender roles, cross-dressing and gay marriage head on!

United Artists released Wilder’s Prohibition-era farce Some Like It Hot without a Production Code seal of approval, withheld due to the film’s unabashed sexuality including a central cross-dressing theme.

 

 

Okay, so here’s the set-up:

2 speakeasy musicians (Joe and Jerry) in 1920’s Chicago witness the infamous St. Valentine’s Day Massacre. Obviously  – that’s a problem. Busted by the hitmen they try to talk their way out of the situation. However, the gangsters ain’t havin’ it so they do the next best thing – Run!

Okay, so now what? Go drag, book a gig with the all-girl band Sweet Sue and her Society Syncopaters. Hey, it could happen.

 

Introducing Josephine and Daphne

 

Now, let’s meet Joe and Jerry

somelikeithotjoeandgerry

Jerry: You’d bet my money on a dog? Joe: He’s a shoo-in. Max the waiter knows the electrician that wires the rabbit.

 

Joe ( Tony Curtis) is a saxophone playing womanizer who’s borrowed money from every girl on the chorus line at the speakeasy. Jerry (Jack Lemmon) plays the upright bass and is Joe’s best friend. Although tired of Joe’s crap, he covets his prowess with women while simultaneously desiring a stable relationship of his own.

Their bond is put to the test when Joe (as Josephine) zeros in on Sugar Kane (Marilyn Monroe) and her strut when they arrive at the train station. Sugar plays ukulele and sings with Sweet Sue (Joan Shawlee) and the Syncopaters. By the time they arrive at their destination in Florida, Joe has sweet talked his way into Sugar’s life and is bound and determined to have a taste. Daphne (Jerry) on the other hand has a different experience; dealing with his jealousy of Joe and Sugar’s relationship while maneuvering the advances and courtship of much-married and aging millionaire, Osgood Fielding III (Joe E. Brown).

First of all, Joe E. Brown is a scream! Second of all, check out his career along with this performance.

 

 

And here we go – into the land of whoa, stuff we don’t talk about in 1959 and are really just scratching the surface of today:

Cross Dressing: Designer Orry-Kelly won an Oscar for Best Costume Design for his work. Seeing Marilyn’s gowns, Curtis and Lemmon insisted on wearing Kelly’s designs as well to make them look good as females. They played it straight as Josephine and Daphne which I believe gave weight and merit to the film. They may have looked good, but Marilyn was hot! As a young girl, I went, yes – one day I wanna rock a dress like that!

 

Gender Roles: Challenging what is deemed to be male/female expectations. By embracing their personas, Joe and Jerry learn from Sugar and Osgood what it means to walk in another woman’s shoes and deal with the complexities of being a woman in a man’s world.

 

Gay Marriage: The right to love for love’s sake. This is undoubtedly my favorite scene!

Joe to Jerry/Daphne – “It’s just not being done.”

“I’m a Boy”

 

This final scene is pure – Subversive Brilliance!

Despite Joe’s argument to Jerry and Jerry’s argument to Osgood about how outrageous their marriage would be – in the end, love will not be denied.

 

Billy Wilder, the Austrian-born American filmmaker is regarded as one of the most brilliant and versatile filmmakers of Hollywood’s golden age. Wilder is one of only five people to have won Academy Awards as a producer, director and screenwriter for the same film (The Apartment). The American Film Institute has ranked these four Wilder films among their top 100 American films of the 20th century:

In 2001, AFI selected Some Like It Hot as the number one comedy film of all time.

BillyWilderParamountPubPhoto1942

Billy Wilder

 

Thank you, Billy Wilder for directing, producing and writing this screenplay. Art should be provocative, revolutionary; pushing the conversation forward. Humor and politics are not mutually exclusive. Question what is accepted. Fight for what is right.

Happy Birthday Dr. Maya Angelou!

Today we celebrate the legacy of Dr. Maya Angelou on what would be her 87th birthday. To commemorate the spirit and accomplishments of Dr. Angelou, she’s being honored by Oprah Winfrey on April 7th with her own Forever Stamp ceremony  at the Warner Theater in Washington, D.C.

 

maya angelou stamp ps1

Forever Stamp

 

Joanne Braxton, Professor of English and Africana Studies at William & Mary College is a friend of the Angelou family and was presented with the opportunity to be the project’s consultant by the United States Postal Service. In Braxton’s words: “I answered that it was a sacred work,” she recalled, “and that anyone who did it would be blessed. I was all in.”

The stamp features Atlanta artist Ross R. Rossin’s oil-on-canvas portrait of Angelou with the celebrated author’s quotation: “A bird doesn’t sing because it has an answer, it sings because it has a song.”  In addition, the stamp pane includes a short excerpt from Angelou’s book, Letter to My Daughter, and reads: “Try to be a rainbow in someone’s cloud.”

Rossin is a Bulgarian-American portrait artist known for his large-scale, realist portraits of modern and historical figures including: Abraham Lincoln, George Washington, Andrew Young, Hank Aaron, and Maya Angelou.

What an apropos acknowledgment of Dr. Angelou’s significance and influence in literature, music and art. Her gift was her ability to lift spirits and provoke ideals in our culture. I’m looking forward to purchasing this special recognition that honors her “forever spirit” for years to come.

In honor of Maya Angelou’s birthday, this is a special reposting of my tribute from May 28, 2014 on her passing.

 

♥♥♥♥♥♥

“Phenomenal Woman” – R.I.P – Dr. Maya Angelou

Renowned Poet, Author, Actress and Director dies at 86.  

May her soul and her spirit forever soar.

 

A remarkable Renaissance woman who is hailed as one of the great voices of contemporary literature. Credited with a list of plays, movies, and television shows spanning more than fifty years.

 

Maya Ang

April 4, 1928 – May 28, 2014

 

 

Maya Phenomenal woman