Way to turn the classic “Dracula” on its’ head! I think the idea to present Blacula as an 18th Century African prince during the slave trade was historical and topical. Although considered a Blaxploitation horror film, it was taken with a serious approach and hits the mark on the classic Universal horror flick.
This trailer is so typical of an American International Picture, high on exploitation and drama. Formed on April 2, 1954, from American Releasing Corporation (ARC) by James H. Nicholson, former Sales Manager of Realart Pictures, and Samuel Z. Arkoff, an entertainment lawyer. It was dedicated to releasing independently produced, low-budget films.
Samuel Zachary Arkoff (12 June 1918 – 16 September 2001)
The ARKOFF formula:
Action (exciting, entertaining drama)
Revolution (novel or controversial themes and ideas)
Killing (a modicum of violence)
Oratory (notable dialogue and speeches)
Fantasy (acted-out fantasies common to the audience)
Fornication (sex appeal, for young adults)
The plot of Blacula is the story of Manuwalde (William Marshall), an African Prince. It’s a modern twist on the classic Dracula legend and is told in a very compelling and chilling way.
William Marshall “Blacula”
In the year 1780, while on a goodwill visit to ask Count Dracula (Charles Macaulay) to help him suppress the slave trade, (which existed in parts of Africa, like the rest of the world, and was a part of the economic structure of some societies for many centuries), he is refused by the Count. Instead, Manuwalde is turned into a vampire by Count Dracula and wife, Luva (Vonetta McGee) is killed.
Quote – Dracula: You shall pay, black prince. I shall place a curse of suffering on you that will doom you to a living hell. I curse you with my name. You shall be… Blacula!
The scene then shifts to the year 1972 with two interior decorators from modern-day Los Angeles California traveling to Castle Dracula in Transylvania and unknowingly purchasing the now-undead Mamuwalde’s coffin, which they ship to Los Angeles.
One of the interior decorators – Could he be Richard Simmons’ twin or what?😄
Later unlocking the coffin, the decorators release Mamuwalde, becoming his first two victims as a vampire, turning them and others he encounters in his bloodthirsty reign of terror into vampires like himself. (Wikipedia)
Blacula was released on August 25, 1972, to mixed reviews. American International Pictures’ marketing department in an effort to ensure that black audiences would be interested in Blacula; created posters for the film including references to slavery.
Noted for creating the Blaxploitation horror genre, Blacula debuted at #24 on Variety’s list of top films. It eventually grossed over a million dollars, making it one of the highest-grossing films of 1972. A sequel to the film titled Scream Blacula Scream was released in 1973 by American International. The film also stars William Marshall in the title role along with actress and star of (“Foxy Brown” 1974) Pam Grier.
Classic Draculas
Charles Macaulay – Count Dracula
William Marshall
Sequel Poster
Prince Mamuwalde / Blacula
Scream Blacula Scream was released in 1973
Trivia:
Blacula was in production between late January and late March 1972. While Blacula was in its production stages, William Marshall worked with the film producers to make sure his character had some dignity.
His character name was changed from Andrew Brown to Mamuwalde and his character received a background story about being an African prince who had succumbed to vampirism.
Blacula was shot on location in Los Angeles, with some scenes shot in the Watts neighborhood and the final scenes taken at the Hyperion Outfall Treatment Plant in the beachside, west Los Angeles Playa del Rey.
The Hues Corporation 1972
The music for Blacula is unlike that of most horror films as it uses rhythm and blues as opposed to haunting classical music. The film’s soundtrack features a score by Gene Page, who was one of the most prolific arrangers/conductors of popular music during his time and worked on more than 200 gold and platinum records.
Music on the soundtrack also included contributions by The Hues Corporation. They are best known for their 1974 single “Rock the Boat”, which sold over 2 million copies. (Wikipedia)
I may be dating myself, what am I saying, I KNOW I’m dating myself but there was a time back in the day when Warren Beatty (Bonnie & Clyde, Splendor in the Grass) was the finest dude, not just in Hollywood but dare I say the planet!
Warren Beatty and Natalie Wood
Beatty was gracing the covers of celebrity magazines back in the ’50’s, long before the current crop of “world’s sexiest man” covers and was dating star Natalie Wood (“Miracle on 34th” Street, “Rebel Without a Cause“) and other beautiful ingenues making women swoon with envy.
“Shampoo” (1975) is the story of George Roundy (Warren Beatty) the womanizing hairdresser who realizes too late that his life of philandering has cost him the love of his life. George’s case is that “he can’t help it, they smell so good.”
The film stars Warren Beatty, Julie Christie, and Goldie Hawn (Kate Hudson’s mom), with Lee Grant, Jack Warden, Tony Bill and in an early film appearance, Carrie Fisher. The movie is set on Election Day 1968, the day Richard Nixon was first elected as President of the United States, and was released soon after the Watergate scandal had reached its conclusion.
Goldie Hawn, Nixon, Warren Beatty
The political atmosphere provides a source of dramatic irony, since the audience, but not the characters, are aware of the direction the Nixon presidency would eventually take. However, the main theme of the film is not presidential politics but sexual politics; it is renowned for its sharp satire of late-1960s sexual and social mores. (Wikipedia)
I almost didn’t publish this post because of recent disturbing events going on right now in politics but thought no, this film isn’t about committing assault, it’s about facing your viewpoint of morality and realizing how callously you’ve been living your life.
When I first thought about posting this it was based on the politics of the ’60’s then ironically found myself in mid-sentence realizing that the controversies of the Nixon era have nothing on the despicable state of politics today.
Goldie Hawn, Julie Christie, Tony Bill, Warren Beatty
But I digress, I loved “Shampoo” because of one – watching fine Warren Beatty and two – the ending. You have to pay the piper and take responsibility for your actions. George represented a lot of guys who thought doing as many women as possible was cool and made them all that but, the truth is, what goes around, comes around.
“Shampoo” was Carrie Fisher’s first film and won Lee Grant the Academy Award for Best Supporting Actress. The film was directed by the brilliant Hal Ashby. (Harold and Maude 1971)
Other Academy nominations were:
Robert Towne (“Chinatown”) and Warren Beatty – Best Writing, Original Screenplay
Best Motion Picture (Musical or Comedy)
Best Motion Picture Actor (Musical or Comedy) – Warren Beatty
Best Motion Picture Actress (Musical or Comedy) – Julie Christie & Goldie Hawn
The lead character, George Roundy, is reportedly based on several actual hairdressers, including Jay Sebring and film producer Jon Peters, who is a former hairdresser. Sebring was brutally murdered by the Charles Manson family in 1969. According to the 2010 book Star: How Warren Beatty Seduced America by Peter Biskind, the screenwriter Towne based the character on Beverly Hills hairdresser Gene Shacove. (Wikipedia)
Jay Sebring
Jon Peters
The film had little critical praise but commercially, “Shampoo” was a great success. Produced on a budget of $4 million, the film grossed $49,407,734 domestically and $60 million at the worldwide box office. It was the fourth most successful film of 1975 by box office takings, beaten only by Jaws, One Flew Over the Cuckoo’s Nest, and The Rocky Horror Picture Show. (Wikipedia)
Henry Warren Beatty (born March 30, 1937) has been nominated for fourteen Academy Awards – four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981).
Beatty is the first and only person to have been twice nominated for acting in, directing, writing,and producing the same film – first with Heaven Can Wait (1978), which was co-written by Elaine May and co-directed by Buck Henry, and again with Reds, which he co-wrote with Trevor Griffiths.
In 1999, he was awarded the Academy’s highest honor, the Irving G. Thalberg Award. Beatty has been nominated for eighteen Golden Globe Awards, winning six, including the Golden Globe Cecil B. DeMille Award, with which he was honored in 2007.
Seeing this black-and-white masterpiece on the big screen with an audience is a rarity in itself, but to make this screening a truly one-of-a-kind experience, writer, and director Mel Brooks will introduce the film live from the 20th Century Fox Lot in Hollywood, CA.
Mel Brooks “Young Frankenstein”
As I’ve written about before, “Young Frankenstein” is one of my all-time favorite films! Mel Brooks’ genius is on full display as he accurately fuses every Frankenstein film into one of the most hilarious ever produced.
In 2003, it was deemed “culturally, historically or aesthetically significant” by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry. On its 40th anniversary, Brooks considered it by far his finest (though not his funniest) film as a writer-director. (Wikipedia)
“Frankenstein” 1931
Dr. Frankenstein & Monster
Dr. Frankenstein & Igor
Dr. Frankenstein
The original “Frankenstein” is no longer a horror film to me since watching Mel’s take on this Universal Classic. There are so many scenes and moments from Brook’s movie that I couldn’t possibly pinpoint one. This is a reel of some of the best moments.
Young Frankenstein brings together Brooks’s inimitable style with a cast of comedy legends, including Gene Wilder as Federick Fronkensteen, Marty Feldman as shifty humpback Igor, Teri Garr as the hay-rolling lab assistant Inga, the brilliant Madeleine Kahn as Dr. Frankenstein’s high-strung fiancée Elizabeth, Peter Boyle as the kind-hearted monster, an uncredited Gene Hackman as the blind man who befriends him, and Cloris Leachman as Frau Blücher!
Join in the fun as the young neurosurgeon (Wilder), inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. Young Frankenstein believes that the work of his grandfather is to put it in his words, “do do”, but when he discovers the book where the mad doctor describes his reanimation experiment, the light bulb comes on as he exclaims – “It could work!”.
“Dr. Frederick Frankenstein”
The film is an affectionate parody of the classic horror film genre, in particular, the various film adaptations of Mary Shelley‘s novel Frankenstein produced by Universal in the 1930s.
Most of the lab equipment used as props was created by Kenneth Strickfaden for the 1931 film Frankenstein. To help evoke the atmosphere of the earlier films, Brooks shot the picture entirely in black-and-white, a rarity in the 1970s, and employed 1930s’ style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a period score by Brooks’ longtime composer John Morris. (Wikipedia)
If you’ve never experienced this Mel Brooks’ gem, make sure to check out this one-night special event! And, if you’re a fan like I am, this is a great opportunity to quote your favorite lines and re-enjoy this classic on the big screen!
Extras: Behind the scenes of the Making of “Young Frankenstein”.
Tickets available online here. You can also, check with your local theater for showtimes and tickets.
Don’t miss this incredible opportunity to see the classic film on the big screen!
When I first saw this challenge on Facebook I thought, Wow! That’s an interesting and tough question. Owning thousands of videos with thousands of characters to choose from, it was difficult to come up with characters to describe me. But, being the type to rarely turn down a challenge, here goes.
I love her innocence and open heart and strive to be like her every day. She always finds the best in any situation and despite his being a “super-villain”, she even loves Gru. I describe her as my alter ego on my About page.
And we can’t forget her affection for Gru’s “dog?“, Kyle. Whatever Kyle is, when he first sees Agnes he’s terrified by HER! Maybe because she treats him like any other pet and Kyle likes to go for bad. However, by the end of the film, Agnes has won Kyle over with her infectious spirit and even has him enjoying playing dress up with her. (sort of)
KYLE
Agnes, Kyle, Mona
Gru and the Crew
And the best reason of all we’re simpatico is because Agnes loves to hang out with my favorite “little people”, The Minions!
Ever since I first saw Irene Cara as “Sparkle” on the big screen I made an instant connection. She was young, impressional, and fought fiercely for the people she loved.
The relationship between Sparkle and her big Sister, “Sister” is also a comparison point. I have big sisters that as a child idolized and thought were the most beautiful, intelligent, and compassionate women I knew. And those feelings are still true to this day. However, my big sisters are NOTHING like “Sister”. Lonette McKee’s character had a lot of issues, including the drugs.
Sister, Sparkle, and Delores
The other meaningful connection is Sparkle could sing! I was in college when the film came out and had done a little warbling with my sorority sisters. As a kid, I often wished my sisters and I could form a singing group and be even bigger than the Supremes!
However, neither of my sisters had much of a voice so, that idea went out the window. Seeing the movie inspired me to pursue my love of singing. I started auditioning and was able to realize my passion as a featured vocalist in Community Theater productions.
Even though I bet friends and family might find “The Black Widow” (Scarlet Johanson) an odd choice, she is a piece of my psyche. Inside my head, I can totally see me kickin’ the butts of 29 guys simultaneously. I guess she’s my Freudian id, a force to be reckoned with yes, but watching her on the screen is a great way of working out some frustrations. Fortunately, unlike the Hulk, I can keep my girl at bay ’cause, “you wouldn’t like me when I’m angry.”😎
Come on, she’s a well-rounded (no pun intended) figure. Even as an Avenger “Black Widow” takes the time to be a loving aunt to her bestie and fellow Avenger Hawkeye’s (Jeremy Renner) children. They have an enduring friendship they both treasure and despite the fact of sometimes fighting, they remain steadfast friends.
Hawkeye – Jeremy Renner
I love her nurturing relationship with Hawkeye’s children which is even more significant since the option of childbirth was taken away from her in training to be an assassin. Unlike “Black Widow” I was blessed with 2 beautiful children, so I really respect the fact she decided on this positive solution to her childless reality and not use her assassin training as a way to suppress these maternal feelings.
Did I mention she can take a dude down? And, she is the only one who can calm down an angry “Hulk”.
She’s fine just chillin’ at a friends place or if the need arises, she’s down for the fight.
Dr. Bruce Banner, Black Widow, Tony Stark, Thor, Captain America
I’m not an assassin and don’t feel the need to act out my Avengers fantasy but I do consider myself to be tough, determined, and self-sufficient.
Another reason I get into relating to her is because as an Avenger, “Black Widow” has no superpowers, she IS the superpower! A serious badass! And who knows, like the “Widow” when push comes to shove, I just might have to bust out some of my kick-ass moves.😎
The Avengers
I’ve shared my 3 characters, how about sharing yours?
What would the film experience be without a memorable soundtrack that sets the mood, pumps up the action and evokes nostalgic memories?
The idea of musical accompaniment has been around since silent films but with the advent of sound in the 1920’s, filmmakers were able to have direct control over the soundtrack as a device to manipulate the audience’s emotions.
The first film to use a completely original score was written by composer Max Steiner for the classic ‘King Kong’ (1933).
Imagine Alfred Hitchcock’s “Psycho” without those driving Bernard Herrmann violins and strings during the shower scene and the ominous “dun-dun-dun” that alerted the audience to the arrival of “Jaws” thus evoking all kinds of fear. With the Soundtrack Album, audiences have the freedom to listen to and relive the memories of their favorite films at anytime.
“Psycho” 1960
“Jaws” 1974
In developing his film projects Director, Quentin Tarantino approaches the movie process in this way:
Quentin Tarantino
“One of the things I do when I am starting a movie, when I’m writing a movie or when I have an idea for a film is, I go through my record collection and just start playing songs, trying to find the personality of the movie, find the spirit of the movie. Then, ‘boom,’ eventually I’ll hit one, two or three songs, or one song in particular, ‘Oh, this will be a great opening credit song.” (Tracks and Fields)
“Purple Rain” (1984), “Guardians of the Galaxy” (2014), and “Almost Famous” (2000) are 3 of my favorite films that demonstrate the impactful relationship between the storyline and the music.
The music from “Purple Rain” has kept me groovin’ since it premiered. While rockin’ the theater, “I Would Die 4 You” also connected the events necessary to resolve the plot and “The Kid’s” conflicts, utilizing the flashback technique leading to the climactic ending scene. The album rocketed Prince to superstardom!
The soundtrack for the film was released on June 25, 1984, by Warner Bros. Records and to date, it has sold over 22 million copies worldwide, becoming the sixth best-selling soundtrack album of all time.
“I Would Die 4 U”, “Baby I’m a Star” and “Purple Rain” were recorded live from a show on August 3, 1983, at the First Avenue club in Minneapolis, with overdubs and edits added later. This marked the first time Prince included live recordings on any release. The show was a benefit concert for the Minnesota Dance Theater and featured the first appearance of guitarist Wendy Melvoin in Prince’s band, The Revolution.
Prince won two Grammy Awards in 1985 for Purple Rain, for Best Rock Vocal Performance by a Duo or Group and Best Album of Original Score Written for a Motion Picture or TV Special, and the album was nominated for Album of the Year. Prince won a third Grammy that year for Best R&B Song (songwriter) for Chaka Khan’s cover of “I Feel for You”. Purple Rain also won an Oscar for Best Original Song Score in 1985.
“Guardians of the Galaxy” is the 2014 film based on the Marvel Comics superhero team of the same name, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. Directed by James Gunn, the movie features the songs present on character Peter Quill’s (Chris Pratt) mixtape in the film.
The album was released by Hollywood Records on July 29, 2014, and reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart.
“Come and Get Your Love” by (Redbone) set the tone and mood of the film for me and is also a classic rock song from the 70’s. The film incorporated songs from the 1960s and 1970s, such as “Hooked on a Feeling” by Blue Swede, which, according to the film’s director, James Gunn, acts as a way for Quill to stay connected to the Earth, home, and family he lost.
Peter Quill (Chris Pratt)
In Guardians of the Galaxy, Peter Quill forms an uneasy alliance with a group of extraterrestrial misfits who are fleeing after stealing a powerful artifact.
Drax, Gamora, Quill, Groot, and Rocket
I couldn’t help but fall in love with the sweetness of “I am Groot” and subsequently, jammin’ “Baby Groot”.
“Baby Groot”
Other hits from the soundtrack and my childhood include: “I Want You Back”, Jackson 5, “Oooh Child”, The 5 Stairsteps, and “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell which make for one kickin’ playlist!
Almost Famous was written and directed by Cameron Crowe, and starred Billy Crudup, Kate Hudson and Patrick Fugit. It tells the fictional story of a teenage journalist William Miller (Patrick Fugit) writing for Rolling Stone magazine in the early 1970s while covering the fictitious rock band Stillwater, and his efforts to get his first cover story published. The film is semi-autobiographical, as Crowe himself was a teenage writer for Rolling Stone. (Wikipedia)
Cameron Crowe
Cameron Crowe Films
The film received four Oscar nominations, one of which led to an award to Crowe for his screenplay. It was also awarded the 2001 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. Roger Ebert hailed it the best film of the year, and also the 9th best film of the 2000s. It also won two Golden Globes, for Best Picture and Kate Hudson won Best Supporting Actress.
Patrick Fugit, Kate Hudson, Billy Crudup
This scene between William and his sister Anita takes me back to the days of vinyl and a time and way of appreciating music you cannot get from a cd. Music can change your life and for child prodigy William Miller (Patrick Fugit) it does.
Frances McDormand, as the mother, strictly controls and protects him and his older sister Anita by forbidding rock music and in her opinion, other unwelcome influences which drive Anita to leave home and become a flight attendant.
I’ve always loved the song “America”. It’s just as poignant today as it was when it was first performed in 1968 by Simon and Garfunkel. The song was written by Paul Simon and concerns young lovers hitchhiking their way across the United States, in search of “America”, in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his girlfriend Kathy Chitty.
Paul Simon and Art Garfunkel
Director Cameron Crowe took a copy of the film to London for a special screening with Led Zeppelin members Jimmy Page and Robert Plant. After the screening, Led Zeppelin granted Crowe the right to use one of their songs on the soundtrack — the first time they had ever consented to this since allowing Crowe to use “Kashmir” in Fast Times at Ridgemont High. (Wikipedia)
Zeppelin also gave Crowe rights to four of their other songs in the movie itself, although they did not grant him the rights to “Stairway to Heaven” for an intended scene (on the special “Bootleg” edition DVD, the scene is included as an extra, sans the song, where the viewer is instructed by a watermark to begin playing it). (Wikipedia)
Robert Plant (Led Zepplin) and Cameron Crowe
This classic soundtrack takes me back to some of the best memories of my high school days. Every time I watch this film I’m inundated with emotions and remember where I was when these songs were playing on the radio.
◊◊◊
Music has the power to cross time and space. I believe it’s our common bond. Even if you don’t speak the same language you can speak the same music.
This wonderful homage to Star Trek stars the brilliant Alan Rickman (the inimitable Professor Snape), (I kicked the “Alien’s” butt) Sigourney Weaver, Tim (“ar ar”) Allen, and the irrepressible Tony Shaloub. It’s the story of a ragtag group of actors who spend the bulk of their post-television celebrity days at supermarket openings and Comic-con festivals. Primarily because in the 18 years since the series ended, they couldn’t buy a job.
We first meet this merry band backstage at a Comic-con event for their now defunct television series, “Galaxy Quest, waiting for their hated (I mean illustrious leader), Commander Peter Quincy Taggert (Tim Allen) of the intergalactic spaceship NSEA Protector, who’s always, always late for these events, and looks down on and ignores his co-stars by accepting solo engagements for personal appearances.
Commander Peter Quincy Taggert (Tim Allen)
Alan Rickman absolutely hates only being known for his Spock-type character Dr. Lazarus on the show since he is a Shakespearean-trained actor. And, if he hears his tagline “By Grabthar’s Hammer” regurgitated back to him at one more of these appearances, someone just might die. (I’m totally serious)
Tony Shaloub’s character Sgt. Chen is cool and zen with whatever is going down. Swinging to his own rhythm. (Love him!!)
Tony Shaloub – Sgt. Chen
And, Enrico Colantoni as Commander Mathesar is one of the sweetest, most endearing aliens you’ll ever meet.
Enrico Colantoni as Commander Mathesar
Sigourney Weaver as Lt. Tawny Madison is the ship’s computer voice and annoys the hell out of everyone since that’s her only function on the ship. “I’ve got one job and that’s what I’m going to do.”
Sam Rockwell deserves a righteous shout out as my man Guy (Crewman #6) who just knows this adventure is a bad idea and destined to lead to his untimely death. “Did you guys ever watch the show?” Fabulous!
The film received critical praise and reached cult status through the years, becoming popular with Star Trek fans, staff, and cast members for its affectionate parody.
At the 2013 Star Trek Convention in Las Vegas, Galaxy Quest received enough support in a Star Trek Film Ranking and was included with the twelve Star Trek films that had been released at the time on the voting ballot. The fans at the convention ranked it the seventh best Star Trek film.
Galaxy Quest won the prestigious Hugo Award for Best Dramatic Presentation, the Nebula Award for Best Script, 26th Hochi Film Award for Best International Picture and was also nominated for ten Saturn Awards including Best Science Fiction Film.
The movie garnered the Saturn Award for Best Director for Dean Parisot, Best Actress for Weaver and Best Supporting Actor for Rickman with Allen winning Best Actor. The film was included in Reader’s Digest‘s list of The Top 100+ Funniest Movies of All Time. (Wikipedia)
Theremins meeting Lt. Madison, Dr. Lazarus, and Guy
The incredible extraterrestrial alliance between the “Thermians” and the crew of the NSEA Protector, results in one fantastic, galaxy ride!
If you’re a fan and love Star Trek (tv and movies) you have to check out this awesome film. Trust me, space has never been the same.😄
THE 1986 MUSICAL FANTASY RETURNS TO THE BIG SCREEN
Fathom Events and Sony Pictures invite you to celebrate the 30th Anniversary of Labyrinthwhen it returns to select cinemas nationwide for a special two-day event on Sunday, September 11 and Wednesday, September 14.
Labyrinth tells the story of a fifteen-year-old girl, Sarah (Jennifer Connelly), who, in an immature and selfish moment, secretly wishes that her baby brother, Toby, would just disappear. Her wish comes true when goblins kidnap the boy forcing Sarah to solve a life-size labyrinth in order to rescue her baby brother from the castle of Jareth, the Goblin King (David Bowie).
Labyrinth is a 1986 American adventure musical fantasy film directed by Jim Henson, executive produced by George Lucas, and based upon conceptual designs by Brian Froud. With the exception of Bowie and Connelly, most of the significant characters in the film are played by puppets produced by Jim Henson’s Creature Shop. (Wikipedia)
First of all, Bowie! Second of all, Bowie! And third, oh, you get it. David Bowie was born for this role. His theatricality, magical voice, aura, all made him destined and a standout as the Goblin King.
I remember this film fondly as my children would act out the entire movie in our family room. I’m a big musical movie buff and I would always smile in delight as I secretly checked out the show.
Featuring a cast of puppets, the story by Dennis Lee and Jim Henson, and a screenplay by Terry Jones, Labyrinthhas all the myth and wonder of any childhood classic. As part of this event, the audience will be treated to a special introduction and get an exclusive all-new look behind the curtain at the making of this classic. (fathom events)
After Bowie’s death this year, someone posed the question, did David Bowie keep the Universe together? Seems the world went crazy with all the artists departing the planet. I don’t know, could be true. Well, anyway, make sure to check out Labyrinth’s 30th Anniversary screening! Starring the one and only, keeper of the Universe, David Bowie!
Check your local theater for showtimes or purchase tickets online here.
This joint venture with Fathom Events is an outstanding movie series and a great opportunity to check out some tried and true gems on the big screen! Even though we have the convenience of DVDs and streaming, nothing beats the experience of sitting in the dark and enjoying a great film with fellow movie lovers.
And an excellent film that fits the bill is the 1978 comedy “Animal House”.
Let’s head back to college with John Belushi and the gang in this raucous, and hilarious film packed with completely uncivilized frat parties, food fights, togas, and lots of fun!
School’s out for the summer, so why not break all the rules? The Deltas did and now they’re battling Dean Wormer. Whose side are you on? The uncivilized frat boys or the administration of Faber College?
The screenplay was adapted by Douglas Kenney, Chris Miller, and Harold Ramis from stories written by Miller and published in National Lampoon magazine, the stories were based on the writers’ college experience in fraternities.
Chris Miller
Doug Kenney/”Stork”
Harold Ramis
“Animal House” was the first film produced by National Lampoon, the most popular humor magazine on college campuses in the mid-1970s. The periodical specialized in humor and satirized politics and popular culture. Many of the magazine’s writers were recent college graduates, hence their appeal to students all over the country. (Wikipedia)
Being a college student in the mid-1970’s, I loved reading National Lampoon. The humor was totally off the wall. An all time favorite magazine cover was entitled: “If You Don’t Buy This Magazine, We’ll Kill This Dog” including a gun to the dog’s head. (told you it was off the wall and sometimes totally inappropriate😳 )
Cover of the infamous “Death” issue in January 1973.
Thanks to “Animal House”, toga parties became one of the favorite college campus happenings during 1978 and 1979. In 2001 the United States Library of Congress deemed Animal House “culturally, historically, or aesthetically significant” and selected it for preservation in theNational Film Registry.
Coming Soon To a Theater Near You!
60th Anniversary
Whether you’re a Yul Brener fan or just a push over for a love story, the Rodgers and Hammerstein musical classic,”The King and I” celebrates its 60th anniversary and is the next film in the series.
I’ve loved musicals my entire life. Going back to Frankie and Annette in the beach movies when a mandatory song would break out and a beach full of teenagers would get busy doing the watusi.
Frankie and Annette
Some musical numbers stand out more than others. This is Part Two of a glimpse into some of my favorites.
I’ve written about Streets of Fire before as my guilty pleasure. It’s a rock ‘n roll tale about gangs, ex- lovers (Diane Lane and Michael Pare) and some fantastic music! I give mad props to Fire, Inc. featuring Holly Sherwood (on lead vocals), Rory Dodd, and Eric Troyer for their music in the song “Nowhere Fast”. (Diane Lane did not sing) First, because it’s the right thing to do and second, they kicked butt!!
I got into the film primarily because of the musical sequences even though it failed critically and commercially. Its musical score, however, by Jim Steinman, Ry Cooder, and others, as well as the hit Dan Hartman song “I Can Dream About You”, from the film’s soundtrack, helped it attain a cult following.
I’ll round out this post with one of my favorite inspiring films, Fame. Produced by David De Silva and directed by Alan Parker, its screenplay is by Christopher Gore, choreography by Louis Falco and musical score by Michael Gore.
Starring Irene Cara, it’s a peek into a year of study at a New York school of performing arts. As a result of being fired up by this movie, I took my love of musicals and turned it into a path as an actress in community theater.
“Fame, I’m gonna live forever, baby remember my name!”
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